Success Has Issues, and I’ve Listed 5 of Them!

Note: This is a guest post by Dreama.

Oh you’ll lose. Cash, respect, credibility and perhaps even your sanity – because success isn’t easy, nor is it meant to be.

Sure there are stories about how luck drastically changed a person’s life, that striking it rich, or famous was the result of a conversation that happened to fall on the right ears.

Of course these stories are never spoken from people we actually know, because seldom do they ring true. Often, such stories are formed from carefully crafted ideas channelled through media machines to keep aspiring artists frothing at the mouth.

Truth is, any successful book, article or conference boasting some “sure-fire” path to greatness, has a very real story of how hard work is the only real secret.

Thinking of some of today’s creative geniuses has taught me some worthwhile things about success – here are some of them:

Success relies on passion to survive

Success thrives on passion and without passion there is nothing.

Face it, no-one needs or wants your great skill until you prove to them they can’t live without it. Remember using candles and burners to lights a room? Of course not!

Electricity is essential to everyday yet so many countries in the developing world get on just fine without it. To you, it is an absolute necessity because it’s all you know.

Did you know?: Thomas Edison (the bloke who invented the bulb) made 1,000 unsuccessful attempts at inventing said bulb before he got it right? That’s 1,000 wrong attempts before the jackpot!

Success is absolutely terrible with money

If you want to be buddies with success you had better get used to being broke.

Money will be spent on things like, buying things for passion, losing things because of passion, being tricked by passion into investing in bad ideas, and many other passion-based expenses.

And remember, there is no way around this because success needs passion (see first point).

Did you know?: Walt Disney (the movie and media legend) was once fired from a job at a newspaper because he “lacked imagination and had no good ideas” after which he bankrupt himself with several failed businesses… I bet that newspaper have since changed their tune huh?

Success is a members-only club, with harsh prejudices

Want acceptance? Fancy yourself as the “in-crowd”? Well success doesn’t let people in all that easy.

You’ll be judged and probably told you suck. You might even be encouraged to give up after being ignored by your peers, people you admire or even your loved ones. See, success likes to watch you suffer, kind of like an initiation – then, and only then, once you have gone on to show just how wrong everyone is about your undeniable genius, will success gain a little respect for you.

Did you know?: Oscar winning actor Sidney Poitier was told after his first audition that he should “stop wasting people’s time and [...] become a dishwasher or something” – I bet he has his own dishwashers doing the chores for him now!

Success is shy, you need to make the first move

Let’s be clear. You won’t wake up one morning with a sweet note on your pillow about all the things success will bring you if you just wait around. Even if some Samaritan with good (if not slightly bizarre) intentions does happen to leave you a lovely note saying exactly that, it still won’t get you want you want.

Success requires you to introduce yourself first. To be determined and sure that it’s what you want. You won’t always know your calling right away and you can’t rely on someone to tell you what it is you’ll go on to do. You need to pursue your craft wholeheartedly before you see any gains…

Did you know?: Mastermind author J.K. Rowling (the lady behind the Harry Potter franchise) was once depressed, struggling financially and coping as a single parent whilst attending school and composing a novel. She had no clue as to the future success of her works, but kept on at it – the rest is Hagrid history.

Success will taunt you, often

Success will tease you into thinking you’ve got a hold of it and then will disappear into the distance. Sure, you’ll get a little taster of it, kind of like food tasters being handed out beside the main cart to lure you in. Well success is like walking up to that cart to buy something and then seeing it vanish into thin air!

Perhaps this is a way of teaching you it’s value. You know how worthwhile your hard work was to get that little sample of greatness, and you have to keep working as hard to keep the samples coming.

Eventually, you’ll have built up enough brownie points through effort, for success to let up and stop with the taunting, but it won’t happen overnight.

Did you know?: Philanthropic legend and billionaire Oprah Winfrey was fired from her job as a television reporter and once deemed “unfit for TV” – Not sure what individual made that decision, but I’m pretty sure they were wrong…awkward.

Dr. Laurence J. Peter once said: “If you don’t know where you are going, you will probably end up somewhere else.” I think he was right. – I guess success wants us to know what we want, and what it takes to get it…


SOURCE: Right Brain Rockstar - Read entire story here.

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Announcing TAA July Featured Artists

Video with Michelle, Belinda, and our curator, Jolyn.

View the Artists’ work below

Thanks to all of the artists who submitted for this round of featured artists here at TAA, and congratulations to Michelle and Belinda. I’m happy for the chance to get to know them a little bit better.

Be sure to join us on July 8 for a live artist talk and Q&A. You can catch it at TheAbundantArtist.com/Hangouts

Michelle Leivan

You can find out more about Michelle at MichelleLeivan.com

A little about this image here. Lazy kindness-to-self daylight saving time bmssq

Belinda Fireman

Find out more about Belinda at BelindaFireman.Wordpress.com

Chaos Galaxy Grounded Innocents Sweet Love

AND of course you can learn more about Jolyn, our fabulous curator at 31at31.com

The post Announcing TAA July Featured Artists appeared first on The Abundant Artist.

SOURCE: The Abundant Artist - Read entire story here.

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“De Ton Centre,” Dominique Boutaud

De Ton CentreDominique Boutaud: “I play with forms that have the power of human thoughts and the love I have to use bright colors indicates the motion of life. I take the paint material as it comes and I work always very differently looking for new effects and for harmony. I create a world where colors mix up and push away, juxtapose and superpose among them, staying always in an abstract human representation.”

dominiqueboutaud.com

SOURCE: Art Business News - Read entire story here.

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89 Cheap Ways to Promote Your Art Business

Discover easy cheap ways to promote your art business here.

Here are some useful suggestions for you to promote your art career. You will find links to other Art Print Issues posts in the list. I mention this to emphasize the amount of free art marketing and art business information and ideas you can find here. If you appreciate the content, the best compliment you can give me is to forward the link to this page to other artists, or share it on social media. Let us know in the comments what unique things you do to promote your art business.

