“Moonlight Daiquiri” is a modern portrait with classical elements. The model, Ying, is a concert stage musician- harpsichord/piano. She combines elements of strength and delicacy in her music and in her persona. The background motif is suggestive of musical symbolism and her gown alluring yet celestial.
Oil on canvas; 48×60”
fashionillustrationandmore.com
SOURCE: Art Business News - Read entire story here.
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Confidence is one of the most collector-attractive qualities an artist can possess.
You are more likely to get the commission, sell the work, fill your classes, and have your proposal accepted if we believe in you. And we are more likely to believe in you if you believe in yourself and your art.
Confidence comes with experience.
Exhibiting your art in public and having conversations with art visitors contribute to growing your confidence. Yet there are times when even the most experienced artist lacks in confidence. This comes with the territory.
The thing I enjoyed most about meeting Anne Shutan is that she was as excited about her work as I was. When I complimented something, she said, “I know! Isn’t that cool?!” I love that kind of enthusiasm. Here she is with the front door she carved.
You are bound to go through cycles of self-assuredness and doubt if you are experimenting and growing as an artist.
Perhaps these pointers will help when you’re not feeling so sure of yourself.
As you are preparing for an event such as an art opening, visualize how you want to show up. Imagine yourself firmly planted in the room, not flitting about, and welcoming one guest after another.
What do they say to you? How do you respond?
Confident people are comfortable enough to focus on other people. They leave space for conversation and don’t talk about themselves all of the time.
It sounds counterintuitive, but people will think you’re fascinating if you just listen to what they say and ask about their interests.
Develop a firm handshake, look people in the eye, smile, and call them by name. I practice this frequently with cashiers in checkout lines.
In my experience, introducing myself to strangers is a quick way to relieve any anxiety around an event with lots of people.
Don’t slouch in the back of the room. Pull your shoulders back, hold your head high, and introduce yourself to people.
I am fairly sure that speaking isn’t one of Ayn Hanna’s favorite pastimes, but you wouldn’t have known it. She did a terrific job speaking to this crowd in Boulder, Colorado.
Remember that everyone at an art opening is there for the same reason: to be seen and to meet people. (If you want to view the art, go before or after the opening.)
A new outfit can do wonders for your esteem, as can painting your nails or shining your shoes. Or try a new hairdo.
Anything that improves your appearance can give you a boost.
When someone says something kind about your art, all you have to do is say Thank You. Don’t giggle and brush aside their compliment. Don’t look down at the floor and say, Aw shucks. Look them in the eye and express your gratitude.
Don’t apologize for poorly cut mats, the crack in your pot, or the dirty display pedestal. There’s no need to call attention to imperfections.
Better yet, fix these imperfections before you show your work so that you aren’t tempted to give apologies and excuses.
You don’t have to always be confident. You just need to play the part.
Networking and articulating your work at Art Biz Makeover will help you build confidence. See what I mean by registering now. Early registration ends soon!
SOURCE: Art Biz Blog - Read entire story here.
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You know I love email, right?
I don’t necessarily love all of the spam that hits my inbox or the countless hours I spend reading and replying to email, but I can’t imagine running my business without it.
How would I ever be able to help as many people as I do for such a bargain rate?
And as much as I love email, I love real mail even more.
The supplies arrive.
Here are three reasons why I’m raving about real mail to my students, members, and private clients, and why you should, too.
1. Real mail is tactile.
Envelopes and postcards are things you can touch. You can cut, tear, and unpack a package (sometimes you can even smell it).
Add a handwritten note and voilà! You’ve enhanced your emotional bond with recipients. This emotional bond can’t be duplicated with email. True?
I can’t think of a single email, regardless of how kind it was, that evoked the same level of emotion as a piece of mail with personal handwriting.
Opening up the goodies.
2. Real mail distinguishes you from all of the other artists who aren’t using it.
When you send a package, letter, or postcard, you have to address it, stamp it, and put it in a mailbox. It’s so much work that most people don’t do it. How did we ever manage in the past?
Recipients will recognize and appreciate this extra effort.
Everyone uses email. Most people use it poorly. They don’t address people by name or sign their messages. This is a lousy business practice and it’s no way to nurture relationships.
Real mail has the potential to delight. Imagine the expression on recipients’ faces when they poke through their unwanted mail and find a piece with your art on it. ART. In the mail. Cool! Something fun to receive.
