Featured Artist Fermin Fleites | Artsy Shark

[ad_1]

Artist Fermin Fleites imagines a world where diverse stories from different cultural groups converge, emphasizing the universality of human experience. See more of his work by visiting his website.

 

“Device to Inseminate at a Distance” sculpture installation, carved wood and recycled objects, 30″ x 23″ x 24″

 

Imagine a world where we all have the same problems, but we name them differently. Imagine thousands of people calling the same God by different names and undertaking deeds in his honor. And imagine having the same concerns as the ancient inhabitants of Ethiopia or the current Machiguengas of the Urubamba River basin.

 

bronze ram sculpture in progress

Sculpture “The Winner” in progress at Fermin Fleites’ studio in Miami

 

Welcome to the world we live in. A world in which the same stories are recovered again and again and intertwined. No matter how much artificial intelligence we may be training at this moment, at the core of this human is that same human who asked the sun for better harvests.

 

bronze sculptor at work in the studio

Artist Fermin Fleites at work in the studio

 

I present to you my work, a vision of art. It takes the perspective of cultural anthropology, from the barbarism of culture itself. A journey of discovery that began in a forgotten place in the Insular Caribbean, passing through the Peruvian Amazon, to reach the melting pot of today’s America.

 

Bronze sculpture of a ram's head by Fermin Fleites

“The Winner”
bronze sculpture, 25” X 18.90” X 22.20”

 

In my work you can find experiences interacting with different cultural groups. There is the estrangement of the visitor who arrives. And the difficulty of the child who, not knowing how to read, is locked in a library where all the books tell a story and he must find out what story it is. Because in the end all stories are the same story.

 

Sculptures of an eye and ear by Fermin Fleites

“Ear and Stone and The Eye and the Stone” carved wood and recycled objects, 39″ x 39″ 2″

 

You can also find a deep respect for technique and the habit of drawing everything. This is perhaps inspired by the Andean shamans who resist being photographed because it stops them. An original time where the past and the future are just nuances of a continuous present that is nowhere.

 

Charcoal drawing of a religious fight

” Story of a Fight Against Demons” charcoal and natural pigments on canvas,
dimensions of both pieces combined: 77″ X 94″

 

Thus, citing some examples, Story of a Fight against Demons. This  charcoal drawing is inspired by the story of a town that decides to move its church from its location (the coast) due to frequent attacks by demons. They do this without knowing that by moving it, they were carrying the demons with them. They carried them inside.

 

First image of the Three Marys by Fermin Fleites

“The Three Marys, Mother 1” photography, 26” X 34”

 

The sculpture titled The Winner is based on the figure of the ram and its founding character in the majority of cultural narratives. The Three Marys is a series of photographs based on three mothers. One is 102 years old, one is 33 years old and one is 13 years old. All these works mark cycles that open and close on themselves.

 

Second image of The Three Marys by Fermin Fleites

“The Three Marys, Mother 2″ photography, 26″ x 34”

 

What comes into your hands is a kind of travel log of someone who watches us retrace the same cycle of time over and over again. A kind of visual memory of memories, interspersed with symbols. I invite you to immerse yourself in this universe of events with crossed times. It is not strange to end at the beginning and there is nothing but stories, hundreds of stories and interwoven stories.

 

Third image of The Three Marys by Fermin Fleites

“The Three Marys, Mother 3″ photography, 26″ x 34”

 

Compiling stories will always have an implicit share of arrogance, since you run the risk of leaving out important details. Intertwining them, on the other hand, will always allow you to move as if inside a labyrinth. Where each route comes to an end, hundreds of other routes unfold. And that is the spirit with which I would like you to look at this work. To understand it, you will have to take hold of your own ball and enter the labyrinth.

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!

[ad_2]

Source link

Read More

Featured Artist Audrey Kral | Artsy Shark

[ad_1]

Artist Audrey Kral presents an ethereal collection of colorful abstract paintings inspired by the natural world. Visit her website for more.

 

“Beyond Illusion” oil on canvas, 30″ x 40″

 

My art is the expression of experience and expansion, sparked by a moment of wonder at the age of five. As I walked past oil paintings in a gallery, I witnessed static images come alive, animated by my movement and the light. The memory stayed with me as I began to appreciate life’s mysterious and wondrous nature. The way we perceive creates the inner world.

 

abstract painting of the multiverse by Audrey Kral

“Multiverse” oil on canvas, 36″ x 48″

 

At the core of my artistic pursuit lies a profound inquiry: What is the essence of this world of perceptions? This question drives both my life and my art, compelling me to delve deep into the formlessness within form, accessing the stillness and eternity available in an instant of observation and devotion.

 

abstract landscape in reds by Audrey Kral

“Coral Sea” oil on canvas, 48″ x 36″

 

My artistic process is joyful, flowing through my being. Each piece is an invitation for viewers to join me on a voyage into the essence of life’s beauty and simplicity.

 

peaceful abstract landscape by artist Audrey Kral

“Contentment” oil on canvas, 24″ x 36″

 

Inspired by organic forms, my work reflects the harmony and chaos, the ephemeral beauty, and the relentless change found in the environment and nature.

 

abstract landscape by Audrey Kral

“She Asked, They Arrived” oil on canvas, 24″ x 36″

 

Often, I use dark red as a primer, then add many thin, creamy layers of oil paint that merge with the canvas and blur the lines between colors. I aim for harmony and smoothness that resembles my experience of tranquility and spaciousness. I celebrate moments of wonder and awe at the miraculous sense of being alive.

 

ethereal abstract painting by Audrey Kral

“Orbitals” oil on canvas, 36″ x 24″

 

The paintings are portals into realms that transcend the boundaries of ordinary existence, transporting viewers to dimensions beyond the physical.