89 Cheap Ways to Promote Your Art Business

      1. Press Releases – understand the many ways your business is press release worthy and frequently submit.
      2. Blogging – use blogging to allow your collectors, fans and friends get to know you and your work to give a personal voice to your brand. Share your knowledge, not just tidbits about you and your art.
      3. SEO – make sure your website pages and blog posts have proper headings, titles, descriptions and relevant keywords.
      4. Email list – use every method available to build a responsive email list. Send to it frequently to keep it fresh and your readers’ interest high.
      5. Email contests – spike reader participation with contests for recipes, ideas for travel, or travel photos. Get them involved showing your work in a creative way.
      6. Free downloads – offer small size high-resolution downloads and encourage them to be printed. Offer to sign the prints when sent with a self-addressed stamped envelope.
      7. Include a catalog – include portfolio or flyer with every purchase.
      8. Portfolio – create a MagCloud.com online and printable portfolio. Use it as a gift when networking, as well as in other promotional ways.
      9. Teach – create a class for a local university or community college. Setup a workshop to teach painting or other art marking techniques. People interested in learning to make art are great prospects to buy your art, or introduce you to important people.
      10. Surveys – create online surveys to name your artwork, or learn more about your followers’ interests.
      11. Influential people – find ways to write flattering content about influential people on your blog.
      12. Unconventional Direct Mail – send a small paintbrush or color swatch in an envelope. Invite recipient to come to your studio or website and use it in some way to claim a prize such as free shipping.
      13. Donate – offer your work for the appropriate charity. Use the donation as a wedge to get involved in other ways that can help you network.
      14. Art car – turn your vehicle into an art car. Paint it yourself.
      15. Vehicle wrap – create a design to graphic wrap your car with your art. This may not exactly be cheap, but it could be fun, dramatic and a cause for publicity and awareness.
      16. Gift certificates -  offer your customers the opportunity to purchase gift cards from you. Give them a discount. For instance, offer a $100 gift card for $85.
      17. Call – schedule a time to call all your customers and prospects once a quarter.
      18. Online galleries – create an online shop wherever possible. Get as much exposure on as many sites as possible. Use a few for heavy promotion, the rest for minimal presence.
      19. Submit – submit your site to all global, regional and local search engines.
      20. List your site – get your site listed in all the local and social sharing sites such as Yelp, YP, Judy’s Book, and more.
      21. Facebook – create a Facebook business page.
      22. Shortstack – use the many great, free ideas for Facebook promotion from Shortstack.
      23. Guest posts – seek chances to write guest posts on well-regarded and high-trafficked sites in the arts and entertainment niches.
      24. Pitch bloggers – Research to find bloggers to review your work, your new collection, your studio opening, or other related products.
      25. Vlog – create an ongoing video blog to share and illustrate your ideas, your work and experiences.
      26. Social Sharing Buttons – add social sharing icons site-wide (Facebook, Twitter, Google+ to make sharing your content easy.
      27. Pinterest – you are in a visual business. Pinterest is a perfect visual platform with a massive female demographic. Use it to create broad exposure with high-quality images of your art.
      28. Cover top blogs – write a post about the best blogs and bloggers in the art business. Feature some of the top posts. This can open doors, builds relationships, and create social engagement where many you cover will in turn promote your article, and perhaps cover you, or offer a guest post opportunity.
      29. Solicit guest posts from other artists, industry bloggers, local media and local or national celebrities. Doing this will help you make friends and publish free user-generated content that will get reposted and noticed on social media elsewhere.
      30. Donate – Give to a local or national charity, (It doesn’t have to be artwork), and gain donor’s page exposure with the possibility for backlink to your site.
      31. Cross-promote – find jewelers, crafters, picture framers, galleries and other simpatico partners to cross-promote. You scratch their back and expect they will do likewise.
      32. Logo – hire a graphic designer with logo experience to create your logo. Invest in the best because it should last you a long time, maybe even a lifetime. Use your logo on everything you create and produce.
      33. Business cards – although they are so 20th Century, they offer promotional value. Make yours standout with great design and add a call to action.
      34. Print material – make sure every postcard, brochure and every printed piece that carries you name is branded with your logo, color scheme, compelling images, and a reason to contact you now.
      35. Sponsor – get behind events with demographics that mirror your customers. Leverage your contribution to take advantage of every promotional offer provided to its supporters, including events, website, blog, email, and so forth.
      36. Endorse – make an unsolicited testimonial or endorsement for another artist, blogger, author, vendor or colleague on their website or blog.
      37. Authority – use your in-depth knowledge about a topic to become known as an authority on it. Are you steeped in local history? Do you know everything about Renaissance artists? Have you visited and written about all the arts scenes in your local and regional area? Do you have a natural way of connecting food and art? If you are an expert, or are willing to study to become one, then you can parlay that knowledge in many ways as the go-to authority surrounding it.
      38. Public speaking – get a 30-to-90 minute talk with slides on a topic sure to be of interest to your demographic.
      39. Slideshare - turn your public speaking slides into a SlideShare presentation.
      40. YouTube – have someone videotape your public speaking presentations and put them on a YouTube channel you create.
      41. Google Hangouts on Air – start a regular hangout on a topic of interest to you. Invite other artists and notables to join you.
      42. Video demos – film yourself at work and provide a dialog on how you do things as an artists. For example, talk about the importance of underpainting, or building an artwork in the proper sequence. People may never want to do it, but they like being entertained by watching how others create things. Don’t limit yourself to YouTube. Upload your videos to Vimeo, Daily Motion and the other video streaming sites.
      43. Art happening – create one day or weekend events where you invite a bunch of local artists to congregate and create work. It could be a plen air picnic, or something setup with pop-up tents, or in a temporary space in a building, business lobby, or at a local mall.
      44. Art car – paint your car with your art and have it clear coated.
      45. Vehicle wrap – create a graphic design based on your art and use it to vehicle wrap your car. This may not exactly qualify as cheap, but it could be fun and dramatic.
      46. Contribute – many local publications, and some online sites such as Huffington Post  accept or consider well written contributed articles, especially those with general or specific interest to its readers.