3. Real mail endures.
Recipients can keep a letter or postcard in a folder, tack it to a bulletin board, or slap a magnet on it for the refrigerator. They can keep it on top of a busy desk to make them smile.
Some people even frame their mail from artists.
Preparing a mailing for Art Biz Makeover.
Not so with email. Yes, I’m aware that some people never get around to deleting email, but in the company of several thousand messages in an inbox, your email might as well be in a black hole.
I don’t know about you, but I am quick with the Delete key.
I can easily plow through 300 emails in an hour when I need to. My focus isn’t on responding to the juicy stuff. I’m just trying to get rid of everything that doesn’t absolutely require my attention. I miss hundreds of marketing messages this way, but it’s the only way to remain sane with an overflowing inbox.
Maybe I missed one of your messages while emptying my inbox.
I hear your objections already. Real mail can be expensive. And, for whatever reasons, we think real mail needs to be a little more perfect than email. This means it takes longer to write, print, stamp, and send.
This means you don’t send real mail to everyone on your list. You send it to appropriate geographical regions, VIPs, and for special occasions. All the more reason to segment your list and keep your contacts database updated.
Real mail can make a real difference in your results. If you can only find the love for it.
If you’re loving real mail as much as I do, tweet this or share it on Facebook: “I love real mail because …” and fill in the blank. [ Tweet this and fill in the blank. ]
You can also share your responses in a comment here.
SOURCE: Artist Business-Building Strategies - Read entire story here.
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Commissions for artists are limited only by one’s imagination: people, house, and pet portraits, funerary urns, custom jewelry, garden sculpture, and more.
Regardless of the commissions you might be offered, use these pointers to make sure you pull off your project with flying colors and enjoy the process.
Create a special section on your website for commission information. Include steps for commissioning a piece and testimonials from happy patrons alongside images of the finished work.
I snapped this photo in the garage of the Milwaukee Art Museum and I’m happy to say that, according to her site, Susan Weres is still doing her thing. And she’s probably surprised to see this photo. I wonder how many commissions this tire cover has landed her.
See that your marketing materials have both an email address and a phone number.
At least one artist has lost an opportunity for commission because she didn’t have a phone number on her site and her email was down. How do I know? Because I was the person looking for an artist to help a neighbor with her project.
Absolutely you should turn down a commission if you can’t give it your best effort.
I heard of a muralist who behaved from the start as if she didn’t want the commission.
When the patron contacted her, she whined about what her commute would be, and her daughter’s school schedule, and, and, and. Then she had the nerve to ask her potential patron if he would get the paint and trace the design if she were to accept his offer.
Talk about poor customer service!
If you ask potential patrons to do half the work, why would they need to hire you in the first place? No one should have to endure this game – and it is a game. If you can’t do the work, just say so.
©2012 Ruth de Vos, Can You Catch Them. Quilt, 160 x 87.5 centimeters.
It’s perfectly okay to turn down projects that don’t align with your situation. Better that than wasting your time and someone else’s.
Don’t hesitate to share the name of an artist you think would be a better fit for the project. This is excellent customer service and may save you frustrations that are the result of over-promising.
If the commission seems like a good fit for you, show the patron why you’re the best person for the job.
Prove that you can deliver what they’re asking for and that you can meet any deadlines.
Write a proposal that spells out all of the details. Offer two or three options, keeping in mind that people tend to pick the mid-priced option.
Commissioned artwork should be priced higher than your other work. Some artists charge as much as 50{b29860ee6b7af5bf99d3058cca3182816eed414b47dab251265e93b8c00e69b1} more for commissioned pieces. This covers the PITA (pain in the you-know-what) factor that often enters into the commission process. Even if your patron is a dream, you still have to schedule it in with your personal projects, and personal work is what most artists prefer attending to. If you aren’t getting paid enough to take a break from your other work, you’ll be tempted to procrastinate.
Commissions aren’t for everyone. You must be willing to work as a collaborative partner and learn to enjoy the process.
How about you? What have you learned about doing commissions?
Want more commissions? My Art Biz Makeover event will help you present yourself in the most professional light.
SOURCE: Art Biz Blog - Read entire story here.
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One of the biggest excuses artists give for not being in more frequent contact with their lists is that they don’t want to bother people. You know what it’s like to receive tons of email and don’t want to contribute to the overwhelm.
I understand. Even though everyone on your list has opted in to hear from you, it still doesn’t feel right to email so many people if you haven’t established a marketing groove.