 

ephemeral abstract landscape by Audrey Kral

“Amphitheather of the Mind” oil on canvas, 48″ x 60″

 

Through my work, I aim to evoke a sense of contemplation, inviting all to embark on a voyage of the mind and spirit.

 

abstract mountain landscape by Audrey Kral

“Clearing” oil on canvas, 30″ x 40″

 

As an artist, I am driven by a passion for realizing a world of embodied compassion and peace. I believe that art possesses the remarkable power to serve as a gateway to states of consciousness that show the way to serenity, enabling us to explore the uncharted territories of our inner worlds.

 

Abstract painting by Audrey Kral

“Reflection Twilight” oil on canvas, 36″ x 48″

 

It is my desire that my work liberates you from the constraints of reality. Each brushstroke is a deliberate step into the unknown, a bridge to alternate dimensions, where the ordinary becomes extraordinary, and the mind is free to roam.

 

Audrey Kral invites you to follow on Facebook and Instagram.

 

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!



[ad_2]

Source link

Read More

Your Life is a Work of Art: Writing Your Annual Review

[ad_1]

It starts with personal stuff like happiness, travel, and hobbies.

Next I want you to think about the work you did in the studio and how it changed. Dig deep into your creative output and I’m certain you’ll have a few aha moments.

Then, because it’s vital to keep learning in order to grow, reflect on how you fed your brain. What did you learn and where or from whom did you learn it? If you teach, do a wrap-up of how your courses and workshops went.

Finally, you finish The Artist’s Annual Review with business and marketing. Go beyond the numbers and examine how you evolved as a business owner.

The reason I love my business is because I get to experiment. It’s a full-on creative act for me. I want you to see how you can apply creativity to your business, and that you’re probably already doing it more than you know. It makes it much more fun.

Like your art, your life is also informed by experiments. Some on purpose. Others quite by accident.

What do you discover?

Where is the magic?

What moves the needle?

This Year Isn't Over

It’s the time of year when we begin to eagerly anticipate exchanging calendars. The New Year is within our line of sight and we’re eager to start fresh.

You can correct me if I’m using the royal “we” mistakenly and I’m the only one tempted to jump ahead, but I don’t believe I’m alone. Who doesn’t love an opportunity to begin again?

The holidays, and all that they entail, remind us that the current year isn’t quite done with us. We need to be present for all the days ahead. To, as I said earlier, honor life and the breaths you are given because nothing is certain about the future.

[ad_2]

Source link

Read More

That’s A Wrap: Highlights of Art San Diego 2023

[ad_1]

With a Collectors’ VIP Opening Night that hosted more than 2,500 attendees, it’s clear that people were excited about the return of San Diego’s most anticipated contemporary art event. As expected, Art San Diego offered art aficionados and collectors an unparalleled opportunity to explore, experience, experiment, and discover.

Whether you were there and want to relive the highlights with us or you couldn’t make it this year and want to excited about next year’s show, read on for a recap of Art San Diego 2023.

ACCESS TO ART PROGRAM

Through Access to Art, Art San Diego, in partnership with UBS Financial Services, works with selected charities and those they serve to share opportunities in art, design, business development, and more. Art San Diego’s 2023 Access to Art partners were Monarch School, Humble Design, and ARTS DISTRICT istrict.

With their Hide and Seek: A Surrealistic Celebration of Colors and Dreams themed booth, Monarch students in collaboration with Liberty Station ARTS District artists and Humble Design showcased and sold their artwork to more than 70 appreciative attendees. Check out the Access to Art video to see an overview of the collaboration of this amazing program.

SHOW HIGHLIGHTS

Art San Diego’s acclaimed programming once again caught the attention of fairgoers and media alike.

The Spotlight Program provided collectors with a focused look at several galleries and prominent artists who created a site-specific exhibition. Spotlight Program recipients for 2023 included:

  • Alessandra Silvaberg Studio
  • Carol Hartman
  • Edna Oar Young
  • Henry Blond
  • Julia C R Gray

The [LOCAL TALENT] program’s recipients Jann Nunn, Chakib Bouhdary, Ann Golumbuk, and Yahel Yan also had a success weekend. Funded by Art San Diego and Presenting Sponsor UBS Financial Services, in partnership with the ARTS DISTRICT Liberty Station and the NTC Foundation, [LOCAL TALENT] is intended to amplify and support San Diego’s visual arts community.

TOP SALES

With thousands of guests pouring in throughout the weekend, Art San Diego exhibitors reported strong sales. Here’s a sampling of some of this year’s top sales:

  • Access to Art featured the Monarch School Art Program and sold 98 student artworks, including original paintings and sculptures, coasters, pins, buttons and pillowcases. In addition, the large LOVE collaborative piece was sold for $2,500. In total, just under $8,500 of artwork sold for this worthy community program.
  • Mary Johnston sold multiple pieces from her Squares Collection including Trees in Green
  • Jen Tough Gallery sold works by artists Alissa Van Atta, Dotti Cichon, Maureen Farrell, Danielle Krysa, L. BaLoMbiNi, Lauren Bencivengo, and Berenice L.
  • Laura Ortiz Vega placed Van I
  • Ivan Pahomov sold Transformation, a 60″ x 40″original for $2,500
  • Ann Golumbuk [LOCAL TALENT] artist placed several pieces including Bad Ass Stick and Love Sex and Rock & Roll and took a commission
  • Chakib Bouhdary [LOCAL TALENT] artist placed one of his Multi Modern Chess Boards
  • Jann Nunn, another of the [LOCAL TALENT] artists placed 5 of her wall sculptures at $2,050 each, including Karma #5, Chameleon #6, Mystic #8 , Laguna #7, and Sun Ray #3 
  • sister + sister: The Butterfly Effect special Art Lab sold several of the special installation pieces including a Lilies Sculpture, a Large Nest, and a Medium Nest
  • Julia C R Gray placed several of her ceramic sculptures, including Coral She (23 Spotted Blue), 5” She Mini (Power Turquoise), and 5” She Mini (Charcoal, Nebula Blue) 
  • Kate Taylor sold multiple pieces, including Daybreak, Day Sunny Days, Field at Night, Dreamy Days, The Deep, Garden Vista, Cool Waters, From the Bottom, Aquatic Dreams, and Ryans Tranquility
  • Carol Hartman sold several of her 12″ x 12″ originals
  • Ana Magazlon placed Cherry Blossom 
  • Benjamin Rinenbach placed six of his 12″ x 12″ pieces in addition to 4 Minutes at Cabrillo
  • Joux Art sold two of Andrew Mack’s pieces including New Journey and Rejuvenation Time
  • Anne Kullaf sold Torrey Pines, a 36″ x 36″ piece for $7,500
  • Scout Dunbar placed Pony, a 30″ x 30″ original, plus six Pony 16″ x 16″ drawings at $575 each, Rocking Horse, Audubon Fish Drawing, Coral Study, and San Antonio Cooking Class, a 20″ x 20″ at $2,200
  • Dana Swedo Bernal placed three of her 24″ x 24″ pieces Blue Sea Glass, Green Sea Glass, Sea Breeze at $1,000 each
  • Mecenavie placed Valentin Perrault’s Portrait among others
  • Stephen Robeck placed Strata in the Clouds, Strata in the Water, and Strata 4
  • Teresa Ferrari placed Mermaid for $1,500
  • Pond Gallery’s Jia Lu placed Afterglow, Traversal, Traveler, Crossing Flames, Let It Go, and Sunday Afternoon, each at $2,000
  • Mariah Morrell placed Valentina Bottle Print and Cholula Bottle
  • Thomas Elias Lockhart III placed The Standard, Cotton Bowl, Power Players, BTBTTOFC, From Cotton to Roses, Eyes Don’t Lie, and Hord of S, in addition to four calendars and three posters
  • Gia Chikuaidze sold Exotic Tea at $3,200
  • Magz Yang sold several of her prints, plus Thank You For Golfing with Us, American Fuckery, and Stay Sexy
  • Lennon Art Collection sold multiple pieces of John Lennon Art, including Working Class Hero, The City inn My Heart, A Cat Climbing, and Forever Love
  • Troy Oglesbee Art’s ocean scenes were popular and he placed several Harvest Moon prints, plus Maui Blush, Calm Before the Storm, Pico Cove II, and Calm Before the Storm
  • Lisa E. sold Biome 1, 2, 3, Desert Blush, Autumn Crush, and four Faces by Miche
  • Sihyeon Park sold Ilwolobongdo-CA-2, a 24″ x 20″ original at $2,500
  • George C. Falelo sold multiple of his Floral Expressions at various sizes for $175, $400, and $450 respectively
  • Shelley Zentner placed The Dreaming, a 18″ x 18″ original at $2,800
  • Sarah Stieber’s colorful works were a hit and she placed Monarch, Love & Let Go, Painting Happiness, Kismet, Evolve Study, Love & Let Go Study, After the Concert, Complimentary, Finding Center Study, and took a commission
  • Walter Redondo placed Joined Experiences, a 49.5″ x 61.5″ original at $10,000
  • Artavita / World Wide Art sold Marilyn Maxwell’s Rowdy, a 20″ x 30″ original at $2,000; Pham An Hai’s Obsess at $15,000; Olivia Kapoor’s Star Stump at $2,500, Elisabet Engqvist’s The Poppy Field, a 13″ x 9″ at $900; ClauDio’s Tropical 1; and Wendy Cohen’s Passion Play, among others
  • Raphael Delgado placed Well Guarded at $3,000 and Portrait of a Girl with Magenta Hair at $3,500

Still thinking about one of your favorite pieces from the show? Find the exhibitor in our Art Gallery and connect to see if it is still available. Who knows—you may find more than one that’s perfect for your collection!

AWARD WINNERS

While fairgoers shopped the aisles of great art, artists and galleries received special honors as we handed out this year’s Art San Diego Awards. Here are this year’s winners:

  • INTERNATIONAL: Kate Taylor and Mina Arts
  • BOOTH DESIGN: Katie Crown and Latchezar Contemporary
  • DIRECTORS AWARD: sister + sister: The Butterfly Effect and Artavita/World Wide Art
  • SCULPTURE AWARD: Willi Baptiste Palanza and Julia C R Gray
  • BEST NEW EXHIBITOR: Arendt Graphics and Dr. Thomas Elias Lockhart III
  • EXCELLENCE AWARD: Sihyeon Park
  • SOLO AWARD: Benjamin Rinenbach and Lisa E.

Many thanks to our wonderful sponsors for their generosity and to everyone who attended the show. Our success was because of you! Until next year, make sure to follow Art San Diego on FacebookTwitter, and Instagram for all the latest news, updates, and behind-the-scenes shots.

We’ll be looking forward to seeing you again for Art San Diego 2024November 1—3 at the San Diego Convention Center.



[ad_2]

Source link

Read More

Success as an Artist is Who You Know… Right?

[ad_1]

Talent and ability alone do not determine success. Building a network is also essential to growing a creative business.