      47. Referral program – start a formal referral program. Offer a percentage of the sale, credit towards new art, a giclée print, free framing, or whatever you find works best to have your family, friends and colleagues refer new business to you. Post your offer to make it public so everyone understands how your program works.
      48. Thank you notes – create note cards with your art on them. Use them to send handwritten notes for new purchases, referrals, or just to say hello and thanks for past business.
      49. Open studio events – if your space accommodates it, have regular events there. Make it available for other small meetings such as book clubs, masterminds, planning committees, and other creative use of your space.
      50. 30-second speech – work on and refine your 30-second elevator speech. Practice until you sound natural and confident. Don’t rush what you are saying. Make eye contact while you are talking. Use a friendly, firm handshake. Smile while you are talking.
      51. Network – strategically seek events and targeted people you want to meet. Learn where your best demographics meets and become part of that scene. Attend social events, art openings, gallery openings and other arts scene events. Be ready to present yourself, (30-second speech), know what to ask about to get others talking, have a purpose for being there.
      52. Online presence – create online shops wherever possible. Some may not hold great value or need much of your time. Still use them to create online awareness for you and links to your website or blog. Focus on those that have top SEO results and quality in their products, such as FineArtAmerica.com.
      53. Virtual assistant – hire a VA to keep up your less often used online sites. The proper ones can do other marketing, sales, promotional writing and even make phone calls for you.
      54. Volunteer – get involved with an arts organization so you get to know influential people who are also involved.
      55. Recruit – provide printed promotional marketing materials to your family and friends for them to distribute.
      56. Sendout cards – join Sendout cards. Make your art available for other members to use on their cards and postcards.
      57. Local arts scene – be more than a hanger-on. Get involved. Promote your local arts scene. Not just visual arts, expand to dance, theater, music and beyond.
      58. Marketing calendar – create an annual to five-year marketing calendar.
      59. Leave behind materials – check events in your area. When there are conferences, meetings and shows that relate to your business, leave your brochures or postcards in strategic spots like visitor registration, hotel lobbies and so forth.
      60. Grand re-opening – conjure a reason for a grand re-opening and promote the daylights out of it.
      61. Comment – find the blogs your fans regularly read  and leave intelligent comments that add to the discussion on them.
      62. Docent– become a docent at a local museum. This gives you opportunities to meet people on the staff at the museum, and you never know who will be in your tour group.
      63. Research social media – there is much useful information and insight from learning what groups your collectors belong to on Facebook, LinkedIn, and other social media. Use the information to decide which groups to join, participate, volunteer, market to and interact with.
      64. Be-back offer – not everyone buys the first time they see your work. Create a printed offer with all your contact information and reason for them to come back. Give a discount on their first purchase, such as a free mini print with the original, free local hanging or tax-free first order. Test to find the best offer to pull the potential buyer back to your site, shop or studio.
      65. Fund-raiser – if you see a need to raise money, you don’t have to wait for a local charity to get involved. Be pro-active and start a fund-raiser.
      66. Local contests – enter into local contests for artists, such as for airport installations. Even if you don’t win, you will be on the radar of those involved in the visual arts community in your area.
      67. Link – be both generous and judicious in providing links from your site.
      68. Email signature – create an email signature for all your emails. Links are better than images, which oftentimes are stripped from the email. Include a subtle call to action.
      69. Befriend – follow local journalists and media who can help you. Support the charities and other organizations that they also support. Send them juicy story ideas, use your blog and other means to promote their articles and publications.
      70. qrcode (1)QR Codes -  create a QR code to put on all your printed materials. Link it to a landing page with a unique offer and a link to subscribe to your mailing list.
      71. Packaging – design stickers or screen prints to use on all your packaging. Include your logo, your website address, your QR code on anything that goes out from your business.
      72. e-book – write an e-book on a topic of interest to you. It could be about your life experience, your world views, what is like to be an artist, how to create art using simple shapes.
      73. Promote e-book – use your e-book as an incentive to join your mail list, or send it to all your current subscribers. Encourage others to share it freely. Make sure you provide links throughout the book to your website and to your email sign up landing page
      74. Book reviews – write Amazon.com reviews about books you know your demographic audience will like. Provide book reviews for local media, or specialized blogs of interest to buyers you want to target.
      75. Giveaway – give small bundles of notecards, postcards or mini prints as lead magnets for email subscriptions, thank you for referrals, or door openers with strategic networking prospects.
      76. Creatively borrow – tap into the power of the internet to discover the promotional tools and techniques other marketers use and adapt them to your business.
      77. Google alerts – use Google alerts to monitor your prospects, collectors,  media contacts and others you want to stay in touch with.
      78.  About.me – create an About.me profile to create more digital content about yourself and backlinks to your blog and website.
      79. Promote packaging – create videos or a series of images to display on your e-commerce site to show your white glove packing and shipping techniques.
      80. Piggyback – create an insert to go into direct mail from non-competitors.
      81. Streamline – make your online ordering easy, understandable and quick.
      82. Installation services – offer free local art installation services for your buyers.
      83. Color consultations – offer your buyers and fans color coordination consultations for interior decor or clothing.
      84. Contact database – start a contact management system with Insight.ly.
      85. Voice mail – put a promotional announcement on your voice mail.
      86. Feedback – ask non-buyers for feedback. They decided not to buy today. Take the opportunity to ask why they did not buy. This feedback can ultimately be more valuable than knowing why others do buy from you.
      87. Buyers feedback – ask customers what they like about your art, what kind art they would like to see you make, or if they have ideas on ways to promote your art.
      88. LinkedIn – join appropriate LinkedIn groups and become an active participant.
      89. Be generous – share this post with your artist friends. Encourage them to sign up for to get their own weekly art marketing news at: https://x.co/Barney

Art Marketing e-store


Some links in the post may be “affiliate links.” This means if you click on the link and purchase the item, we will receive an affiliate commission. Regardless, we only recommend products or services we believe will add value to our readers.