There’s a solution: Send emails only to people for whom they are appropriate.
In other words, target your messages rather than sending every email to every person on your list.
All of the attendees at my Nashville workshop are grouped together on my list. Photo courtesy of Mary Claire Crow
Email marketing platforms like Constant Contact, MailChimp, and Emma have the capability to segment an email list. If you haven’t used this feature, the first step is to research how to segment a list inside of your email platform of choice.
My email list is segmented automatically when someone purchases something from me. When I have an update for that product – usually in the form of a related blog post or article – I can send the information only to those people.
This segmentation by purchase means I also have buyers’ locations, which allows me to pull up names by state, province, or zip code.
Your segmentation might not be as automated as mine since most artists’ online shopping carts aren’t connected to their email platforms. Even so, it’s worth your time to consider taking these steps.
Each artist has his or her own unique circumstances that should be considered when segmenting a list.
Interests
If you make more than one line of work, consider dividing your list according to customer interests. For example, add all of the jewelry patrons to one list and functional pottery patrons to another list.
Buyers of Specific Products
Group everyone who purchases your e-book about mixing color in one list and those who buy your iPhone cases in another. Your sales volume determines how deep you go with the product level segmentation.
Everyone who buys a copy of my book from me is grouped together in my list. This is Eszter Rajna reading my book in the elegant tea lounge at the Randolph Hotel in Oxford.
Collectors
Collectors are people who have purchased a significant amount, whether in dollars or in quantity, from you. These are no doubt your VIPs that you want to treat especially well.
Students
Selling a service is much different than selling fine art. Because of this, you’ll get better results by grouping students together and further segmenting them according to their learning levels, geographical location, and interests.
All of the artists who started an Art Biz Coach marketing salon are grouped together in my list. This is a photo of the “Frozen Chosen” salon in Fairbanks, Alaska.
Geographical Region
The less information you ask people when they sign up for your list, the more likely they are to sign up. I ask for first name and email only. Over time, you can accumulate more information, such as location.
Segmenting lists by geography comes in handy when you do arts festivals or teach out of state. I live in a state (Colorado) where artists from around the country visit for our summer arts festivals. And, yet, I rarely know they’re here in advance.
Are you segmenting your list? Tell us how you slice and dice your names and how you use the various groups.
SOURCE: Artist Business-Building Strategies - Read entire story here.
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As an artist seeking to make a living, or at least generate income from selling your art and related products, you are a small business owner, and entrepreneur. This means you take on the tasks of organizing and managing your operation, and assume the risks inherent in running it. Effective use of small business tools is essential to your art career success.
Besides being the chief creative officer, you also are the chief marketing officer, the chief financial officer and more. It takes wearing many hats to run a successful small business. Fortunately, technological advancements allow semi-automation for many of the tasks you need to perform. We are not at the point where robots and artificial intelligence can fully manage your business operations, but we are probably closer than you think.
Just like you, I am an entrepreneur running a small business. My creative product is information presented in the form of books, e-books, blog posts, webinars, and workshops. I also provide consulting, but due to limited available time, I have never intently focused or marketed on that part of my business.
1. Google Apps for email – my primary email address is barney@barneydavey.com, which is powered by Gmail. For the most part, it works flawlessly integrating with Google Drive, Google Hangout and other Google related programs. Oddly, one of the things that do not work as well as possible is the search. The point of archiving the email you wish to keep is that the search function will help you find it, quickly. Sometimes finding an email through the Gmail search is very frustrating. I label everything that is truly important.
As an alternative, I have seriously considered using Zoho Email, which is free and powerful. Microsoft Office 365, is another strong choice, which, while not free, comes with the option to have the entire MS Productivity Suite available in the cloud. That option may cause me to move to Office 365 at some future point. Google offers lightweight productivity programs for word processing, spreadsheets and presentations, but for me, the word processing, in particular, is not equal to using Word. I doubt it ever will.
Here is the last, but not least, word on email. If you have a domain for your website, then you should have an email address to associate with it. One way to scream amateur is to have gmail, yahoo, or aol as part of your email address. Even worse are the ones from your Internet Service Provider such as cox.net, comcast.net, sbcglobal.net, tampabay.rr.com, and so forth. You are seeking to present yourself as a professional businessperson. Your email address speaks volumes either positively or negatively. I agree, switching email addresses can be painful and somewhat laborious, but it is easily worth the effort in the long-range scheme of things.