 

A salon event is a perfect networking vehicle for artists

 

You’ve probably seen this scenario before: an artist you know is incredibly talented and creates wonderful art, but doesn’t  make a lot of sales. Sometimes this happens because the artist doesn’t take an active role in marketing or presenting their work to the world. However, it can also be the result of not having a network of people to help build connections and make referrals.

Networking is an activity that should be pursued on an ongoing basis. The people you meet through the process can be instrumental to your success. Get started with our article sharing 10 tips for networking effectively in person. Your local art community is the perfect place to start.

Artists are among the most giving people around, and often will share resources, feedback and opportunities with you. An artist salon is a wonderful source of support; check to see if any are taking place in your area. If not, consider joining with others to start one. This salon starter kit is a great resource for that.

The face-to-face factor is very important, because you will get to know other artists personally. They share your interest in improving their work, and making sales. And, many other attendees will be artists with a great deal of experience who can assist you if you are new.

Artists also congregate online. Facebook alone has hundreds of discussion groups that support artists of all types, from local to international. LinkedIn has many as well. Want to discuss ways to market your art or handmade work, or perhaps how to find an affordable printer to create reproductions? Looking for recommendations on the best places to sell online, or where to apply to a good art festival? Tap into these free resources and participate.

Collaboration is another result of successful networking. Artists may choose to work together on a project, share a booth, or create a strategic alliance that benefits both parties. Strategic allies usually have non-competing products but share a similar audience, and may act on each other’s behalf to increase the reach of their marketing efforts. For example, if you are in an alliance with another artist, you might write a blog article about their work, share their posts on social media, or mention them in your email newsletter. They can reciprocate to help promote you as well.

Are you looking for gallery representation, and want to know how galleries find artists? Check out this list, and note the number one method: recommendation from another artist. Another compelling reason to build your network!

There really is no substitute for meeting and becoming friendly with artists who are successfully doing what you would like to do. Networking is not a one-way street, though. It involves having a pay it forward attitude. Resolve to be of assistance to others before you expect results for yourself. Networkers who do this gain a reputation as a connector and are quickly appreciated by other people in the network. And as you help others, give referrals and give generously of your time, you will find that these efforts come back to you in the form of assistance from others.

Thinking of building your network? It helps to know what you are looking for in terms of introductions or referrals. A concrete idea is best. Saying “I’d like to meet people who want to buy my work” doesn’t really mean anything to other people, because they have no idea of your ideal customer. But if you can state that you would like to meet either a specific person or type of person (interior designers in your hometown, for example) then you are communicating clearly and are more likely to gain an introduction.

Have you grown your creative business through networking? What was your experience?

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!

[ad_2]

Source link

Read More

Spectrum Miami Artists to Watch, Part 2

[ad_1]

Spectrum Miami 2023 returns to Mana Wynwood this December for Miami Art Week. Featuring contemporary art from around the world, Spectrum Miami showcases exciting and creative pieces from both established and emerging artists. Get to know the Redwood Art Group’s top artists to watch below!

DENISE BUISMAN

Through her urban, hand-layered mixed media paintings Denise Buisman Pilger (the Artist Abroad) evokes memories and reconnects her audience to precious moments in time. As a frequent globetrotter, she has called Amsterdam, Fort Worth, Montréal and Nagoya home, taking each relocation as an opportunity to explore the world and gather inspiration. Exhibiting and selling her work prolifically in North America, Europe and Asia, Denise has proudly exhibited her work at the Carrousel du Louvre in Paris, the Artist Project, the New York Art Expo, the Toyota Municipal Museum of Art and galleries in New York, Montréal, Ottawa, Toronto, Nagoya, Okazaki and Gifu.

 Q: What is your work philosophy and how does that impact your work?

A: This might surprise you, me being an artist and all, but I’m a very structural and organized person which is very evident in the way my art is created. My process is very structured, mixed media memory scapes go through a variety of distinctly different stages. I like to work in a series of 4-6 pieces at once, although I occasionally get over-excited when creating compositions, I remember a time when I juggled 15 new paintings in my studio all at once. I like to finish a stage on every panel in the series before moving on to the next stage of the process which can lead to some creative use of space at times. 

Q: What artist(s) inspire you?

A: I’m inspired by my direct peers, I love going to local gallery exhibitions to see what everyone is up to and at shows I always make it a point to walk the floor at least once to see the art, I always pick up a few new people to keep up with. I’m not necessarily inspired by an artist’s general style but more by little details in their work. 

Q: What is the best advice you’ve received?

A: “Don’t care about what other people think about you” As a chronic people pleaser this is advice that I have to internalize on a daily basis, one day I hope to achieve this.

Q: What does exhibiting at Spectrum Miami 2023 mean to you?

A: This will be my first time exhibiting my art in Miami during Art Basel week, it means an entirely new audience to introduce my work to and I am excited to meet them. 

ERICK MOTA

Erick Mota is a visionary artist whose approach to the canvas is fueled by a profound philosophical and introspective understanding of the human experience. With each stroke of the brush, he invites viewers on a journey through the diverse facets of humanity, delving into the raw power of emotions and the shaping influence of culture on our personalities. Through his art, Erick fearlessly explores the complexities of the world around him, transcending the boundaries of visual expression to create pieces that serve as powerful testaments to his unrelenting quest for knowledge and self-discovery.

The Game of Life Mota

Q: What is your work philosophy and how does that impact your work?

A: I believe art is an idea about something in the form of an idealized interpretation, and since I am very introspective, I like to analyze a lot of things. I like to create art, but I also hope to inspire and provide people with something to think about. When I create art, I want the work to reflect many expressions of life, an assembly of emotions, and to capture whatever lies within my heart, mind, and soul, that words cannot express the same way. With each painting, my goal is to capture those emotions and make the audience see, feel, and think through their own set of emotions.

