Category: marketing

I have to pinch myself whenever I’m referred to as a “collector.”

I think maybe they have the wrong person or have sent a message to the wrong email address. To my mind, a “collector” was someone born into enormous wealth, a JP Morgan, a Frick, a Mellon, a Huntingdon, or a Getty. My background was the complete opposite. I was born in a tenement in the East End of London and my parents both had to leave school at 13 years old to work. They were wonderful folks with deep hearts, but the word “culture” was a word not in their vocabulary. There were no books or anything visual in my surroundings. I sensed there was another world out there. I listened to the BBC radio, really to learn how to speak and use language. I then ventured out into the world by escaping to the cinema then the theater and then museums. There I found out about beauty and other lives being lived.

By some chance when I was 15 years old, I came across a book called, “A Vanished World” by a man called Roman Vishniac. An image within that book called “Sara, The Only Flowers of Her Youth,” was the first photograph that totally “possessed” me.

Flash forward three years. I manage to scrape enough money to buy a student ticket to New York. Back then there was something called the Yellow Pages. I look under the name “R Vishniac” and see a listing and pluck up the courage to dial the number. A man answers.

I fumble the words like “Mr. Vishniac, Your book made me cry.  This is my first day in America. Can I come see you?”

He says, “I’m very busy but I can spare you 10 minutes tomorrow.”

I nervously go and end up spending five hours with him. I must have looked like I had not eaten in a week, because his wife kept feeding me food. He was such an amazing man and the first photographer I had ever met.

I began a career in film production and soon found myself tired of struggling to make films in England. I went to Los Angeles in 1979 and decided to stay.  I had a net worth of $2000, five T-shirts, and two pairs of jeans. Somehow, I got invited to a commercial photographer’s house for dinner. He had a small collection of photographs on the wall which his wife told him to sell because he wanted to buy a vintage car — and he couldn’t have both!

© The Estate of Max Yavno/Center for Creative Photography |
Courtesy of Peter Fetterman Gallery

There was one image on the wall which totally seduced me. Its name was “Premiere at Cathay Circle” by a photographer I had never heard of called Max Yavno. I sheepishly asked, “how much is it?”

The host said $400. Then I did the most irrational thing I said “I would like buy this, please” in my polite English accent. If I were anywhere near rational, I would have spent the $400 on putting decent brakes on my beat-up Ford Pinto, but something clicked in my brain. This one act changed my life, and I am forever grateful, because I would not be here now writing about collecting without it.

© The Estate of Henri Cartier-Bresson/Magnum Photos | Courtesy of Peter Fetterman Gallery

What have I learned about collecting over the last 40 years? Listen to no one — only listen to your heart and you won’t go wrong. I would love to own a Modigliani or a great Degas or a great Francis Bacon, but I don’t have a spare $100 million tucked under my bed. Photography is the most democratic medium in the art world. It is the only medium in which you can own the same piece as the Getty Museum, and if have a good eye and passion and energy, you can own something even better. There are photographs out there that can be purchased for relatively little money, $1000 and up. Some of the greatest photographs I have ever owned, and some that are even in The Power of Photography exhibition at the Bowers Museum, were first purchased for far less.

Enjoy the journey and the hunt as I do every day, even after 40 years. It only gets better.

___________________________

Author Bio:

Born in London, Peter Fetterman has been deeply involved in the medium of photography for over 40 years. Initially a filmmaker and collector, he set up his first gallery over 30 years ago in 1988. He was one of the pioneer tenants of Bergamot Station, the Santa Monica Center of the Arts when it first opened in 1994.

The Peter Fetterman Gallery has one of the largest inventories of classic 20th-century photography in the country particularly in humanist photography. Diverse holdings include work by Henri Cartier-Bresson, Sebastião Salgado, Steve McCurry, Ansel Adams, Paul Caponigro, Willy Ronis, André Kertesz, Manuel Alvarez Bravo, Lillian Bassman, Pentti Sammallahti, Sarah Moon and Jeffrey Conley.

Fetterman and his colleagues are committed to promoting the awareness and appreciation of the most powerful of the mediums in an intimate, user-friendly salon environment.

What are professional art logistics services? Ilya Kushnirskiy, co-owner of Fine Art Shippers explains why artists must know about this important option.

Logistics is an integral part of pretty much any business selling physical goods. You might think that to operate a business successfully, it is enough to simply rely on regular shipping services. That might be true, but you would be significantly limiting your possibilities. When shipping artworks to clients, many professional artists opt for the help of professional art logistics companies.

In general, art logistics includes an array of services related to art handling and transportation, such as national and international shipping, packing and crating, installation, insurance, storage, and more. Let’s find out how opting for the help of expert art handlers can benefit your art business.

Expand your business

As a successful art business owner, you have probably already mastered transporting artwork locally. But what about the global art market? You might find that international art shipping has several challenges you have never encountered. Fees, customs documentation, and the risks that come with long-distance transportation are just a few of the things that might get in the way of your business expansion.

To ensure that you are prepared to take on new heights, you can opt for the help of a professional art transportation company. Leave all the stress of international shipping to experts who will handle it for you. From ensuring the safety of your artwork to taking care of documentation, art shippers do everything in their power to help your works reach their new owners in perfect condition and right on time.

Securely packed artwork in transit to its final destination.

Optimize your time and space

An artist’s time is extremely valuable, especially when they have a business to run. Besides, the space where the artist creates art should be respected at all costs. But you might have noticed that boxes, tape, and other packing supplies occupy quite a large portion of that precious space. You might have also realized that packing all day long is not the most effective or pleasant way to spend your time as an artist. This is where art logistics companies come into play.

It does not make a difference whether it is an oil painting, a ceramic sculpture, or a religious icon you are shipping. Professional art handlers can pack and crate any piece of art, customizing the packaging to fit the item perfectly. They will bring the equipment and supplies to your place or studio and pack your artworks onsite. Besides, you will not have to waste time calculating shipping costs because art shippers will do that for you.

Make a good impression

As a business owner, you know that making an impeccable first impression on your customers is extremely important in building a loyal client base. You might think that all that matters is your art and that your talent and dedication are enough to impress anyone. Unfortunately, that is not always the case. No matter how amazing your works are, the clients will not want to order from you again if the overall customer experience is unsatisfactory. Issues like poor packaging or late delivery might make your customers feel you do not care about them or your art. This is why choosing a reliable art logistics company is crucial to growing your art business.

When art handlers see a work of art, they see not only a beautiful creation but also a valuable item that needs to be delivered promptly and in perfect condition. When your customers receive a perfectly packaged and punctually delivered item, they will be impressed with how you care for your art. Knowing they can trust you to provide the best customer service possible, they will want to continue buying from you in the future. In other words, thorough shipping and packing practices are the key to building long-lasting relationships with your clients.

Artwork is carefully unpacked and professionally installed.

Mitigate the risks

Working with professional art shippers, you are ensuring the protection and safety of your artwork. However, some things cannot be predicted. In the unlikely case that something happens to your pieces during transportation, you want to know you did everything you could to prepare. To take the protection of your goods to another level, you might want to opt for art insurance, specialized insurance that will cover the damage your work might receive in case something goes wrong in transit.

Art insurance is usually a must when shipping with an art logistics company. Not only may art shippers refuse to transport uninsured work, but it is a crucial step in providing sufficient protection for you and your product. The art logistics company of your choice can help you choose a suitable insurance plan based on your needs.

We hope you take the time to evaluate the advantages of working with a professional art logistics company. After all, additional help when managing a business is always welcome.

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Taking place at the beautiful San Diego Convention Center in the heart of the city, Art San Diego welcomes its esteemed exhibitors and attendees to a contemporary gallery-style venue. Artists from around the world will be exhibiting at Redwood Art Group’s Art San Diego fair this November.

Here are nine artists to watch during this year’s fair. Get to know the talented group below.