The post 89 Cheap Ways to Promote Your Art Business appeared first on Art Print Issues. is the publisher and author of this post with the exception of very infrequent, and always properly attributed contributing authors.


SOURCE: Art Print Issues - Read entire story here.

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Empowering Artists Through Big Data – Lessons Learned from Vango

From Cory: Many of you saw the episode of Creative Insurgents where we interviewed the guys at ArtTwo50. Their company is now called Vango, and after being around for almost a year, they have some interesting data to share. I thought it would be neat to have them explain how they’re using technology to change the way that artists sell art.

You’ll notice that they have accumulated some very interesting data around how buyers are using mobile apps to purchase art.

Vango caters to what Brian Sherwin coined the Lower Art Market – lower price pieces accessible to people who aren’t rich, or who don’t attend gallery openings or art fairs. This is a workable alternative to the crapshoot of relying on the formal art galleries.

Our mission at Vango is to create a marketplace that enables more people to discover original art and for more artists to do what they love. To do this we looked at how we could utilize technology to improve the experience of buying and selling art, in a unique way, rather than just ‘putting’ art online. After debuting our initial concept as an iPad app ten months ago (under the name ARTtwo50), we learned, tweaked and launched a new brand, improved iPad app, and an iPhone app.  Here are four interesting behaviors we learned, two from the buyer perspective and two from the artist.

Big Data Tracking Art Sales

For the buyers:

Support your Local Artist – similar to how people want to support their local farmer or buy from a boutique, mom-and-pop shop (even if they don’t know who they are), we found buyers wanted to do the same with artists (this was also driven by wanting a picture of the local landmark or landscape), but like local farms they didn’t have the time to go to open studios or art fairs. As a mobile platform, we were able to easily show local artists by using the built in GPS on our phone. From Cory: I asked Ethan about this and he told me that they were able to show an upward slope in the number of people buying locally, but that this is an early trend. I’ll point out that previously technology was not making it easier for artists to buy locally. 

Art is Addicting [after you buy that first one] – For this audience, this is no shocker. But what we found in our initial research is that most people have either entirely original or entirely generic art in their homes. The one commonality we found was both sides had an intimidation around art, but those that had original art, bought/gifted that first piece at some point. So knew that if we could get people to buy their first piece, they would buy many more. This shows in the statistics, as 50{b29860ee6b7af5bf99d3058cca3182816eed414b47dab251265e93b8c00e69b1} of Vango users are first time buyers, and of those 33{b29860ee6b7af5bf99d3058cca3182816eed414b47dab251265e93b8c00e69b1} have become repeat buyers (returning after a month to buy a second piece…and we think that trend will continue).

From Cory: this goes back to what we teach about building mailing lists and marketing to existing clients. After you’ve been an artist for a while, most of your sales will come from existing clients. If you have a list of previous buyers, you should be marketing to them.

For the Artists:

Giving artists stats that matter – In talking to artists, we found that the problem with most sites is they can only give them views and ‘favorites.’ We wanted to give artists the ability to understand their viewership and buyers, giving them an intimate connection through the use of technology. It’s all about transparency and creating an open dialogue between artists and buyers. So we built in the ability to give artists more meaningful interactive stats (i.e. how long people look at each piece, when they zoom in, when they scroll to see the artist’s entire portfolio).

Stats 2

Removing the pain of pricing – The biggest pain point we found when talking to artist and buyers was around pricing. Artist hated the setting, justification, and negotiation of price, and buyers were confused by it. To address this we created unique pricing model where artist start selling for $100 or $250 and unlock higher price tiers the more they sell.

While we felt confident buyers would like this approach, we were worried about artist thoughts. Admittedly, we have a lot of artist that find it too low, but for those who do play, they love it.  The feedback is that we made it a little more social and less arbitrary by creating transparent and public portfolio growth.

One very interesting behavior is that some artist are selling through Vango even in their studios or at art fairs because again it removes the bargaining as well helps them work towards unlocking higher price tiers.

This is very exciting for us but we are not stopping here. For buyers, we want to improve our recommendation algorithm and use GPS in more powerful ways (save recommendations to home vs office).

For artists, we want to provide more demographic as well as interpretations & guidance using stats (i.e. your ideal buyer is 28 year old female living in urban areas who like medium sized abstract blue art).

One of our core values is humbition – the combination of humility and ambition to achieve our lofty goal by constantly staying in touch with you. So please let us know what you think.

From Cory: modern tools like Vango are at the vanguard of what I see as a massive disruption coming for the art market. While early technology entries into selling fine art are initially catering only to the same old wealthy clientele, companies like Vango are showing that it’s possible to not only sell art using the Internet, but to also enable artists to get over the initial sale hump. If you want to check out Vango, you can visit their website at Vangoart.co.

The post Empowering Artists Through Big Data – Lessons Learned from Vango appeared first on The Abundant Artist.

SOURCE: The Abundant Artist - Read entire story here.

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Art Promotion | Power of the Backstory

How one successful artist uses a backstory.

Art Promotion | Power of the BackstoryA few weeks back, I published post titled, “Selling Art with a Back Story.” It was influenced by how back stories are used to sell multi-million dollar high-end  contemporary art, and how everyday artists can use the same techniques. Today’s guest post is from artist, Gregory Peters. He shares his insights on how using his backstory helps him sell his art.


Everyone loves a good story. A “backstory” ideally is a great story. It’s your story; the story of why you create the kind of art you do. Your admiring public is eager to know more about you and your art. A well-constructed backstory causes potential customers take interest in you and buy your artwork. Joe Girard, one of the top salespersons of all time, once said that customers did not buy his products. Rather, they bought him. His story lent credibility to his pitch. He never felt he had to sell anything, as he merely sold himself.