Q: What artist(s) inspire you?

A: My father has been my biggest inspiration. He is my favorite artist and as a kid, I had the unique experience of watching each of his artistic creations from beginning to end. It was mystifying to me and helped to ignite an interest in creativity and expression. My father created works of art for the family and himself, rarely showing his work to anyone other than family and close friends. I respected his humility, but at the same time, my family wished the world would see a glimpse of his artwork that captured a wide range of themes. I would describe his art as aesthetic, creative, and harmonious. While he mainly works with acrylic paint, he can be considered a mixed-media artist, as he uses a variety of different materials to create unique visual art. In addition to acrylic paint, my father has used tree branches, seashells, sand, metal, paper, etc. to make artwork. One of my favorites of his is a NYC street scene with the Empire State Building in the background that he made entirely out of newspaper clippings. The one medium he hasn’t chosen to use is oil paint, which is why I chose to, challenge myself with the lessons I learned from just observing him.

Q: What is the best advice you’ve received?

A: The best advice I received came from a prolific art coach a few years ago. At the time, I had a lot of self-doubt about starting a business as an artist because I was a self-taught artist with no formal art training. Most of what I knew came from observing my father create art as a child. I would find myself scared to even attempt certain paintings or compare my abilities to other artists. The art coach helped me in gaining confidence and becoming more comfortable as an artist. She is instrumental in teaching me the business side of art, helping me to break barriers regarding self-doubt and rejection, and helping me grow as an artist. The advice she gave me at the time was that I needed to embrace how uniquely we are designed as artists, and no one asked us to become an artist. Therefore, daring me to use my artistic voice to impact the world and create life, forgetting about my lack of formal art training and the critique of others, but rather focus on growth and consistency. Her words stuck with me and helped me to keep creating meaningful art.

Q: What does exhibiting at Spectrum Miami 2023 mean to you?

A: Exhibiting at Spectrum Miami 2023 is special to me. I exhibited at Art Expo New York earlier this year and this is my first time at Spectrum. I love being a part of something with some of the greatest talent throughout the entire world. I am excited to meet directly with art lovers and art collectors and get immediate reactions about each painting I exhibit, as well as network with other artists.

GASTON CARRIO

Gaston Carrio is an abstract painter and sculptor with career experience as an architect and designer. His artwork employs foundations of aluminum, steel, canvas, fiberglass, polycarbonate, wood, and paper, upon which he implements self-derived techniques combining oils, acrylics, aerosols, alkyd paint, inks, charcoal, graphite, oil pastels, welding residues, pigmented silicones, urethane, sand, cement, lacquers, and resins.

Q: What is your work philosophy and how does that impact your work?

A: We should never stop learning and we should always try new things. In my life and in my career, there has always been a fire, a passion, that constantly drives me to seek out knowledge and reinvention. 

Q: What artist(s) inspire you?

A: I am inspired by many artists in a number of varying disciplines, but I would say I draw the most meaningful inspiration from Anselm Kiefer, Joan Mitchell, and Cy Twombly

Q: What is the best advice you’ve received?

A: The best advice I’ve received is from the late Steve Jobs, founder of Apple: “You can’t connect the dots looking forward, you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something. Your gut, destiny, life, karma, whatever. Because, believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well worn path, and that will make all the difference.”

Q: What does exhibiting at Spectrum Miami 2023 mean to you?

A: Participating in Spectrum Miami 2023 offers me yet another chance to showcase my most recent work to the public within a professional context. This event not only grants access to valuable media tools for enhanced exposure and outreach to a broader audience—thereby raising public awareness—but it also marks another incremental stride towards strengthening a forward-thinking mindset.

JENNIFER JONES

Jennifer Jones grew up in Eastern Pennsylvania. This quiet suburban hamlet coupled with its proximity to New York City provided fertile ground for the young woman’s imagination. Jennifer started studying ballet at the age of 3. Competitive figure skating followed shortly. In addition to these physical pursuits, she began sculpting in her early teens earning a scholarship to continue her fine art studies. A formally trained ballet dancer en pointe, and an award-winning tap dancer until an auto accident at 17 cut both her dance and skating careers short. Injury may have limited her prospects but didn’t stop her quest for kinetic self-expression.

Q: What is your work philosophy and how does that impact your work?

A: Do what moves you. Do it for yourself even if it’s not the most popular choice. In art and in life. This impacts the way I do art. I’m less harsh on myself when I work, the work I do I’m less critical of how it looks when it’s finished. For me it’s all about the movement and the release of emotions. The dance moves the paint around the canvas. When I try to do something for public consumption it’s not authentic and just feels like a total fail.

Q: What artist(s) inspire you?

A: This is a very difficult question for me and we could be here all night. I’m really moved by music. If I need inspiration I turn on something and just crank it. I don’t think my technique would work without music. There are many fine artists out there that will randomly spark an idea or a color choice. I do have a favorite painting however I saw it once online about 15 years ago then again in either LACMA, The Getty or The Met. I can’t recall. I don’t know the name of the artist or the title and it haunts me that I can’t find it online. Maybe I should paint a bad version of it and do a google visual search. 

Q: What is the best advice you’ve received?

A: My former manager and dear friend who passed away suddenly last year gave me a lot of great advice. The one that sticks out the most is ” just show up every day, showing up is 90% of the gig. go to your studio and paint even if you don’t feel like doing it” That was some good advice, I think he got that from Dolly Parton.

Q: What does exhibiting at Spectrum Miami 2023 mean to you? 