Alessandra Silvaberg

Self-taught photographer, Alessandra Silvaberg was born in São Paulo, Brazil, and currently lives in California. Her interest in photography started at an early age, inspired by her grandfather who was an incredible artist by heart, she states that he had a profound influence on her life and passion for art. Alessandra has been working with outdoor portraiture photography for the past 18 years, including celebrities, international destinations, and fundraising events, She uses the beautiful outdoors as the background of her artwork. “It is an amazing dance to connect with people and places as one subject” -she says Alessandra always separates a time to take her camera and go out to explore places capturing the moments it was one of the travels that she felt the calling to share her artworks that she had put aside for years. Alessandra is attending for the first time an Art Show as a SOLO and she is thrilled that finally she can share with the world what has been saved until now.

Q: What is your work philosophy and how does that impact your work?

A: I am grateful for my gift of translating how I see the world. My spiritual journey keeps me centered, sensitive, and strongly connected to human beings, animals, and nature and I have always felt passionate about photographing the beauty I see everywhere and in everyone. I am not a technical photographer. I shoot from the heart. I always say that “I see with the eyes of the heart” and that is how I connect with my subjects I allow them to connect with me by being present in the moment, and that is how I find inspiration for photography. I am grateful for all that life has given me. I am surrounded by so many amazing people and I consider myself extremely blessed to have created a beautiful family who gives me extraordinary positive support, and also to get to use my gift to bring beauty to empower, uplift, and connect everyone who comes across my work. Being able to do what I love, with love, is an incredible power to have.

My artwork is a result of 100% inspiration, love, and gratitude! I believe that my true gift is my capacity to connect with my subject by being fully present and feeling a real sense of belonging with all. I use the camera as the vehicle to capture and bring to life that powerful moment. I always feel empowered and grateful for the results of each photograph. My vision is that everyone who comes across my work can be affected in the same way, feeling as if they are there in that moment.

Q: What artist(s) inspire you?

A: I appreciate many artists but my biggest inspiration comes from my grandpa Aristides Eudocio.

Q: What is the best advice you’ve received?

A: I have two strong pieces of advice that I carry with me for my life: The day I left Brazil to pursue my dreams in the US, my dear grandma Anna Bolonhanni held my hands, looked into my eyes, and said “ALWAYS REMEMBER – WHEN I AM WEAK, THEN I AM STRONG.” Someone I dearly respect for his work and life of bringing peace to the world, the spiritual leader Sri Sri Ravi Shankar said “Clarity in Mind Purity in Heart Sincerity in Action.”

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: Exhibiting at Art San Diego 2023 is a result of a mental image, that I have created in the past, with a burning desire of sharing my artwork with the world. I feel incredible accomplishment, gratitude, and excitement and I am honored to be part of this event together with so many amazing artists in my hometown.

Alius Fine Art

“We are the recipients of nature’s compassion, nourished by millions of invisible creatures that allow our food to grow and keep us alive. We are cared for by a bounteous and forgiving planet, inseparable from the earth that we came from. I hope my work is a reminder that all of creation is connected, codependent and profoundly beautiful.” – Alius Fine Art

OLYMPUS DIGITAL CAMERA

Q: What is your work philosophy and how does that impact your work?

A: I need to keep challenging myself to change, so even as I approach the age of seventy I am still learning about who I am as an artist and how far I can stretch myself creatively. In the past I focused too much on detail and effect, working very tight and slowly. Now I am learning to experiment, and allow chance and accident to play a role in my work. More importantly, I am learning to overcome the fear of what people will think of my imagery and to pay attention to my own voice. 

Q: What artist(s) inspire you?

A: Artists who continue to work in spite of severe handicaps and personal difficulties have my undying admiration, whatever I think of their art. Creativity is hard work! It’s physically demanding and mentally exhausting, so I am inspired by artists who dare to think big and overcome hurdles imposed by their chosen media, their subject matter, their community, or their own limitations.

Q: What is the best advice you’ve received?

A: Pay attention while you’re dreaming! I began keeping a dream journal years ago because so much weird and wonderful material floats up while I’m asleep.

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: San Diego is my favorite place on earth, the part of the world I call home, even though I also maintain a studio in Canada and sometimes work in Asia. Exhibiting at Art San Diego means showing my latest work to my very best friends and collectors, sharing my vision with my Southern California community, and unveiling my latest ideas to the world at large.  

Arendt Graphics

“Born in 1945, I spent my formative years in Vienna and entered the professional School of Graphic design. Early in my youth, I was drawn to the visual arts and music.” – Arendt Graphics

Q: How long have you been an artist?

A: As a result of my early childhood experiences and dealing with the aftermath of World War II the arts symbolized beauty and permanence for me and I fell in love with music, paintings, sculpture, dance, and theatre. In the mid-50s and 60s, Vienna was a great place to enjoy the arts. The city had recovered from the war and there was a powerful renaissance in music and the performing arts with many famous people coming to perform. We were fascinated with modern jazz and listened to performances from John Coltrain to Beethoven. We did not know it then, but we were able to enjoy some of the best performers of the time. I hung around many of the art places throughout the city and soon became familiar with the struggles and expectations of being an artist. When I reached fourteen, I made the decision to enter the graphic field with the goal of becoming a graphic designer. I took evening classes from some of the best-known designers of the time and immersed myself into this lifestyle learning about composition, design, and typography. On the weekends I played jazz music with several bands to earn extra spending money. I went to all the gallery invites and openings and got exposed to many artists including my two favorite artists Egon Schiele and Gustav Klimt. I can truly say that I spent most of my life with a pencil in my hand.

Q: Where do you find your inspiration?

A: Faces are to me the most fascinating thing. They are the mirrors of our passions, our struggles, failures, and triumphs. They are the calendar of our collective experiences and a most reliable read/reflection of our feelings. Studying people is almost second nature to me wherever I go, particularly when I see a face that happens to fit the subject that I am presently working on, I look for a combination of body language, the tilt of a face, the sudden drop of a head, the look of an uncertain smile, the narrowing of the eyes, an expression of hate or sorrow down the cast of sham, the shimmering of the cheeks as tears are emerging. These are faces that belong to all of us as we experience joy, sorrow, love, and hate. There are many combinations and you can find them. All you have to do is look around you and watch what people are saying silently. 

Q: What do you like about your work?

A: I am looking forward to developing different series like the “Children of War” and I have just begun with a new series called “Structures.”

Q: Professionally, what is your goal?

A: I would like to find a broader audience for my “Children of War” series. It is a subject that I eel deserves a place in our conscience and needs to be presented as part of our overall understanding of war. The violence and horrors that children experience around the world should no longer be ignorable. 

Bruce Swift

Bruce Reeves Swift, a distinguished painter with over four decades of professional experience, has earned a well-deserved reputation as “America’s Artist” through his remarkable depictions of everyday American life. With a deep passion for capturing the essence of the ordinary and the extraordinary in the American experience, Swift’s body of work resonates with a profound connection to the heart and soul of the nation.

Swift’s journey as an artist is a testament to his unwavering dedication to portraying the rich tapestry of American life. His paintings are windows into the heartland, cities, and suburbs, revealing the diverse stories, traditions, and moments that define this great nation. Through his skillful brushwork and keen eye for detail, he has immortalized scenes that range from bustling urban streets to serene rural landscapes, from joyful celebrations to quiet moments of reflection.

What sets Bruce Reeves Swift apart is his ability to infuse his canvases with a palpable sense of nostalgia and familiarity. His work evokes a deep emotional resonance, stirring feelings of nostalgia and pride in viewers who recognize the quintessential American scenes he portrays. Swift’s paintings capture the essence of small-town diners, Fourth of July parades, family gatherings, and the unassuming beauty found in everyday life.