You Need a Story to Tell

You become more credible, real, and certainly more interesting if others know your story. This is why you need a story to tell. I know you have one. We all do, especially artists.

My name is Gregory Peters. Like many of you, I am an artist who is also a writer. As an artist, a painter principally, I went through a number of stages of creativity to ultimately end up painting what I do. Along the very long and winding road of creative realization, I was constantly asked why I created the type of artwork I did. For many artists, there often is not an easy answer. There are reasons why the public seeks answers to the questions.

Not everyone has the “gift” of insight to see beyond the artwork in front of him or her and capture the vision of the artist. This is especially true with abstract works of art. Providing the answer may just earn a glassy-eyed stare and a few semi-knowing nods, but at least it is in part an answer to some of the deeper questions behind the query.

A great story can also fire the imagination of potential buyers and fuel their interest in your work. Learning answers to such questions as, “Who are you as an artist?” ” Why should I be interested in you or what you produce?” and “What can I tell my friends about this or you?” greatly helps to positively influence buying decisions.

As Your Art Evolves, So Does Your Backstory

In my case, I found myself producing progressively more “dimensional” artworks with mixed media and over time, the art was speaking to people in a language they’d never experienced. This is partly why my art website is called the DimensionalCanvas.com. The language of light and shadow and themes stretching from Koi fish to the wine country and Country/Western depicted in a semi-realistic manner with embellishments are not and never have been mainstream art. Most of my artworks are straightforward, but some are different in subtle ways. People sense this when they have my art in front of them and in most cases, they want to know more. So, they ask questions when they get a chance to actually talk with me such as at a festival or show. “What made you paint this?” “Is this something special to you?” There are of course many more questions, and I welcome them.

Asking questions is the perfect opportunity to engage with your audience. It not only helps define the answer, but also provides a platform to use your charm and wit and sparkling personality to help sell the artwork. Ideally, your backstory helps your potential customer to understand your art. It helps them to know and understand you, and to discover what drives your inspiration. Such insights are fascinating to  those who do not create art.

Pictures and Words Tell the Story

Fenceline - Gregory Peters
Fenceline – Gregory Peters

The backstory is best told in words and pictures. Not coincidentally, these are the two predominant means of communication. The story of you and your art is usually a progressive chain of events that happen over time. My art for instance was driven by the fact that I grew up overseas, developed interests in a wide range of subject matter relative to my experiences (vintage aircraft, landscapes, koi, seascapes, abandoned automobiles, etc.), and thus have a story to depict that stretches over a long period of time and utilizes many types of media such as paper, acrylics, wood, foliage and more.

One of my artworks depicts an old fencepost I saw in West Texas with rusty barbed wire wrapped around it. To achieve the proper scale on this “3-dimensional” picture, I actually had to handcraft that barbed wire, as they do not make it in such a small scale. “Fenceline” thus has a very interesting story behind it and one in which I am able to talk in depth about my skill as both a painter and sculptor at times. That is a small example of the “backstory.”

You can tell your story in the same manner using time, location or circumstance as your mantra. No artist is born creating saleable art from a very young age. It takes time to develop your skill set and learn how to promote it. Those, my friends are the foundations for a story.

The Growth of Inbound Marketing

I’d like to diverge for a minute and define something you may not be aware of. Inbound versus outbound marketing. I do this in answer to the question you’ll probably ask yourself which is, “How do I apply my backstory to help promote my art?”

The days of outbound marketing are pretty much over. Outbound marketing is where a company (or artist), buys ads, or sends to direct mail lists, and then prays for leads to take an interest. It’s a bit like pointing a shotgun into the air and hoping to hit a duck. Since about 2006, inbound marketing has been the most successful form for attracting customers. Inbound marketing consists of creating quality content (words and pictures), aligned with people’s interests, focused communication-based upon stages of life people may be at, personalized messaging directed to those who are interested and thus pulled toward your product, then diverse communication through vehicles such as blogs, newsletters, keywords and other forms of social media such as Facebook, Twitter, etc..

You as an artist want to attract people who have similar interests and thus be able to start a dialogue with them to enhance their interest, and get to know not only your art but also you as an artist. That is where your backstory comes in.

Incorporating Your Story

Use your story in blogs, newsletters, your bio, promotional appearances, collateral material such as brochures and flyers, even your elevator speech. It’s up to you to define your story and refine it over and over until it rolls off your tongue and into the minds of your engaged audience. Your backstory is merely an expanded version of the primary story that is you.

When people are in a position to buy something, they will weigh features versus benefits before making a buying decision. Most often, benefits will rule the decision. What will this do for me? How will I feel about it? Will it improve my life? Artwork, let’s face it, is a want, not a need. As such, the wants must be very compelling to outweigh the need issues.

Emotions Help Sell Art, So Do Backstories

Intense emotional wants will outweigh needs every time. Your backstory enhances and strengthens an emotional desire to own your work. At its best, a great backstory is transformative because it makes collectors feel they are buying a part of you and your story. Yes, that’s right. Your artwork is not some inanimate object; it is part of what makes you who you are as an artist. You know how you feel when emotionally involved in a particular piece. It’s like one of your children. It’s sometimes hard to part with even at an exorbitant price. Learn to use the power of your emotion to tap into that of your potential buyer. What happens is their buy-in and motivation to own your work becomes driven by a desire to be part of your story. The story of you (insert name here), artist.

I can’t tell you the many times I’ve received positive comments from satisfied customers who express how a particular piece of art has solved a perceived need they felt. The artwork filled a void, it met a lifelong wish, it was the perfect gift, it makes them feel good, and it covered up a crack in the wall. Their happiness and sense of satisfaction is just another chapter in my story.