2. Google Calendar – a calendar is necessary to run your business. You have to keep track of your appointments and activities. You can use your calendar as a stepped down project manager tool. I use Google Calendar because it works seamlessly with my email and my phone. If you need a project manager and customer manager (CRM) tool because you have a large database of buyers and prospects, and you have multiple projects with many moving parts running simultaneously, then look at Insight.ly, a free extension that works with Google Chrome.
3. ToDoIst – the basic premise of David Allen’s bestselling Getting Things Done: The Art of Stress-Free Productivity
My co-author, Dick Harrison, and I are near the finish line on a new book, How to Sell Art to Interior Designers. As such, I am transitioning from the writing stage to the promotion stage in the sequence of getting the book written, published and marketed. This means picking up new tasks to do everything possible to get the word out about the book. With new tasks and challenges, I find getting everything committed to ToDoIst for my book project is the best way to keep things moving and on track. I just could not be as effective without this wonderful tool.
4. WordPress – if you have a website, I also hope you are blogging because it is the single best way to develop an email list and pull your collectors, fans, friends and followers closer to you. You can use a blog to show your business and your personality, and snippets of your life to your readers. They don’t care what you had for dinner, but they are interested if you attended a recent gallery opening, took a museum tour, or like listening to Beethoven or Muddy Waters while you work at making your art.
Besides being a blogging platform, WordPress has evolved into a Content Management System (CMS), which allows you to create a website using it. It is estimated that nearly 20{b29860ee6b7af5bf99d3058cca3182816eed414b47dab251265e93b8c00e69b1} of all new websites published in the U.S. are produced using WordPress. Because of its huge and growing user base, the platform attracts throngs of developers adding new themes and plugins to enhance its use. As such, small business owners and artists have a wealth of options when it comes to creating a unique website and blog with a plethora of available advanced features.
I use WordPress for both ArtPrintIssues.com and BarneyDavey.com. The former is purely for blogging; the latter is an informational-based website with a fully enabled e-commerce solution. I will let you in on a secret. If I could go back to 2005, when I started both of these sites, there would only be one site with a blog attached. With a do over, I would have kept BarneyDavey.com, but the blog would go by blog.BarneyDavey.com.
Back in the day, I only had one book, which was about the print market. So I focused on that in the URL and title of the blog. As years have progressed, I have found I have much more to offer than just advice on the art print market, and have found the name to have somewhat pigeonholed me. Not to the extent that I am willing to go through loss of Google rankings and other bother to rebrand the blog, but that remains a distinct possibility for a future project.
For the past ten years, I have built my small business while working at a variety of full-time jobs. The need for affordable, quality health care has kept me from jumping to full-time status. That is due to change this fall, and I could not be more excited to have more time to consider such things as overhauling and folding ArtPrintIssues.com into BarneyDavey.com
I cannot conceive of how taking on such a challenge would be possible if I were not using WordPress. In 2005, WordPress was only two years old. I chose then to use Typepad to publish ArtPrintIssues.com as a blog, and built BarneyDavey.com on an html template. The Typepad decision turned out to be a bad one because it does not allow its users an easy way to transport a large blog like mine easily. Getting posts and their associated images with them moved was a time-consuming nightmare. This helps further illustrate why having a WordPress site and/or blog is useful – you can move it to another host flawlessly and painlessly within a very short time.
5. StudioPress.com - I use the Focus theme from StudioPress.com for both sites. StudioPress is part of the Copyblogger Media family. It is one of the best premium theme providers in the business. Many of its 42 themes are mobile responsive, including the Focus theme. This means the theme will respond to smaller screens without having to have special software or a different URL, such ArtPrintIssues.mobi, or m.ArtPrintIssues.com.
The growing use of smartphones and tablets for reading blogs, and surfing websites means you must make it easy for visitors to navigate your site. If your site is not responsive, or mobilized, then you are losing valuable traffic. It is too hard to work on driving traffic to your site to lose it because it is not convenient to read your information, or move around on it.
If you are using WordPress, then using a premium (paid) theme is important. Free theme developers have no incentive to keep pace with the ongoing upgrade to WordPress. They usually provide spottier, less effective support for their themes. When it comes to plugins, fewer is better. Each plugin you activate takes resources to run and slows your site down. Only use plugins that have been downloaded many times and have lots of 4 and 5 star ratings. Otherwise, you risk your site being hacked, or crashing due to poor scripting from inexperienced developers.