Over the course of his prolific career, Bruce Reeves Swift has become not only a masterful painter but also a cultural historian, chronicling the evolution of American society, culture, and values. His dedication to preserving these moments in time has earned him a revered place in the annals of American art.

As “America’s Artist,” Bruce Reeves Swift’s enduring commitment to celebrating the everyday American experience through his paintings serves as a testament to the enduring spirit of the nation. His work continues to resonate with people of all backgrounds, reminding us of the shared stories that unite us and the beauty that can be found in the simplicity of life. Bruce Reeves Swift stands as an iconic figure in American art, capturing the heart and soul of the nation with each stroke of his brush.

Deborah M G Cassolis

“My name isDéborah M. GiVogue Cassolis and I have a love for nature and enjoy expressing my studies of cycads, palm trees, monocots, and tropical plants for over a decade, and a lifetime of loving the contrasts of light and shadows.  Fawn and fauna have always inspired me from my backyard and traveling to tropical places like Africa, Australia, Hawaii, Mexico, San Diego, California, and other places around the world.

My story began when I was a child, my parents knew I had artistic talents, and my mother entered one of my pieces when I was 9 years old a competition and heard back from them telling her that there was no way a 9-year-old child could ever be that good; I remember her crying because they didn’t believe her child was a gifted child.   Thereafter, in high school, often the teachers would claim my art and keep it for the schools, and I never got my art back, this was starting to get to me then.

After some years of just keeping my art to myself, I did do some commissioned work, and a company I worked for asked me to design logos for their shipping department, an architect asked me to design a banner for his new company, but these things were minor, and I loved to do art in any way I could.  Eventually, after years of never sharing my talents, I went to Africa to meet my husband’s family, I was bored so I painted the children of the family we stayed with, my husband didn’t even realize I was a good artist.   Then, we moved to the United States where again I took up art classes and sold lamps to businesses that did not intrigue me at all, so I quit my job and went straight to college and enrolled to get my Fine Arts and Liberal Arts Degrees, I knew I was in my element, no turning back.  I graduated with Honors and pursued my life as a full-time artist.” – Deborah M G Cassolis

Q: What is my work philosophy and how does that impact your work?

A: As a painter I always believe that I should know everything I can about what or whom I am to paint.  The more I know about the subject(s) the more I feel that I can convey to canvas the spirit of how they impact our lives through my paintings.

I chose palm trees and tropical plants because how I see it is if we know about the environment they are from, we can also help animals who rely on the forests to bring awareness of their importance to the ecosystem.  I feel that giving back to what I believe in by donating art or some proceeds from the sales, is a good way to send a message to the world that our animals forests and ecosystems are important to care about.

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: When I heard about Art San Diego, the city that I yearn to live in, was having an art show at the convention center, I knew I wanted to be a part of this event.  I got tickets to the event but COVID-19 happened, then the next time that the show opened, the Governor of San Diego closed the convention center to the public due to the building may still be contaminated by COVID-19.  So, finally the next year in 2022 I went to the show with the help of Mark Shapiro who helped me get the tickets. He advised me to talk to as many artists as possible to learn about this event.

I left there and I was excited, I got home, and I knew I wanted to be a part of this event in 2023. 
This means I can be in front of a larger audience connect with key people and fellow artists and be inspired to new levels with my skills.  I think it is important to participate in events like Art San Diego to help grow my name and to share my art with people who would love to know the story behind my artwork and acquire pieces. 

Stephen Robeck Photographs

“My more serious work with a camera began through long wilderness treks in the High Sierras around Yosemite. Surrounded by grand vistas and natural wonders, I felt driven to capture grand panoramic landscapes. But once I began to really see the abstract forms, colors, and textures that abound in nature, all my preconceptions of what my work should be were fundamentally changed. In a sense, I was set free. Now I find that images are everywhere.

I love creating photographs whose origins may not be readily clear. This kind of abstraction can lead to images that are peaceful, but also a bit mysterious. I want my work to engage viewers through color, texture, and depth, and to keep their eyes moving. If they ask, “What is that?” I feel I’ve succeeded in some way. My intent is to make photographs that people want to look at and explore every day.” Stephen Robeck

Q: What is your work philosophy and how does that impact your work?

A: The first tenet is, don’t ever try to imagine what others will like or want to collect. It’s impossible. One of the first things I learned as an artist is to focus on those images that speak to me. When I trust my own vision, others are much more likely to respond.

The second tenet is, to just keep doing the work and learning from the process. I think this is key for all kinds of artists.

The third tenet is, when the work connects with others, understand this is the gift. Sales are great, but it’s the personal connection with strangers that is the core of the virtuous circle.

Q: What artist(s) inspire you?

A: As a young photographer, I soaked up monographs of the work of many photographers who were known for particular things. Gene Smith made a variety of photo essays that were featured in Life Magazine. He was also famous for his coverage of fighting in the Pacific during WWII. Ansel Adams made the Yosemite and the High Sierra come alive with his dramatically manipulated Black and White images. Eliot Porter was one of the first to open my eyes to color in the natural world. These and other artists were inspiring because their work was so distinctive, each unlike any other. So part of that inspiration was the understanding that they couldn’t really be emulated, only appreciated and admired.

Strata in the Clouds

Q: What is the best advice you’ve received?

A: When my mother was nearing the end of her life, I asked if she had any advice for me. After thinking about it overnight, the only thing she said was, “Have no regrets.” Of course, this pertains to everything, not just art, but it has been a lodestar for me ever since.

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: I exhibited in Santa Barbara galleries for a number of years, but usually with just a few pieces at a time. Art Santa Fe was my first Art Fair experience, followed by others in Santa Fe, Dallas, and Miami. The most valuable thing I derive from all these fairs is learning more and more about how to curate more of my own work and present it in a way that gets the attention of others.

World Chinese Art Committee

The World Chinese Art Committee Art San Diego 2023 exhibition mainly focuses on the works of artist Huang Yue. At the same time, they additionally display the works of two other artists Huang Simi, Huang Ziyao.

Huang Yue was born in Beijing, China in 1960. In 1982, he graduated from the Fine Arts Department of Beijing Film Academy; in 2000, he created a new style of oil painting – Huang Yue Bird-Flower Oil Painting; in 2014, he created Huang Yue Ink and Color painting.

Huang Yue in studio

Q: What is your work philosophy and how does that impact your work?

A: My work philosophy is to keep discovering and innovating, so I need to keep practicing.

Q: What is the best advice you’ve received?

A: Create paintings that do not exist in this world.

 

A Touch of Beauty -Huang Yue

Q: What artist(s) inspire you?

A: Impressionist paintings inspire me.

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: The art fair will let me know and compare the art of 2023.

Whitney Anderson

Whitney is a self-taught multi-disciplinary fine artist practicing in the mediums of drawing since she was 3, painting since she was 15, and collage since she was 27. Born in Alaska into a 3^rd generation commercial fishing family, she and her family moved to Breckenridge, Colorado in 1996. She took up ski racing for 4 years before switching to cross-country and track. Excelling in sports, she attended Duke University on a full-ride athletic scholarship and in 2009 received her B.A. in Fine Arts.

Whitney’s signature style is contemporary realism with a flare of pop-cultural nostalgia. She considers herself as “old school, raw, a purist”: everything is free-handed and that stems from the thousands of hours refining her fundamental art skills over the past 25 years. This is reflected early on in her childhood: “I didn’t like coloring books or tracing, I was always a blank, white slate kid.” Her blue-collar upbringing also prepared her way as an artist. There were no shortcuts to being successful: pure passion, drive and long hours make up a signature Whitney L Anderson art piece.

Q: What is your work philosophy and how does that impact your work?