I believe at this point you can see the many benefits to having your backstory become more prominent in your promotional “toolkit” as an artist. Your story has innumerable uses for promotion. It affords you the opportunity to connect with your collectors in ways that are not possible otherwise. Your story lends authenticity and credibility to what you do and who you are.

Word-of Mouth Advertising – a Backstory Byproduct

Ultimately, more customers and would-be customers will tell others about you and word-of-mouth, the best and cheapest form of advertising, will allow you to capture attention and convert that interest into collectors who buy your artworks. So get your story down pat, then use it on your website, blog and promo materials to spread your story!

Writing is not always an easy thing for artists to do, especially about themselves and their work. For artists who are not up to the task, a competent copywriter can craft a story using your background notes and by conversing with you. You will put on the final changes by adding appropriate images to the words. As a successful copywriter and artist, I know writing powerfully about you and your art often is challenging and demanding. As such, I’d be delighted to help you create a compelling backstory, or fulfill other copywriting tasks, for a small investment.

I find when writing blogs for companies that while they may know their products very well; they often do not how to talk about them in an interesting manner. In your case, you are the product. Whether you choose to utilize my services or find a writer in your area, I recommend you start by making quiet time to dream, and explore about you, your history, your art and how it is created. The point is to come up with a tale intertwined with all those things. including your skills and experiences. When you put a great attention-grabbing story and offer it up using the inbound marketing tools mentioned above, you will find the public is always eager to hear and hungry for a tale well told.

Who knows what that tale may be? Only you and the images you create.

Gregory Peters writes about and produces fine art. He is a published author and copywriter. View his artwork at DimensionalCanvas.com. His copywriting website is GregoryCanWrite.com. Contact him at Gregory@dimensionalcanvas.com

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Some links in the post may be “affiliate links.” This means if you click on the link and purchase the item, we will receive an affiliate commission. Regardless, we only recommend products or services we believe will add value to our readers.

The post Art Promotion | Power of the Backstory appeared first on Art Print Issues. is the publisher and author of this post with the exception of very infrequent, and always properly attributed contributing authors.


SOURCE: Art Print Issues - Read entire story here.

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What To Include In An Exhibition Proposal

When you ask to show your art at a venue, you need to be very clear about what you are offering. People don’t often say Yes to vague offers.

Think about what ties the work together. This is your curatorial thesis – your big idea. Writing it out, as you’ll see below, helps you find the clarity you need.

Art Exhibit SignBefore sitting down to write your exhibition proposal, ask the venue if they have a particular exhibition proposal format they prefer. If they do, follow their instructions. If they don’t have specific guidelines, you’ll have to compile an exhibition proposal for yourself.

The details of your proposal will vary depending on whether you’re proposing a show at a coffee shop, a pop-up space, or a nonprofit gallery. You will have to judge what is appropriate for your situation.

Here are major components you’ll include.

Cover Letter

Personalize your cover letter with the correct name and spelling of the manager, exhibitions director, or curator. It’s much nicer to show you have done your homework than to start off with a generic To Whom It May Concern salutation.

I like to begin cover letters with an acknowledgement that I know something about the recipient. You could compliment them on a recent exhibition or say that you’ve been reading about them. You should also mention anyone you know who is associated with the venue – a patron, board member, or artist.

Thank the recipient for considering your proposal.

Document

The meat of your proposal is a document that outlines the particulars of the exhibition.

  1. Explain why your art is a good fit with the venue’s exhibition program.
  2. Describe the exhibition contents and curatorial thesis in 3-4 sentences.
  3. List the artists, if others are to be included. Insert your résumé or bio, as well as those from any other artists.
  4. Provide a complete inventory of works to be shown. Include titles, media, and prices.
  5. Estimate the space required in square or linear feet and any expenses that might be incurred by the venue.

Images

Finally, include images of your art in the proposal.

For a small show, include all of the works you plan on showing. For a larger show, you can use a sample of 10-20 images as long as the images are representative of the entire exhibition.

I hope you see how the process of writing an exhibition proposal can be a valuable start to a successful exhibition. And it’s just a first step. Once accepted, you will need a written agreement that outlines the terms between you and the venue and a plan for executing all that you have promised.

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SOURCE: Artist Business-Building Strategies - Read entire story here.

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Basel art fairs draw big names and big sales

Art Basel. Adriana Varejão, “Carnívoras,” 2012. Photo by Sonia Kolesnikov-Jessop

Joan Mitchell’s “Untitled” (1956) sold for $6 million. Courtesy Joan Mitchell Foundation.

All eyes turned to Basel, Switzerland as collectors and art lovers flocked to the Art Basel, SCOPE Basel and Volta9 art fairs.

Art Basel, one of the world’s most prestigious art fairs, annually showcases work from over 300 international galleries. This year an estimated $2 billion worth of art is on sale and includes both modern and contemporary work. The event attracts corporate buyers as well as Hollywood celebrities such as Leonardo di Caprio and Cate Blanchet.

Can’t make it to Basel? Browse the participating galleries here, or skim through photos of the events at blouinartinfo.com.

The three fairs wrap up June 16.

(Foreground) hanging works by Simón Vega and an overlook of Hall C, featuring (from left to right) Gallery Skape, Christian Larsen Gallery, Galleri Christoffer Egelund. Courtesy of VOLTA.

SOURCE: Art Business News » Latest News - Read entire story here.

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Sotheby’s and eBay Announce Art Auction Partnership – artmarketblog.com

Sotheby’s and eBay Announce Art Auction Partnership – artmarketblog.com

sothebys51 Sotheby’s and eBay Announce Art Auction Partnership   artmarketblog.comIn a surprising move that evokes memories of their past failed partnership, Sotheby’s has announced a partnership with with eBay to make art and collectibles from Sotheby’s live auctions available to eBay’s 145 million active buyers.

The two companies have joined forces to develop what they describe as “an innovative online platform that will make it easier for millions of people worldwide to discover, browse and acquire exceptional works of art, antiques and collectibles.”

eBay and Sotheby’s will inaugurate their partnership with a number of live auctions at Sotheby’s headquarters in New York that will utilize a newly-designed “experience” to be launched on the eBay site in the near future.