6. WP e-store – These days there is no reason you should not sell your art directly. Whether in-person, at a show or from your blog or website. You should have systems in place to make selling your work on the spot happen quickly and effortlessly. I use the WP e-store plugin to sell my books, e-books, downloads, webinars and other products right from my BarneyDavey.com/e-store page.
Given the physical size and shipping needs of selling art, it is probably not the best choice for your e-commerce solutions. If you want to keep your e-store as a plugin on your WordPress blog, I recommend looking at Woo Commerce. It is free, but has ongoing annual fees of approximately $300 for the various premium add-ons you will need to make it work for you.
If you are techie, or willing to hire a developer, then you should look at free, open-source programs such as OS Commerce and Zen Cart. I have not checked recent reviews to see if these providers are keeping pace with technological advances. As always, do your own research and careful due diligence before investing your time and money in any software. Getting expert advice is highly recommended. Chris Lema writes extensively about WordPress and has excellent information on e-commerce and other WordPress functions. He is also available for consultations if you are looking at a large-scale, expensive launch.
Other options are standalone e-commerce sites such as Volusion, 3DCart, Shopify. There are many other such platforms to consider. Check around with other artists. They can be your greatest source of reliable, insightful information.
7. Mailchimp - The whole point of a website, blog, and e-commerce is to get found, get customers and create sales. Building an email list is an integral, foundational part of the process. A responsive email list is a bottom line asset to your business. Working to build an email list is critical to your long-term online success. Facebook may lose favor; YouTube may cancel your account or delete your videos, and galleries will come and go. Throughout all such predictable turmoil, your email list will remain your most valuable marketing tool.
I use Mailchimp and recommend it to artists because they offer it free for your first 2,000 subscribers. You don’t get some of the advanced features with the free version, such as auto-responders, but you can’t beat free for starting out. Other recommended email service providers are Aweber and Get Response. I see these three most often included by developers building marketing tools, software and plugins that require email integration.
There are many other email service providers for you to research and investigate. While the platform is important, it pales when compared to the task of working diligently to gain qualified, opted-in email subscribers.
For the past several years, I have championed the idea of artists solidifying their careers by finding sustainable ways to sell direct to collectors. It is the entire premise of my Guerrilla Marketing for Artists: How 100 Collectors Can Build a Bulletproof Career. Email marketing is one of the key components to making this a reality. Networking, warm and local marketing and online marketing are all funnels to help you collect names and establish personal relationships with collectors.
Email marketing is central to achieving this goal of a self-sustained career. Find the fans, friends and followers and convert them to buyers. Keep them informed, interested and entertained through social media and especially email marketing. Focus your marketing on making this happen, and you give yourself the best shot to have the career you want and deserve.
8. Grammar.ly – Most of us, including me, don’t have the time and extra income to afford a full-time copywriter. Having seen what a good one can do to polish good copy into extraordinary copy makes me wish I could. As my business grows into a full-time occupation, it might just happen.
This copy and every post I have written in the past two years have been run through Grammarly. It is an online copywriting software program that works pretty darn good. It is not perfect, but it catches many common errors, overuse of words, and helps make one’s copy shine a bit more.
If you want to use a live service, then look at Gramlee.com. I have used it many times and have never been disappointed. Its prices are quite reasonable. You can bank words. For instance, you might buy 1,000 words and use it to have several 300- 400 pages blog posts or web pages professionally edited. If you are writing a proposal, resume cover letter, or other crucial document, then turning to Gramlee.com is highly advisable.
9. Go Daddy Bookkeeping – I started using Go Daddy Online Bookkeeping before it was bought by GoDaddy.com when it was called Outright. If you are using PayPal, then I don’t need to tell you when it comes to tax time that extracting the data you need for your Schedule C and other tax reports is a monstrous pain in the patootie.
Now, I can get a Schedule C report in a matter of a few minutes. You can add your credit cards, PayPal and checking accounts to the service. It will keep track of your expenses. You can train it automatically to file certain expenses in a chosen category. For instance, it recognizes all PayPal credit card transaction fees and appropriately files them, same for purchase from my Stamps.com account. This service saves me hours of time and headaches. I recommend it without hesitation. On the other hand, if you have more sophisticated bookkeeping needs then look at Quickbooks or Freshdesk.
This is far from a comprehensive list of every tool I use to manage my business. These are among the most important. I use them personally and have great confidence when you use them you will get the highly satisfactory results I experience, or better.