A: I’m not going to romanticize becoming a great artist: it’s plain old work harder— in labor and in your smarts– than your peers. That’s it. People who view my art have expressed to me how they see the hard work and depth of emotion put into it—it’s almost 3D in the way it escapes Its 2D nature and permeates the atmosphere around it, uplifting spirits. The subtleties are everything in the art world—one that makes a piece go from good to a masterpiece. You have to catch the soul. I call it the Three C’s: I’m Calculating, Controlled, and Commanding in my craft. By the time I was 30, I had put in my 10,000 hours of mastering my field and I believe it’s because it’s the one thing in my life that I have complete 100% control and confidence in. When it comes to art, I like to capitalize on my emotions—they will bring out the potency of my work (because I was creating it with a lot of heart). One more thing: do art for yourself first and then for the world second. You’re never going to please everyone so don’t turn into a pleaser—you’ll end up losing yourself altogether.

Q: What is the best advice you’ve received?

A: “Stay hungry.” Several people over the years have told me that during my career. I think they saw where I could go and how prolific I was becoming. Other people believing in me helps fuel my drive even more—that angst to produce more and make something of myself. It’s the feeling that time is finite and I need to accomplish great works with the skill set God gave me. There is also another quote that I discovered years ago, one that I have always told myself in order to stave off comparison and self-doubt: Eleanor Roosevelt’s famous line, “No one can make you feel inferior without your consent.” I just love it as it automatically snaps me back to the stoic composure I need in my life because I am such a deep feeler and empathetic—I have this default weakness of feeling like that if I get rejected I have to feel rejected and inferior by the person doing the rejection. Sometimes, yes, we should feel the retribution in certain circumstances, but I have learned that most of the time it is the other person. So, I have had to be very judicious about what I do with it. Never has that been more true in the art world: highly subjective, political, and fickle—“you’re too this” or “too that.” If you absorbed all the critics around you it would make you go crazy. 

Q: What artist(s) inspire you?

A: I discovered George Condo’s work a few years ago after watching the documentary “The Price of Everything” and it was so arresting. Ingenious. The other work I like is Kazimir Malevich whose stark abstract pieces were the forerunner to the hyper-modernist movement. He was ahead of his time. I could name a lot more musical artists that inspire me to actually create art— some pieces that I recall have a “soundtrack” to them because I usually listen to a ton of music while I create. 

Q: What does exhibiting at Art San Diego 2023 mean to you?

A: It means exposure to a larger audience, hopefully, direct sales, and definitely residual sales. I want to be discovered by a formal reputable gallery and be represented by them. When I visited Art Basel in 2021 and got acquainted with several galleries: DTR galleries along the east coast, Galerie Leroyer in Toronto, Space Gallery in NYC, and Art Angels in Los Angeles. Those are the places that would sell my art really well. Any galleries similar to their curation I would love to meet at Art San Diego–my first major art fair appearance!

Art by Joshua

California native, Joshua Rioss, is an oil painter in the abstract, expressionism, realism, and allover styles. When he’s not painting, he works as a K-12 visiting teacher for San Diego Unified. He also plays guitar, makes frames, and writes novels and short stories.

Q: How do you work?

A: When painting at home I put away all distractions, sometimes working in complete silence or playing instrumental music in the background. Working with oil requires patience; it takes a while for the paint to set. However since I don’t have any, I am often working on multiple paintings at a time between sessions. Whether painting on site or in my home I absorb myself entirely and work as swiftly as I can. I will paint until a subject is finished or the canvas is completely wet and I can no longer add layers. I try to be efficient and plan out the amount of time and sessions I will work on a single painting. However, this is hardly the case and I accept my process must be free to continue as long as it takes. The process is a journey. I can only control it so much before I find myself working with a painting as much as on it. 

Q: What has been your favorite experience so far as an artist?

A: I started painting to experiment with color and design and decorate my walls. I was hooked when I realized how much artwork can positively change a living space and add to our lives. The more I painted the more ideas I had, and I fell in love with the possibilities. I look forward to bringing more unique artworks into the world for myself and others to enjoy. My favorite experience has been rediscovering a years-old painting and being inspired and reassured by it. It’s like receiving a message from your younger self hoping to tell you how talented you were yesterday, are today, and will be tomorrow. 

Q: What is the best advice you have received?

A: I learned many years ago that good advice can come from anywhere. One day while painting outside my apartment, my neighbor, an older gentleman who comes from a family of musicians, was walking out of his house and saw me working. He approached my station and asked what I was up to. I told him I was just experimenting with some paintings. He studied my work and then said, “You know, eventually it just comes down to proficiency. How proficient are you at what you do? Because not everybody’s going to like the same stuff. But if you can be proficient at what you do, then you’re doing alright, man.” That might have been the first time I thought of myself as having a distinct style of painting and realizing it doesn’t have to please everybody. 

Q: When you are not working, where can we find you?

A: When I am not working I am working. My day job as an educator keeps me busy during the week. When I come home, I rest, eat, and then start painting, practicing music, or working on a writing project. But aside from work and home, I enjoy exercising, either at the gym, the park, or just around my neighborhood. I like to get out in nature and take hikes or just walk around the city and find a new restaurant to eat at. Sometimes I go out and listen to live music on the weekends at a few different venues. You can find me at Balboa Park, walking through the museums, enjoying the scenery, or just passing through. I also go to Mission Bay or any of the beaches in San Diego when I want to swim or just relax outside. 

For tickets to Art San Diego 2023 visit this link.

Artist Patricia Fortlage presents a collection of photographic images that are not as they first appear. See more of her work by visiting her website.

My name is Patricia Fortlage. I am a documentary and fine art photographer, and subtle activist. My goal is to create work that moves people, work that inspires change, especially for women and girls.

“Correspond” archival pigment print (fine art photography), sizes vary

Studies have shown that if you invest in women and girls, entire communities will be raised. For the past 17 years I partnered with just such programs in developing countries to document their work, the issues they face, and how they are addressing those issues.

“Sideswiped” archival pigment print (fine art photography), sizes vary

Alongside this, I have also created bodies of work here in the US to advocate for women and girls. Even now, with a progressive diagnosis of Myasthenia Gravis and the physical limitations that that entails, I continue to create work to improve the lives of my sisters everywhere. Even my fine artwork seeks to tell a story and inspire change.

“Fireworks” archival pigment print (fine art photography), sizes vary

I recently completed a campaign titled, Wonder, girl! which focused on breaking stereotypes for girls. I photographed over 40 women in an effort to inspire teens by showing them all things are possible.

“Cinder” archival pigment print (fine art photography), sizes vary

I also partnered with mental health experts on a project titled, Life Sentence. This project highlights the often life-long challenges for victims of sexual assault. This, along with the work I have done throughout developing countries has been the highlight of my career thus far.

“Octopus” archival pigment print (fine art photography), sizes vary

I have been approached by numerous women who finally sought help with their assault because my images showed them that they are not alone, nor should they feel embarrassed for how they have tried, or not tried, to cope.

“Looking Glass” archival pigment print (fine art photography), sizes vary

My latest project is an abstract fine art series that seeks to bring awareness to the impact fake news is having on all of us. It is titled, Not As It Seems, and it is a series testing assumptions and encouraging contemplation. What do you see? Are you sure? We are living in a time when jumping to conclusions has become sport. We’re quick. We’re decisive. Are we right? How can we be so quick and so decisive when so much is made up?

“Self-Preservation” archival pigment print (fine art photography), sizes vary

None of these pieces is what it first seems, the end result rarely being a representation of materials used. The series as a whole provides us an opportunity to question our own beliefs and judgements. How quickly am I convinced of what I see? What is the evidence that supports this? Is it credible? In the end, it may simply be an exercise in learning that what we see may not be truth, and allowing for the reality of not becoming an expert at first glance.

“Lemonade” archival pigment print (fine art photography), sizes vary

Although my work is highly realistic, it also often evokes a quality that is both intense and dreamlike. The reason? My hope is for the viewer to have an immediate emotional reaction to my images, as opposed to an intellectual reaction, one that will move them and inspire them in how they themselves move in the world. At its most poignant, I would like to hope I have inspired positive change.