A: This is a chance for me to meet people in the art world; like-minded artists, future collectors, and galleries. I have the chance to share my passion and possibly inspire some along the way.

LEILANI EUPHROSYNE (BEATE BÖER)

35 wonderful years Leilani-Euphrosyne traveled the world as a flight attendant for Lufthansa. She was always fascinated by foreign people, their cultures, and above all by the world’s most diverse artistic genres. Her special interest however has always been painting. As a flight attendant, Leilani was very close to the sky. Now she paints to experience the sky down on earth. “When painting I feel free as a bird and blissful as a child! Besides all I love to live this blissfulness showing in my artworks also in every little cell of my body. I start to focus on this already in my morning meditation to create the vibes of my day and the melody of my life!” She is a real globetrotter who discovers herself while painting.

Q: What is your work philosophy and how does that impact your work?

A: Go through the world with love, light, and floral scent in your heart! Enjoy the lightness and dance frequently and wildly because joy and ecstasy are the secrets of the universe! Dancing is exactly what I do before I start to come into my creative flow and to bring my acrylic candy colors to my canvas and show my soul! 

Q: What artist(s) inspire you?

A: Frida Kahlo, Picasso, and Mary Lovelace O’Neal.

Q: What is the best advice you’ve received?

A: Go out into the world and show your soul! “One of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Soul on deck shines like gold in dark times!“ (Source: Clarissa Pinkola Estes)

Q: What does exhibiting at Spectrum Miami 2023 mean to you? 

A: Spectrum Miami is one of the most exciting art exhibitions in the world to see and to show fine art of all countries in the world! I am so thrilled and feel so honored to be part of it! Aloha Mahalo, thanks to heaven! This makes me so happy and I can’t wait to show my paintings with the special Aloha Vibes at this fancy and absolutely extraordinary place in Sunshine State Florida!

MARGARITA VIGNE

Margarita Vigne, originally from Colombia, completed her bachelor’s degree in fashion and graphic design before making South Florida her home. Her art is a captivating fusion of materials, colors, and techniques that breathe life into her creative vision. She enjoys experimenting with various textures, colors, and patterns to craft unique mixed media collage pieces that blend expressionism with intricate abstraction. Margarita uses her education as a compass of her work and her imagination.

Her talent lies in transforming of everyday materials into beautiful and meaningful art. Margarita’s bold use of colors and intricate details transport viewers to a vibrant world full of energy and life. Her art encourages viewers to pause, explore the elaborate details, and savor the moment, providing a brief escape from the fast-paced nature of contemporary life. With endless creative possibilities, each of her distinct pieces often carries a unique background narrative or a wellspring of inspiration.

Q: What is your work philosophy and how does that impact your work?

A: My work philosophy is centered on art as a dynamic expression of my imagination and emotions. It drives me to constantly innovate, create emotionally resonant pieces, provide a moment of reflection in our fast-paced world, tell unique stories through my art, and embrace diversity in materials and themes. This philosophy is the guiding force behind my creative process, ensuring that my art remains vibrant and meaningful.

Q: What artist(s) inspire you?

A: Collage stands as a significant milestone in Cubism’s history and, consequently, in the broader context of 20th-century modern art. It’s why Braque and Picasso hold a special place among my favorite artists, as their work inspires me to craft my own collage artwork.

Q: What is the best advice you’ve received?

A: The best advice I’ve received for my art practice includes embracing fearless experimentation, seeking inspiration everywhere, maintaining a regular art-making routine, and emphasizing patience and perseverance despite creative challenges. These insights have been crucial in developing my unique artistic voice and navigating the highs and lows of my artistic journey.

Q: What does exhibiting at Spectrum Miami 2023 mean to you? 

A: Spectrum Miami is a platform that will allow me to share my creative voice and unique perspective with a diverse audience. It’s a chance to connect with fellow artists, art enthusiasts, and collectors, fostering invaluable connections and feedback that will further shape my artistic evolution. Spectrum Miami 2023 represents a significant milestone in my artistic career, affirming the importance of art as a means of communication, expression, and connection with others. It’s a moment to celebrate how far I’ve come and to look forward to the limitless creative possibilities that lie ahead.

TABLINUM CULTURAL MANAGEMENT (FEATURE GIUSEPPE GIANNOTTI)

“I am Giuseppe Giannotti, an Italian-Swiss journalist, born on 15th March 1954 in San Benedetto del Tronto (Italy). My father, Enrico, was an officer in the Italian Navy, assigned to the Port Authorities. Every two years, with my family, I moved from one port city to another. And from here my propensity for travel was born. My mother, Ester Amato, survived the Holocaust, the only one left of her family of Sephardic Jews originally from the island of Rhodes. Ten months in the Auschwitz concentration camp didn’t break her. Esther survived thanks to her extraordinary strength and her mantra (never give up). Values to all of us in the family; I have applied these values in my profession as a journalist.”

Q: What is your work philosophy and how does that impact your work?

A: Our gallery, founded in 2013, has an international vocation and our mission is to have our artists exhibited in international contexts; When compared with different academies, the artists draw great inspiration, an important reason for the development of their professional careers.

Q: What artist(s) inspire you?

A: We follow the modern and contemporary art and therefore it is difficult to give names, having to choose: the twentieth-century spatialist concept of Lucio Fontana and the dripping of Jackson Pollock.

Q: What is the best advice you’ve received?

A: To be a gallery that gives space to young artists and allows them to travel the world with their artworks.

Q: What does exhibiting at Spectrum Miami 2023 mean to you? 

ABeing at Spectrum and exhibiting the artworks of our photographer artist Giuseppe Giannotti is a source of pride for us; Miami Art Week is the highlight for contemporary art, worldwide.