The new eBay “experience” will cover 18 collectible categories and will be tailored to collectors of art and premium collectibles. In the future the partnership will expand to include themed and time-based sales as well as live auction from Sotheby’s other global salesrooms.

“The growth of the art market, new generation technology and our shared strengths make this the right time for this exciting new online opportunity,” said Bruno Vinciguerra, Sotheby’s Chief Operating Officer.

“We are joining with eBay to make our sales more accessible to the broadest possible audience around the world.”

**Nicholas Forrest is a Sydney/London based art market analyst, art consultant and writer.  He is the founder of the Art Market Blog (artmarketblog.com) which offers independent commentaries as well as research and analysis on the current art market, and has recently been published in Fabrik magazine, Verve magazine, Visual Art Beat magazine, Australian Art Collector magazine, Art & Investment magazine and many others.  Nic has made several radio appearances (both nationally and internationally) as an art market expert and has received press from the likes of the New York Times, Conde Nast Portfolio and Times of London.

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SOURCE: Art Market Blog - artmarketblog.com - Read entire story here.

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Deliver Happiness To Your Guests

I’ve been reading Delivering Happiness by Zappos founder Tony Hsieh. I highly recommend it as an inspirational story about sacrifice, drive, perseverance, and personal mission.

One of the things Hsieh stresses repeatedly is how much more interested he is in experiences than in acquiring things. It’s no wonder that Zappos has become known for its superior customer service.

This got me to thinking about how artists and arts organizations treat their guests at openings. Here’s what I came up with.

Artist Karen McLain

Artist Karen McLain addresses a standing-room only and overflow crowd at the fundraiser for The Cloud Foundation, which she worked on for over a year.

When you host an opening and invite people, you are the host.

The people who attend, whether they pay or not, are your guests. They have gone out of their way to show up for you.

It’s to your advantage, and hopefully to your delight, to deliver happiness to them – not just with your art, but also in the way you treat them. How should your guests feel when they arrive? How would you like for them to remember the event?

Even if the opening is hosted by the venue, the guests are often coming because of you. Instead of thinking about it as just another opening, consider creating a memorable experience for your guests. Here are a few ways you can do this.

Tips for Delivering Happiness To Your Guests

1. Inform your guests ahead of time about directions and parking.

Let them know about any road construction or other events that might be occurring that would result in more traffic.

2. Set the scene.

See that the bathrooms are clean, put out a coat rack, and bring in extra seating. I realize you might not think of these things as your job, but who else cares more about your guests than you?

Designate a table for your promotional material: business cards, brochures, postcards, and other handouts. If appropriate, put together a notebook of information about your work.

art opening

Great turnout for The Cloud Foundation fundraiser, evidenced by the empty platters.

3. Arrive early.

Hosts are not permitted to be fashionably late. If you tell your guests that the event is from 6:00 to 9:00 p.m., you should be there by 5:45 at the latest.

4. Wear a name tag and greet people.

You can’t be the greeter at the door because you must be mingling with your guests. If you’re the only artist, ask your closest friends or family to help you with this task.

Make an effort to remember names. When you meet someone, repeat his name out loud: “It’s so nice to meet you, David.” Then repeat the name silently to yourself several times.

5. Introduce your guests to other guests, particularly when they arrive alone.

You are probably the only person in the room who knows everyone. What does Jane have in common with Jeff? How could Susan and Debbie benefit from knowing one another?

The Cloud Foundation

Tracy Miller, Karen McLain, Me, and Carol McIntyre at the opening event for The Cloud Foundation fundraiser.

6. Limit your liquor.

All eyes will be on you as the featured artist. Be an example of restraint and sip on a single glass of wine all evening or forego the booze altogether.

People probably won’t buy your art if you’re tipsy and spill wine on them.

7. Stay for the duration.

Whether it’s a solo show or group exhibition, you are still obligated to be present for the entire event.

8. Send your guests home with a small gift.

Of course, you can’t always do this with a huge crowd, but what if each guest received a packet of your note cards or a small inkjet print of your work? You’d be getting more of your images out into the world and treating each person like royalty.

How do you deliver happiness at your openings and through your customer service?

We try to deliver happiness at every point for our Art Biz Makeover guests. See what I mean by registering now. Early registration ends soon!

Art Biz Makeover Event 2014

SOURCE: Art Biz Blog - Read entire story here.

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Mastermind Groups: Gathering Successful People Around You

Don’t we look happy? This is me (the bald guy) and four of my classmates from theater school at Central Park in NYC in 2013. After the World Domination Summit that Summer, I was jazzed with the idea of growing TAA into something bigger than just my little blog. I want to help ALL the Artists of the world understand that it’s possible to support yourself while making art. I sent out a letter to just the subscribers of TAA’s newsletter. In that letter, I asked artists to take a short survey on what their biggest needs are, and to talk a little about how they could help spread the notion that the Starving Artist is a myth. I got lots of responses. It was overwhelming, but eventually I sorted through all of them, and started putting a plan into place, which I want to tell you about here.

Connection

After going through the responses last week, however, there is on thing that is abundantly (heh) clear: artists crave connection. Nearly every single response at least mentioned the desire to connect with other artists, for various reasons:

  • to simply make a human connection outside of the lonely studio
  • to be enabled to believe that they can be “truly valued for their creativity, and help others do the same”
  • to find other artists to collaborate with artistically and in business
  • to receive help from artists who are further along in their careers
  • to help other artists learn to do more

Powerful desires. They get right to the heart of the matter, don’t they? Connecting with other human beings is powerful. It’s how we grow. We need outside perspective.