Patricia Fortlange invites you to follow her on Instagram and Facebook.

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Artist Yasmeen Beyhum creates ethereal paintings that celebrate transformation and healing. Enjoy her portfolio, and visit her website to see more.

“Life is Art” acrylic on canvas, 20″ x 10″

“Awakening” acrylic on canvas, 15″ x 30″

“Laughter’s Melody” acrylic on canvas, 20″ x 16″

“Oceanic Affections” acrylic on canvas, 30″ x 30″

“Compassion for Life” acrylic on canvas, 24″ x 18″

“Underwater Cove” acrylic on canvas, 28″ x 22″

Artist Yasmeen Beyhum with her painting “Sea Creatures”

If I can guide you on a journey of joyful transformation, facing life’s transitions and emerging as your true self, then I’ve succeeded. My greatest joy is sharing this experience, and my art, adding imagination, magic, and wonder to your life. Join me on a shamanic-like journey, up and out into higher planes, whilst manifesting your own art.

Yasmeen Beyhum invites you to follow her on Facebook and Instagram.

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I really enjoyed reading this, Alyson.

A year and a half ago, a family member became quite ill and moved in with me. Helping this family member became my highest priority, and it took emotional and physical energy–and a great deal of time–away from painting.

This year, I began getting my mojo back. I entered my first juried exhibition, and then I applied to be a guest artist at a wonderful gallery in Laguna Beach, California. I’m scheduled for this, in the summer of 2024. I’m now focusing on that body of work and having the time of my life!

No grandchildren yet.

My definition of success would be this: representation in a local, high-end gallery. I would gladly pay their commission in return for shipping my work, collecting the taxes and reporting them, and warehousing my work, in addition to displaying my paintings in their gallery.

I’m not sure if any of your services would be appropriate right now for me? I’m mostly focused on creating the work, but as my guest artist show approaches, I think it will be good to have started an email newsletter, created a website and I’m not sure what else. (I have an Instagram account but no website yet. I want to complete more paintings before paying for the website.)

In artistry, the environment often plays a pivotal role in shaping creativity and vision. For art enthusiasts, industry professionals, galleries, dealers, and especially artists, understanding how changing locations can influence your creative process can unlock new dimensions of expression. Just as networking in the art industry opens doors to new collaborations and opportunities, a shift in geographical setting can usher fresh perspectives and inspirations. This exploration dives deep into the transformative power of relocation, laying out its profound impact on the canvas of imagination.

The History of Artists Changing Scenery

Throughout the rich tapestry of art history, the allure of new horizons has been a siren call for creators to pursue deeper inspiration and novel perspectives. Iconic figures like Van Gogh, who ventured from the cool terrains of the Netherlands to the sun-drenched landscapes of southern France, experienced discernible transformations in their artistic outputs post-move.

When one dedicates time to studying the history of art, this trend becomes unmistakably evident: shifts in location have often led to pivotal changes in techniques, color palettes, thematic focuses, and even emotional depth.

Moreover, the newfound exposure to contrasting cultures, environments, and aesthetic traditions broadened their worldviews and left indelible marks on their masterpieces. Beyond mere anecdotes, these historical instances offer powerful insights, revealing how changing locations can reshape and rejuvenate an artist’s creative process.

How Changing Locations Can Influence Your Creative Process

At the intersection of geography and imagination, many factors explain how changing locations can influence your creative process. Venturing into a new environment acts as a catalyst, stoking the fires of creativity by presenting a fresh tableau of sights, sounds, and experiences. The psychological impact of such a change cannot be understated. Immersing oneself in a different culture or landscape exposes an artist to novel aesthetics, traditions, and perspectives.

That broadens the horizons of inspiration and challenges the artist to experiment and adapt. As a result, their artwork may take on new themes, utilize diverse techniques, or evoke varied emotions.

Furthermore, the influence of the surrounding community, with its unique dynamics and conversations, often seeps into the artist’s work, making creation an ever-evolving journey. Hence, it becomes evident how changing locations can be a transformative tool in the artist’s arsenal.

The Practicalities: Making the Move

Embarking on a journey to a new location is not just a matter of packing brushes and canvases. The decision to relocate carries many artistic and logistical considerations that can deeply impact one’s creative journey.

Choosing Locations Aligned with Artistic Goals

The first step involves identifying destinations that resonate with your artistic vision. Whether it’s the bustling art scenes of cities like Paris or New York or the serene landscapes of Tuscany or Kyoto, the location should serve as a fertile ground for your creativity.

Considerations Beyond Art

Beyond the aesthetics, factors like the cost of living, proximity to cultural hubs, and accessibility to prominent galleries or exhibitions play a significant role. Finding a balance is crucial, ensuring the new place is inspiring and practical.

Networking in the New Location

Once the move is made, integrating into the local art scene is paramount. Attend exhibitions, join local art groups, or engage in community projects. These connections can lead to collaborations, exhibitions, and even sales. Building a strong network can also provide valuable insights into the local art market and opportunities therein.

While the allure of a new location can be enticing, the pragmatic decisions surrounding the move ensure a seamless transition and sustained artistic growth.

Image by Olesia Lebedenko for Pexels

Embracing Change While Retaining Authenticity

The artistic journey is, at its heart, a continuum of evolution. Artists, like rivers, are shaped by the terrains they traverse, constantly reshaping while maintaining their essence. This balance becomes even more profound when considering how changing locations can influence your creative process. In this exploration, we delve deeper into the juxtaposition of embracing new surroundings while staying true to one’s artistic identity.

The Balance of New Influences

Every locale is a treasure trove of inspiration. Something always beckons an artist, whether it’s the vibrant color palettes of a tropical setting, the nuanced textures of an ancient city, or the rhythms of local folklore. While drinking from these wellsprings of inspiration is essential, artists should ensure that these new influences complement rather than dominate their original voice. It’s about creating a harmonious blend that adds depth and dimension to their work.

Continual Self-Reflection

The relationship an artist has with their work is deeply reflective. As they evolve, regular moments of reflection become critical. Evaluating their body of work, understanding the nuances introduced by new environments, and discerning the essence of their artistic voice are essential. This ongoing dialogue between the artist and their creations ensures they don’t stray too far from their foundational ethos while evolving.

Image by Andre Moura for Pexels

Grounding in Artistic Roots

Every artist carries a unique signature, a DNA that permeates their creations. This signature must remain consistent as they move and absorb the world around them. Think of it as the base melody in a piece of music; while instruments and rhythms might change, the central tune remains recognizable. Revisiting old works, connecting with long-standing mentors, and occasionally stepping back to one’s original environment can act as reminders of these roots.

Artists face a beautiful challenge as they traverse the globe and let their surroundings mold them. The essence lies not just in recognizing how changing locations influence the creative process but in marrying this external evolution with the timeless authenticity of their inner voice, creating a symphony that resonates both novelty and truth.

Final Thoughts

Becoming an artist is as much about external exploration as internal reflection. From the rich annals of art history to modern-day wanderings, it’s evident how changing locations can influence your creative process. But, amid these shifts, the true essence of an artist remains unyielding. This harmonious blend of the old and the new, the familiar and the foreign, creates timeless masterpieces. So, for every artist aspiring to leave a mark, remember that every location is a chapter, but your authentic voice is the story.

______________________________

About the Author:

Miah Cunningham is a seasoned art enthusiast and writer passionate about exploring the nexus between environment and creativity. Currently associated with onlinemovers.miami, Miah’s experiences with relocation, and her keen understanding of art come together to provide unique insights. Through her writings, she aims to guide artists and art enthusiasts on the transformative journey of changing locations, shedding light on the intricate dance between new influences and authentic expression.