CHANYU KUO

Chanyu Kuo was born and raised in Asia. After studying Art in the UK for several years, he continues to create artwork and currently resides in Miami, Florida. His artistic inspiration is based on personal development, international vision, and emotions in daily life. From shallower to deeper, and from concrete to abstract, just like the Asian ink and wash skills that have been widely applied through his artworks. Characterized by bold strokes and vibrant colors, Chanyu Kuo’s paintings explore the relationship between Asian ink and wash, and abstraction to meld cross-cultural probing and stylistic innovation with a meditative figural base. As an artist, Chanyu is intrigued by the idea of encouraging audiences to respond with emotions and reflect on their own stories.

Q: What is your work philosophy and how does that impact your work?

A: My work philosophy is deeply rooted in the notion of connection—connecting to one’s self, to others, and to the broader strokes of our shared humanity. I believe in the power of art to bridge the gaps of language and culture, to touch upon the emotions that are universal to the human condition. This belief impacts my work by driving me to create pieces that are not just visually stimulating, but also emotionally resonant. I approach each canvas with a mindfulness that is reflective of the meditative process found in Asian ink and wash painting. There is an intention behind every color chosen, and every line drawn, and this intention is to evoke and to provoke—to stir something within the viewer that is perhaps unrecognized or unacknowledged. Furthermore, my work philosophy embraces the concept of growth, both personal and artistic. It’s about constantly challenging myself to push the boundaries of traditional art forms, to explore and integrate new techniques, and to remain receptive to the evolving narratives of our time. This quest for growth ensures that my work is never static but is instead a living, breathing entity that reflects my journey as an artist and as a global citizen. In practical terms, this philosophy results in artwork that carries with it the layers of my personal development and my international vision. It imbues my work with a sense of exploration and introspection, inviting viewers to engage not just with the piece, but with the ideas and emotions it represents. Ultimately, it impacts my work by ensuring that each creation is a meaningful encounter, an opportunity for reflection, and a call for a deeper understanding of the self and the other.

Q: What artist(s) inspire you?

A: The two artists that most influenced me at the beginning of my art journey were Walt Disney and Mrs. Wang. Walt Disney’s ability to create engaging stories that captivated audiences worldwide greatly impacted me growing up. His works showed me the power of storytelling and how it can be used to spread love and positivity throughout the world. My early mentor Mrs. Wang has been an incredible source of guidance throughout my artistic journey. She truly opened my eyes to the limitless possibilities of art and encouraged me to explore new techniques and styles. Some other great artists in history that have had the most significant influence on my work are Joan Miro, Salvador Dali, and Clifford Still. These artists have a unique style and creative vision that I find inspiring. From Joan Miro’s expressive use of shapes and colors to Salvador Dali’s surreal dreamscapes and Clifford Still’s abstract expressionism, each artist has given me something new to explore in my work. Ultimately, their art has helped me push the boundaries of what art can be and opened up new paths for me to explore. They have all contributed to my journey of self-discovery and inspired me to create artwork reflecting my experiences and identity. I am forever grateful for their influence! Without them, I wouldn’t be where I am today.

Q: What is the best advice you’ve received?

A: The best advice I’ve ever received is embodied in the metaphor, “Be like water.” This phrase encapsulates the art of resilience and adaptability—encouraging me to embrace experiences as they come, to flow around obstacles, and to adapt to various circumstances while remaining true to my essence. Water is yielding yet persistent, capable of carving canyons through stone not through force, but through patience and persistence. Similarly, this advice has taught me to approach my life and art with a sense of flexibility, to absorb experiences, whether they are tumultuous or tranquil, and to allow them to shape my journey without altering my core self. In my practice, this means that I am open to new ideas, techniques, and perspectives, much like water takes the shape of the vessel that contains it. Yet, just as water maintains its inherent properties regardless of the shape it assumes, I too strive to maintain the authenticity of my voice and vision, no matter how diverse the influences or how varied the paths I explore.

This wisdom, “be like water,” serves as a reminder that the true strength lies in adaptability—a capacity to endure, to change form, to ebb and flow with the circumstances of life and art, but ultimately, to remain unaltered in one’s true nature. It’s about the delicate balance of fitting in with the environment while not losing the unique properties that define who I am as a person and as an artist.

Q: What does exhibiting at Spectrum Miami 2023 mean to you? 

A: Exhibiting at Spectrum Miami 2023 is a milestone in my artistic journey—a journey that spans over two decades of dedication, exploration, and self-expression through art. Having woven my narrative thread through the years, this prestigious event represents a new dawn, the beginning of a wider recognition that every artist aspires to. To me, Spectrum Miami is not just an art show; it’s a vibrant confluence of culture, creativity, and communication. It is a platform that transcends geographical boundaries and cultural barriers, allowing me to present my life’s work to a global audience. It signifies an opportunity to share my ideas, my vision, and my voice with people from all walks of life, from every corner of the world. This exhibit marks a moment of celebration, a point in time where I can stand back and witness the ripples of my efforts as they touch different shores. It means engaging with art lovers, collectors, and fellow artists in a dialogue that is fostered by the universal language of visual art. It’s about the joy of sharing the stories that have been etched into my canvases, inviting viewers to partake in the experiences and emotions that have shaped my work.


[ad_2]

Source link

Read More

Featured Artist Katherine Berg | Artsy Shark

[ad_1]

Katherine Berg presents a stunning collection of handmade glass vessels, and shares her inspirational story. See more by visiting her website.