We Need People for Success

In 1937 Napoleon Hill published the book Think and Grow Rich. In the book Hill outlines 13 principles that make people successful. He created these principles after spending 20 years studying the most wealthy people of his time. One of my favorite principles is the idea of the Master Mind (sometimes called accountability groups, salons, or other names). Hill makes a comparison between the human brain and a battery. The more cells a battery has, the better it works. Also, the more batteries you have working together the better they work. The most successful people that Hill studied included Henry Ford, the Rockefellers, Thomas Edison and others. These business geniuses recognized the need to gather smart people around them. There’s a long tradition of successful people coming together to discuss ideas and help each other. Some art salons (which are just variations of the mastermind idea) date back to 16th century Italy. My own experience tells me that great accountability groups go something like this:

  • Meet one to two times per month, usually early in the morning before things get crazy
  • Depending on group size, the meeting is 1-2 hours long
  • Each person in the group gets a few minutes to talk about 1 – 2 current challenges in a focused way
  • The group takes 10 – 15 minutes to come up with solutions to the problem
  • Rinse and repeat for each person in the group
  • An email list or private forum for between-meeting conversations

Here’s the other (unfortunate) reality: most mastermind groups don’t work unless you’re paying for them. I first heard that several years ago when I attended my first big marketing conference with Dave Dee. I didn’t believe him. Since then, my experience has shown me 4/5 of the mastermind groups I’ve been a part of fell apart in less than six months. People who were a part of it didn’t take it (or their business) seriously. You might be great friends with the people in your accountability group, but if all you do is sit around and laugh and chat, you’re missing out on an opportunity to grow professionally. Which brings me back to my original point in writing this post…

Artist Mastermind Salons

In September 2013 I started organizing test mastermind groups. We met frequently and tried lots of different formats. Some of those groups spun off into their own self-maintained group and some fizzled out and went away. One group in particular has stayed strong and its members are growing their businesses like gangbusters. So I decided that I should start another one just like it. This group will be:

  • Small. 4 – 6 people at the most
  • Focused on building an artist business
  • Savvy for artists who have already sold more than a handful of pieces of art, and are looking to take their business to the next level

Dozens of you have already told me that you want to connect with more artists. This is one way we can make that happen. There are thousands of artists reading TAA every month, so why shouldn’t I help you connect with each other? It doesn’t really matter where you live. The technology exists to do group video chats. If there is enough interest, we will probably split groups up by general location (West Coast, NYC), style (oil, watercolor, sculpture), and stage of career (emerging, full time artist, long-term success). If you are interested in joining the group, click here to fill out an application and get more info. I’ll sort everyone and try to create the right group dynamic, and we’ll see what happens. You can also click this apply now button. apply-for-mastermind-1 Yes, there is going to be a fee for this mastermind group, and probably a substantial one (between $150 – $400 per month), but I haven’t decided what that fee will be just yet. I’ll wait until a few of you have filled out the application to see what interests you. I am giving these groups a lot of my time, and there is a direct correlation between how much you pay for something and how seriously you take it. Last thing: if you’re a flake, don’t sign up. These groups only work if everyone can learn to depend on and trust each other.

The post Mastermind Groups: Gathering Successful People Around You appeared first on The Abundant Artist.

SOURCE: The Abundant Artist - Read entire story here.

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Summer Sparklers

With summer here, find something that sparkles. From Jacobites to the Victorians, jewellery from the auction world has some truly wonderful stories to tell.




SOURCE: Barnebys: all auctions in one place - Read entire story here.

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Trust (and Verify) Artist Opportunities

There are all kinds of opportunities for artists to show and to sell their work.

Your inbox probably has an email from a rich oil sheik in Qatar who wants to buy your art right now.

What do you do?
How can you tell the good opportunities from those you should avoid?

My advice is always to trust first and to be cautious second and most importantly.

Janice McDonald, Helen Hiebert, and Alyson. Helen had a fantastic working experience with a Denver-area library that purchased her piece (above) titled The Wish.

Janice McDonald, Helen Hiebert, and Alyson. Helen had a fantastic working experience with a Denver-area library that purchased her piece (above) titled The Wish.

As with everything in your art business, the onus is on you to verify all of the facts. Here’s how you do that.

Visit When You Can

Peruse online gallery sites for signs of business legitimacy and also to see the range of art they’re showing.

Do you like the work?
Would you be proud to have your art shown alongside that on the site?
Is the photography of high quality?
Are all works credited?
Do they make it easy for customers to buy the art?

Visit brick-and-mortar spaces to check out cleanliness, professionalism, and staff manners. Look for red dots on the walls, keeping in mind that not all galleries mark artworks as Sold.

Inquire From All Angles

After thanking the sheik from Qatar for his interest, ask how he found your site and what he liked most about the artwork he’s interested in. (This is too much work for the phonies.)

Ask venues how long they have been in business.

Ask organizers of juried exhibitions how many years they have been operating, and what the traffic and sales volume have been in the past.

Ask everyone for references from happy artists or clients.

Ask artists associated with the venue or organization what their sales have been like.

Have they been paid in a timely manner?
Has communication been good?
Has the other party lived up to their promises?

Research Online

Vertigo Art Space, curated by Michael McClung

Visit the Better Business Bureau site and enter the business name to see if any complaints have been filed against it.

For any organization, exhibition or venue, a little googling can answer a lot of questions.

What’s the website like?
Are they active on social media?
Do you see their calendar listings in local publications?
Do they advertise?

Search online for the sheik’s name to see if it has been associated with fraudulent email.

Get It In Writing

Read the client agreement carefully.

What is the duration of your commitment?
What is your financial commitment?
What are the venue’s obligations to you?

Don’t ship or sign anything until everything is in writing and the money, if it’s part of the transaction, has cleared the bank. This could take up to a month, so don’t let anyone rush you. (Honestly, when has any art-buying experience ever been urgent?)

I’ll leave you with this thought: I know several artists who have received phishy-looking emails from far-off countries that turned out to be legitimate.

Remember that I said to trust first. You just never know.

SOURCE: Art Biz Blog - Read entire story here.

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