Oil painter Sherry Mason captures nature’s majesty in her collection of sweeping landscapes. View more from this artist by visiting her website.

I have always been inspired by how light affects the landscape, water, and sky. As a young adult, I spent quite a lot of time painting on the banks of the Green River where we once owned a 200-acre dairy farm in Kentucky.

“Blowing Rock Overlook” oil, 20″ x 24″

I didn’t start my career as a professional artist back then. My career choice was based entirely upon the urging of my father to obtain a pharmacy degree. I could have done anything, but I decided on the “safe and secure” job. My art remained a hobby for years with a completed painting from time to time. Unfortunately, I never considered doing anything more with it.

“Sunset’s Autumn Glow” oil, 24″ x 30″

It wasn’t until I retired from pharmacy that I began painting more often. My skills quickly improved to the point that I began entering competitions. I tied for first place in my first juried competition and that was enough to motivate me to take my hobby more seriously.

“The Ski Slopes of Buttermilk Mountain” oil, 13″ x 20″

In late 2018, I participated in a regional paint out and saw how significantly plein air impacted my work. It made it much better! It was very hard for me to catch the light, and I hated painting that fast in those conditions. But I knew there was invaluable information to gain, and I was determined to find a way to do it!  Today, I love it and I participate in four to five regional paint outs every year.

“Come Watch With Me” oil, 16″ x 16″

I feel plein air painting has tremendously shortened the learning curve for me to go to the next level. Painting on location gives me extra references to use that translates to better work! My goals and aspirations are to continue my art journey as an eternal student, never giving way to the feeling of mastery, for that would inevitably fall to complacency.

“Memory Lane” oil, 12″ x 9″

Every painting has its unique challenges. Each is painted by a newer version and expression of myself so that my work evolves. Every next painting has an element of something new I am learning. I guess that is why I will always feel that I could have done more.

“Sandra’s Treetop View of Dobson Knob” oil, 24″ x 30″

I have already won several awards, including an Honorable Mention in the April 2023 International Plein Air Salon, Animals and Birds Category. I’ve been juried into prestigious organizations such as the Oil Painters of America, Elected Artist member of the American Artists Professional League, American Women Painters, National Oil and Acrylic Painters Society and the American Impressionist Society.

“Alone but Not Lonely” oil, 40″ x 30″

I’m excited about my art journey. I receive such wonderful feedback and support from collectors who encourage me to continue to paint in my own way.

“I must honestly say nothing really spoke to me or captivated me the way your work did… Until I saw your work in the Renaissance Center, I didn’t really think scenery by itself could be captivating.”  – D.C., Tennessee

“Don’t stop painting the way you do, nobody else paints it like that.” – S.K., North Carolina

“Meditations on the Nolichucky River” oil, 12″ x 9″

My art is different, but isn’t it supposed to be?

Sherry Mason invites you to follow on Facebook and Instagram.

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Welcome to season five, episode 26 of The Abundant Artist, the show that dispels the myth of “the starving artist” and shares how you can live an abundant life as an artist and make a living from your talent, one interview at a time.

Joining Cory in today’s podcast is Kiffanie Stahle, the “friendly” lawyer who helps artists get the legal side of their art businesses in order. A firm believer in focusing on the “why” rather than the “what”, Kiffanie advises artists to first decide what they actually need to meet their business goals, rather than just investing big in legal matters that may not be required at all in their specific circumstances.

“I have always felt responsible for saying that if we’re going to spend a thousand dollars on the trademark, it needs to be worth it. It needs to move our businesses forward.” — Kiffanie Stahle

In this episode, Kiffanie spells out the six basic rules that every professional artist must adhere to, to avoid getting caught in the legal net. She mentions some free templates available on her website that may be a good starting point for artists just beginning their art career. Kiffanie also talks about how easy it could be to gather tax and other legal information in your state – often just a phone call away.

Tune in to today’s episode for more legal insights, a bit about Kiffanie’s minimalist life traveling the western US since 2020, and her goal to make life easier for small creative businesses. Well, legally at least.

In this episode:

[1:12] Cory asks Kiffanie to tell the TAA audience a little about how she started her journey as a lawyer helping artists with legal dos and don’ts.
[3:00] Kiffanie reminisces about how she founded the artist’s J.D. as a place to provide legal tools and resources for artists, and how it has now evolved into a membership community, offering books, courses and templates.
[4:38] How the year 2020 made a big life change for Kiffanie, and how her minimalist lifestyle impacted her legal thoughts.
[6:39] Is getting a trademark necessary?
[7:00] Kiffanie believes that there are only six things that are required of artists when it comes to the legal side of their small creative businesses.
[9:49] Kiffanie explains how a simple email can also be a valid contract in the eyes of the law.
[11:39] Cory asks Kiffanie how Entrepreneur Magazine has a trademark, given that a business name that merely describes what you do is not eligible for a trademark.
[16:15] When do you need to do more legal stuff, if you have covered the six necessary tasks already?
[17:54] Kiffanie has a free template on her website which artists can use to create a really simple, easy and readable privacy policy and terms of service.
[20:04] Cory asks Kiffanie to quickly define GDPR and CCPA.
[22:02] If your creative stuff is primarily targeted at children, there’s a whole lot of separate laws that you will need to be cognisant of.
[23:25] Cory asks Kiffanie to explain what one needs to do to comply with the various tax requirements.
[24:18] Kiffanie often recommends her clients to get in touch with their respective Chambers of Commerce for understanding the tax rules and regulations applicable to them.
[31:39] At what point should artists start reviewing their tax affairs on a regular basis?
[33:30] Who are enrolled agents, and how are they different from CPAs?
[35:35] To decide what legal tasks you must complete, you must know where your business is going.
[37:29] Kiffanie has been out of social media for three years now – this is one of her experiments in life minimalism.
[38:22] Cory asks Kiffanie how artists would get in touch with her if they are curious to learn more about legal matters or need legal help.
[40:06] What is Kiffanie’s takeaway from spending so much time working with creative people?
[42:08] Cory thanks Kiffanie for a super-informative episode!

Resources mentioned:

the artist’s J.D.
Stahle Law website
Kiffanie’s Website Policy Mad Libs
Kiffanie’s Legal Roadmap book
Kiffanie’s Join me for coffee each Friday

About the guest:

Kiffanie Stahle AKA Kiff is the friendly legal eagle behind the artist’s J.D. A place designed to add ease to the legalese of running your art business. She’s a firm believer that you can protect your ass(ets) without legal confusion. When she’s not geeking out on the law, you can find her and her pup Ozzy puttering around the western United States in their travel trailer. And spending lots of time sitting on her “porch”, hiking, mountain biking, birdwatching, knitting, working on her National Park cross stitch collection or badly singing while playing the ukulele around the campfire.

Carlos Alberto Vega’s mirror art draws in the viewer for a closer examination as they hold glimpses of their own reflection amidst the vibrant and colorful symbols and icons imprinted on vintage, mixed-media mirrors.

“Some say that a mirror merely reflects, only bouncing back what is cast upon it–albeit in reverse. But what if a mirror has memory? What if the images are not only reflected but also retained–even if only as scattered images and moments, much as we remember our own past?” says the Chicano artist, about his mirror art which captures the “hybridity” of his own culture and spirit across his beloved Latinx community, “shaped and reshaped by places left behind and those to be found.”

Raised on the Mexico-U.S. border, Vega’s life now oscillates between New England and the South of Spain with frequent visits to the heart of Mexico. His formal training and education include studies in Paris, New York, and Boston. As a professor of Medieval Literature at Wellesley College, he understands the fascination and magnitude of mirrors in Medieval European Art as well as the mirrors of the Renaissance era. He is inspired by the closely familiar rich European civilization that is essential to his work. A braided dialogue of Europe’s golden years of creativity and artistic expression is fused in the transformative way his mirror art transgresses the old and the new and leans on the abundance of Baroque art with a refined modernity that allows the viewer to rethink the universal and essential questions of the past and the future. Who we are when we gaze at a mirror? Do we recognize the past or the future of the past?