The post Nine Small Business Tools for Artist Entrepreneurs appeared first on Art Print Issues. Barney Davey is the publisher and author of this post with the exception of very infrequent, and always properly attributed contributing authors.
SOURCE: Art Print Issues - Read entire story here.
Note: This is a guest post by Deanne Gertner from Artwork Archive. Scroll to the end of the post for a generous special offer!
Art history proves that artists have moonlighted for centuries: Leonardo da Vinci worked as an engineer, Paul Gauguin worked as a stockbroker, James Rosenquist painted billboards, Barbara Kruger worked as a graphic designer, Julian Schnabel washed dishes and was a short-order cook. The artists I know with full-time jobs teach, work as arts administrators, serve tables, do graphic design. With the exception of Jeff Koons, most artists with day jobs aren’t business types. They’re probably not financial planners, accountants, business development directors, or marketing experts. Indeed, if your fine arts education was anything like mine, your business of art training amounted to an hour-long seminar a week before graduation – if you were lucky. It’s no wonder that so many artists have resorted to day jobs when that first student loan payment comes due. But, as Bob Dylan says, “Times they are a-changin’.”
More and more services, products, and organizations are springing up to arm artists with the tools they need to navigate the business side of creating art, from art agents to social media coordinators to medical insurance providers to intellectual property rights lawyers. Entrepreneurs are catching on that the creative industries are a booming business. Still, most of these products and services ignore a key component: the artist’s inventory. Without a physical body of work, all that other “stuff” is useless (conceptual artists notwithstanding.) Maintaining an accurate inventory is integral to an artist’s success. It lets you know the total value of your oeuvre, who your top clients and galleries are, your average sale price, and which pieces are available where and when. If you’re like most artists, however, you probably have cobbled-together Excel spreadsheets, random sticky notes, and a semi-accurate general idea (depending on your caffeine intake that day) of where your art is at any given time.
But semi-accurate and cobbled-together will only get you so far – which is not very, I might add. One online tool, Artwork Archive, puts all that amazing, untapped inventory data – data you probably don’t even realize you have – into a sleek, sophisticated archive you can harness to make your inventory work for rather than against you. For one, you’ll be able to make educated, thoughtful decisions based on cold, hard information not whilly-nilly, Magic 8 Ball randomness. You’ll be able to determine via a geographical heat map, for instance, whether you should move work from your local gallery to the one in Santa Fe. You’ll be able to see your entire inventory in a single view to determine whether you have available work you can submit to a call for entry. You’ll know when your inventory is stagnant so that you can focus your time on marketing existing pieces instead of creating new work. And that’s not all. You can create consignment sheets, track competition submissions, graph your sales over time, maintain your contact lists, generate invoices, and export your data from the site.
Advanced Inventory Reports
Think about how much easier tax time will be with all your sales information in one place and format. Think of the time you’ll save trying to track down pieces and galleries. Think about how much easier it will be to decide which gallery should get which piece. Think about how you’ll be working smarter not harder. You’ll be a veritable genius! Art world, watch out – there’s an empowered artist in town! As an artist, think of yourself as the sole proprietor of a small business: you’re the art director, office manager, marketing director, bookkeeper, business development director, transportation manager, the list goes on. Artwork Archive is the glue that holds all of these disparate roles together to make your art career successful – as we learned from SchoolHouse Rock: “knowledge is power!”
We all like to think that art happens in an ivory tower where the artist is as removed from material society as some princess with crazy-long hair. The truth, as we all know yet struggle to come to terms with, is that artists are people who eat, sleep, get cavities, pay taxes, and buy groceries. Impossible, I know! But understanding that art is both a way of life and the means by which you live that life, frees you of that diabolical notion that making money as an artist equals selling out. Au contraire, my friend, au contraire. Making a living as an artist supports not only yourself but the entire creative economy: paint and brush manufacturers, canvas stretchers, art supply retailers, galleries, art consultants, framers, shippers, art installers, lighting designers, appraisers, conservators, curators, docents, security guards – too many to count, for sure. Is it any wonder, then, that art is two-thirds of smart?
Right Brain Rockstar fans, save 20{b29860ee6b7af5bf99d3058cca3182816eed414b47dab251265e93b8c00e69b1} on your first year’s membership at Artwork Archive.
Do you have a system for keeping track of your artwork? Let us know about it in the comments…
SOURCE: Right Brain Rockstar - Read entire story here.