Vega’s academic focus on literature, culture, and hagiography (the study of the lives of saints), led him to initiate the study of hagiographic motifs in an American/Hispanic context, examining the role of religious cultural icons (products of both European Catholic and Native American traditions) in a political and aesthetic agenda.

Elevating the Mexican folk art of painted mirrors to the next level of surface infiltration, Vega’s vintage mirrors, enveloped in antique frames are ladened with their own visual stories. Working on partially distressed mirrors, he further erodes the reflective surface to unveil what the glass retained as a witness of the distant past–while layering personal and cultural symbols within the work. Atop existing images are encrusted gold and metal foil, paint, ink, and powdered pigment–often using a syringe, he breaks through, forming layered impressions.

In an interplay of hide-and-seek, Vega veils parts of the mirrors, making the viewer “part of the murmurings of the mirror–a component in an ever-changing surface.” Masterfully manipulating the surface of his vintage mirrors to exhume the past in a collage, he allows the viewer to see themselves in “movement or stillness” and ponder on the “evolving context of what has been shaped by a mirror with a memory.”

Baroque Rust by Carlos Vega

Yet the mirror and the viewer, “remain distinct” he says.

Vega’s mirror art examines the exteriority and interiority of existence and meaning much the same way Diego Velazquez or Leonardo Da Vinci crossed thresholds and explored both the shadows and the iridescent of the creative act. Continuing with this tradition, Vega goes further, etching the mirrors with colorful paintings and intuiting a festive mood–a fiesta of colors–while at the same time, the mirrors dwell in shadows and in the opaque. There is a radiant playfulness in Vega’s work where illusions and playfulness inhabit the work and where the viewer is invited to engage in imaginary possibilities and in the realms of absence and presence, light and shadows. Yet these mirrors are the portals of the mysterious light we carry with resilience and frailty.

At the center of Vega’s mixed-media mirror paintings–as well as his extravagant Milagro-festooned “brooches”–are undeniable religious and spiritual motifs. He assumes religion, in all its “manifestations and transgressions,” to be as “much an image, ritual, and the material, as abstract belief.”

Twin Hearts and Eyes by Carlos Vega

Expanding beyond his mirror art, Vega’s playful, ornate collection of ex-voto rhinestone brooches offers another view of centuries-old symbolism of Milagros confirming faith while “making a deal.” He adds to existing tin-etched heart–clear and colorful rhinestones juxtaposed with Milagros, plastic flowers (no watering needed), finger puppets of monsters, dinosaur heads, and googly eyes–that reflect devotional art symbols and transform them into “fantasy emulates.”

Rhinestone skulls are a repeated theme across Vega’s brooch art–dangling, glued, popping–celebrating life and the afterlife’s miracles, seeking guidance and protection from the saints and spirits, of those here, and those who have crossed over.

Vega’s History of Mexico mirror art is a pictorial tribute– both reverent and kitsch– to his ancestral homeland. Layered symbols of leading figures in the “tragedies that have marked Mexican history–a lot of which was informed by U.S. and European policies” are juxtaposed with icons of popular culture.

“As artists, we are only conduits to some strange forces that simply seem to take over within us and make us say or do what we express. Perhaps one thing that has come more to mind is how many layers of my culture are reflected in my works. I have come to realize more and more that I am merely a ‘channel’ that no piece of art belongs to (or is the creation of) any single person,” says Vega.

The painted mirrors of Carlos Vega have a haunting quality that remains with the viewer– whispering and illuminating from within. We remain in awe of this ancient tradition now rendered in its full modernity and magnificence.

_________________________

Author’s Bio

Marjorie Agosin is a Chilean-American poet with over 60 books, an award-winning human rights activist, a literary critic, and the Andrew W. Mellon Professor in the Humanities and Spanish at Wellesley College. Jackie Abramian is a writer and corporate communications strategist, who along with her husband owns Haley Art Gallery in Kittery, Maine.

Carlos Vega is represented by Haley Art Gallery. For purchases or to arrange exhibits of Vega’s works contact: haleygallery@comcast.net or 617-584-2580

Enter the creative world of artist Jennifer Holstrom, whose vibrant paintings focus on the empowerment of women. See more of her work on her website.

I’ve been an artist my entire life. I chose to pursue graphic design as a way of making a living while staying in a creative field. Then I began painting seriously in 2008.

“Eastern Sun” acrylic, gold leaf and paper on canvas, 24″ x 36″

As a creative person, a traumatized human, and a woman in our society, I have a fire inside me to break out of feeling oppressed, hidden, and silenced. I have an innate desire to express myself and my feelings through my artwork. Expressing oneself in authenticity is a scary concept.

“Tipsy” acrylic on canvas, 24″ x 36″

In my life and my creative work, I am committed to meeting my fear head-on, and to stretching beyond it, perhaps even eviscerating it. I explore powerful color, contrast and texture. I also explore subject matter that is compelling to me and my sense of rebellion.

“Unstoppable” acrylic and paper on canvas, 20″ x 20″

I’ve been playing with the portrayal of people, specifically women, as beautiful, enigmatic and elegant, while also being multi-faceted, gorgeously human messes.

“21 Grams Carbohydrate” acrylic and paper on canvas, 24″ x 36″

In our society, women are held to a ridiculous standard of perfection. But we are still just humans, coiffed, with lipstick, jewelry, to-do lists, and plowing through a bag of chips.

“Mother” acrylic on canvas, 42″ x 42″

Conversely, women who are salt-of-the-earth types naturally contain within themselves the elegant and divine feminine—a powerful spirit, beauty, and awareness that comes through in their presence. I’m looking to capture that ferocity.

“Come Hither” acrylic, gold leaf & paper on canvas 36″ x 48″

I am inspired by black and white reference images from 1920s-50s photography of women in burlesque, actresses, musicians, dancers, performers of all kinds, shapes, ethnicities, and backgrounds. I am also inspired by my own trauma healing journey. I’m always making efforts to connect to the true power within myself.

“Forty Five” acrylic on canvas, 36″ x 48″

My desire is to connect with those who can look at a person, or themselves, and see all the different facets. I’m calling out the juxtapositions of truths and facades that are inherent in our existence.

“Moment In The Light” acrylic and paper on canvas, 30″ x 30″

I have shown my work in several exhibitions around the Seattle area since 2011, as well as New York City, Portland, Oregon, and Taos, New Mexico.

“Bone and Petal” acrylic, 32″ x 46″

As a professional graphic designer by day, painting offers me a release from the structure of purpose and monetary-driven design. Painting offers me a license to create the things I want to see in the world. It allows me to shine a light on the issues that I feel need more consideration and discussion.

Jennifer Holstrom invites you to follow her on Instagram.

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Alexandra Rose Day: Flowers for Change was founded by artist and philanthropist, Alex Rudin. Her illustrations tackle issues of social justice, women’s rights and abstract political theory while focusing on fundraising for nonprofits and human rights organizations. To broaden the scope of beneficiaries and fundraising capacities through her work, Alex has created a new widely accessible vehicle to deliver her message. By bringing joy and hope through uplifting floral images, Alex’s goal is to increase fundraising by broadening awareness and engaging in the issues of the day.

Alexandra Rose Day is inspired by a 1912 historic fundraising event in the U.K. While collecting materials for her work, Alex received an unexpected photograph in a cache of vintage papers.  It pictured women selling flowers to raise money for wounded war vets. Incidentally, Alex’s full name is Alexandra Rose. After being urged to paint florals for some time, the arrival of this photograph seemed prophetic.

Alex began exploring the notion of creating work that did not directly engage with the issue of said philanthropic cause, but to use beauty and life as a motivator for engagement. Rudin’s other work, focusing on reproductive rights, gun violence and systemic issues in America, revealed to be challenging for audiences to digest and/or purchase. In refocusing the narrative surrounding her work, she began to see an increase in engagement and inevitably, fundraising. Alexandra Rose Day exemplifies the concept that positivity, rather than negativity promotes actionable change in a more reliable and impactful way. People prefer to be surrounded by representations of beauty, life, and inspiration.

Summer Heat Peonies by Alex Rudin

Fundraising for nonprofits, human rights and political organizations is fundamental to ARD. Alexandra Rose Day: Flowers for Change selects new beneficiaries for each round of modern botanical images. 25% of all proceeds will be donated directly to the selected organization. Through engagement with art, Alex seeks to strengthen her core mission of philanthropic awareness and giving. The inaugural beneficiary for Alexandra Rose Day: Flowers for Change was Moms Demand Action. After the Sandy Hook tragedy, Shannon Watts, mother of five, started a Facebook group with the message that all Americans can and should do more to reduce gun violence. The online conversation turned into a movement of moms, dads, students, families, concerned citizens, and survivors working in concert with partners in the gun violence prevention movement to end this uniquely American crisis.

MDA is a grassroots movement fighting for public safety measures that can protect people from gun violence. “We pass stronger gun laws and work to close the loopholes that jeopardize the safety of our families. We also work in our own communities and with business leaders to encourage a culture of responsible gun ownership. We know that gun violence is preventable, and we’re committed to doing what it takes to keep families safe.”

Moms Demand Action has established a volunteer chapter in every state of the country. It is part of Everytown for Gun Safety, the largest gun violence prevention organization in the country with nearly 10 million supporters. Considering Alexandra Rose Day’s launch date on Mother’s Day 2023, as well as the tragic spate of mass shootings, Moms Demand Action seemed like the perfect choice for our initial round of print sales. ARD is pleased to announce that the first round of floral sales raised thousands of dollars for Moms Demand Action, a success they hope to replicate moving forward.

Blue Hydrangea by Alex Rudin

For the 2023 Holiday Season, Alexandra Rose Day has decided to support and fundraise for Covenant House NYC, a vital organization in the fight to stop human trafficking and youth homelessness. Youth homelessness is a complex issue. Each year, an estimated 4.2 million young people in the United States experience a form of homelessness. Many different factors contribute to the misfortune faced by our most vulnerable at-risk populations. Covenant House combats this crisis by providing shelter and support services to youth facing homelessness including, but not limited to, housing and stability, mental healthcare, crisis care and education and workforce development.

America is one of the wealthiest countries in the world. Quite simply, there should not be millions of children in this country without access to basic human rights and needs such as shelter, food, education, and healthcare. The demographics at risk are the same minorities constantly under attack in the American social and political system— LGBTQ+ youth, pregnant and parenting youth, and young people of color. While these children’s rights and futures are being debated and manipulated by the establishment, we as individuals can make a difference. This holiday season, it’s important to open our hearts, minds and wallets to at-risk youth who need our support.

Alexandra Rose Day: Flowers For Change’s ultimate goal is to spread care, attention, empathy, and support to those in need.  While there are innumerable causes and organizations that need engagement and backing, Alex hopes to be able to create a significant impact for smaller, budding organizations by using art as a mode of philanthropy. Throughout history, flowers have been a symbol of care, appreciation, love, vitality, and compassion. In purchasing an ARD print, one receives florals for a lifetime, while simultaneously contributing to making our society a better place. Quite simply, Alex Rudin has created a gift that keeps on giving.

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Author’s Bio

Alex Rudin is a NYC based multimedia artist & illustrator focused on social justice, abstract political theory and fundraising. Alex attended both Parsons New School for Design and the School of Visual arts. Her artwork is narratively focused with a strong emphasis on expressive portraiture. Alex’s focus lies in uncovering and expressing the truths of what it is like to live in modern America. Alex has partnered with organizations such as Women For Biden Harris 2020, WomenRising, Women’s Rights Information Center, P.O.W.E.Repro, ARC-Southeast, Her Bold Move and Planned Parenthood among numerous other female led socio-political orgs in addition to working in the human rights space with organizations such as Article 3, The Representation Project and the Sam & Devorah Foundation for Trans youth. Rudin’s work has been featured in publications such as Art Daily, Art Business News, Authority Magazine, yahoo!, and USA Today, to name a few. Alex’s fine artwork has been shown in both solo and group exhibitions in New York City, Jersey City, Delaware, Philadelphia, and the Hamptons. Currently, Alex sits as the art director for P.O.W.E.Repro and is planning art fundraising events for numerous non-profits. Additionally, Alex is currently building her sister business Alexandra Rose Day: Flowers for Change as well as working towards her Masters in Art, Activism and Philanthropy NYU.

See more at Alexandra Rose Day: Flowers for Change www.alexandraroseday.com

Mixed media artist Chrissa Star presents a delightful portfolio filled with spontaneity and magic. Enjoy and learn more by visiting her website.

I grew up in a suburb of Wisconsin and graduated with a BFA, with emphasis on Painting and Drawing, from the University of Wisconsin-Milwaukee in 1992. After moving to Arizona for a couple of years, I settled in Seattle, Washington in 1998.

“Bubble Cloud Rain” alcohol ink and graphite, 8″ x 8″

I was an only child until I was 14 and my brother was born, with whom I’m very close. I’m married and a mom to two fur babies, our dog and cat, Monkey and Monster. I dig swimming, gardening, and wine tasting. When I’m not working in my studio, I have a side hustle working Events for the City of Seattle Park and Recreation.

“Paddlecade” alcohol ink on Yupo paper, 8″ x 8″

Many of the inspirations I found while I was in college are still with me today. Learning about Egon Schiele, Gustav Klimpt, Julia Margaret Cameron, Milton Avery, and Mark Rothko deeply influenced the direction of my artwork. I loved the teachings of technical aspects my work needed to have.

“Flutter Love” alcohol ink and mixed media on Yupo paper, 9″ x 12″

That doesn’t mean I liked college, though. I was more into going out clubbing and dancing and being creative with what I was wearing. The hardware store had cheap unexpected items that ended up in my paintings and on my clothes.

“Bubble Everything” alcohol ink on panel, 8″ x 8″

Music was also profoundly inspiring and at that time, it was making history. I would regularly walk around the city for hours while listening to alternative music, hip hop, rap, industrial, house, electronica, R&B, and classical. Music, and everything that went along with it, fueled my work hugely. It affirmed the thoughts and beliefs I had that were different from the norm. Poetry and writing helped me tie stray ends of my creative thinking together.

“When I’m Walking I Feel Protected” alcohol Ink on panel, 8″ x 8″

Techniques change around quite a bit for me. I love trying to think of things I haven’t ever seen before. When I’m in the studio, I really allow myself to follow spontaneity and appreciate the joy of trying something new, creatively.

“Wallflower” encaustic and mixed media on panel, 4″ x 4″

One of the reasons I enjoy working with new material is that it gives me the freedom to explore new techniques and methods while expanding my creative process in ways that I can relate to other mediums as well.

“Finding You on Jagged Rocks and Float” alcohol ink and mixed media on Yupo paper, 20″ x 26″

Once I latch onto a few pieces showing repetition, I build a series. Currently, I am working on Flutters, which is alcohol ink and oil on liquid art panels, with the additions of collage mixed media, like glitter, sequins, lace, feathers, moth and butterfly wings, snowflakes, and flowers.

“Rooted” alcohol ink on panel, 10″ x 10″

Moving forward, I’m excited to see what materials and mediums I work with next. I continue to be thankful for my studio, my colleagues, and this amazing journey that is art.

Chrissa Star invites you to follow on Instagram, Facebook and LinkedIn.

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