 

“Blue Bubble Bowl” kiln formed glass 12″ diameter

 

I’m an award-winning glass artist from Chicago. Even though I have a degree in art, I didn’t discover my passion until long after college. I started my career as a watercolorist, loving the transparency of the colors and how they blended as layers were added. Eventually I found something similar in the way glass behaves, and I never looked back.

 

Glass platter with Koi theme by Katherine Berg

“Koi Plate” kiln formed glass, 10″ diameter

 

I love the unpredictability of glass. You can plan a piece out to a certain extent, but once it’s in the kiln and starts to melt, it does it’s own thing. I’m always pleasantly surprised when I open the kiln after a successful firing.

 

Volcano themed kiln formed glass bowl by Katherine Berg

“Into the Volcano Bowl” kiln kiln formed glass, 12″ diameter

 

Each one of my pieces is one-of-a-kind and takes several days to create. Some pieces I plan out in advance, but other times I just go in the studio and play around and let the glass decide what it wants to be.

 

Koi bowl kiln formed glass by Katherine Berg

“Koi Bowl” Kiln formed glass, 11″ diameter

 

I love playing with color and pattern in my work. To me, the more color the better, although I sometimes surprise myself and decide to go more neutral. Sometimes it’s an individual piece of glass that I’m inspired by.

 

red plate kiln formed glass by Katherine Berg

“Red Hot Rounds” kiln formed glass, 12″ diameter

 

Nature is a huge influence for me. I like taking walks in nature, especially at sunset, and it never fails to give me ideas. I find nature to be very restorative and calming as well as inspirational and I hope people feel the same feelings when they see my work.

 

kiln-formed glass rainbow plate by Katherine Berg

“Fabulous Rainbow Plate” kiln formed glass,12″ diameter

 

Sometimes I am also inspired by the sights and sounds of Chicago; the architecture, the lakefront, it’s all so beautiful. That’s the great thing about this city, so much incredible architecture (old and new) but also so much nature as well.

 

Decorative blue kiln-formed bowl by Katherine Berg

“Out of the Blue Bowl” kiln formed glass, 12″ diameter

 

When I was a child I was constantly drawing and painting on everything I could find. I think my family always knew I would be an artist.

 

colorful kiln formed glass sculpture by Katherine Berg

“Colorsplash” kiln formed glass, 12″ diameter

 

My first job, working my way through college, was at a bookstore. Everyone who worked there was an artist of some sort. We had poets, painters, dancers, writers and one of my coworkers actually sang with the Chicago symphony chorus. We fed off of each other’s creative energy, and I think that really helped shape my artistic point of view. I will be forever grateful for the past experiences that shaped me into the artist I am today.

 

Katherine Berg invites you to follow her on Facebook.

 

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!

[ad_2]

Source link

Read More

Meet the Artist: Gunes Caglarcan

[ad_1]

Represented by ACT Contemporary

Güneş Çağlarcan, a multidisciplinary painter and pianist from Istanbul, Turkey, explores the relationship between perception and human relations in his art. His main areas of interest are the human mind, human relations and inner reflection. He focuses on the effect of both the mind and the heart on human perception as relational.

Çağlarcan’s work explores psycho-visuals and manipulation of human perception to look for any relationship between objects and past experiences. He uses perception as an element of composition, the ultimate decoder that effortlessly challenges the brain to identify objects. As a pmusician as well as a painter, Caglarcan finds the relationship between music and visuals and adopts these materials as a formal structure. He collaborates with composers and performers in his exhibitions and installations.

As the artist describes, “My artwork delves into the unexplored world of hidden emotional situations that influence human behavior. Through my art, I aim to provoke individuals to explore more profoundly and confront their inner selves and the deeper emotions that shape our daily attitudes and lives, often aspects we tend to avoid.”

At Red Dot Miami 2023, Çağlarcan will be showcasing his Shadows Collection. In this collection, he undertakes the impact of global upheavals, thrusting health, peace, and happiness into the limelight while unearthing sorrows and fears that we either dismissed or concealed. The work presents an opportunity to engage the viewer on a deeper emotional level which for Çağlarcan became an amazing construct to spread art, love and friendship.

____________________________

To learn more about the artist, visit Red Dot Miami, Booth 418 or the artist’s website: www.gunescaglarcan.com  or Instagram: https://www.instagram.com/gunesdreamland/

About ACT Contemporary

ACT Contemporary, based in Miami, provides art consultancy services for artists with wonderful results on an international level. Nazan Aktan is the principal, managing and assisting emerging and mid-career contemporary artists, advising them on positioning, branding, developing and monetizing of their careers at all levels. 

Working with Turkish artists as well as international artists, Aktan eases the artist’s competitive journey with project strategies and branding opportunities, creating, communicating, and implementing the artists vision, mission, and direction.




[ad_2]

Source link

Read More

Meet The Artist: Dilek Uzunoglu Ors

[ad_1]

Represented by ACT Contemporary

Born in Izmir to architect parents, Dilek Uzunoglu Ors’s interest in painting began at a young age. After her undergraduate studies in economics and a postgraduate degree in business administration, she worked in managerial positions in various multinational companies.

Ors had the opportunity to continue her interest in painting during the pandemic and developed a passion for abstract expressionism which led her to further develop her talent as an abstract painter. She is known for her bold use of color and complex layering. Her abstract style allows the viewer to have a visual experience that evokes feelings of well-being, joy of life, and dreaming.

Ors explains her inspiration and process: “I take my inspiration from nature, music, cinema, literature, and stories of everyday people. I am trying to interpret the world the way I see it, and I am in a continuous search for freedom and balance. I love to work with different materials and tools including those recycled, use uncommon color matches, and create texture. I am in search of more dynamics and light in painting and experimenting with different materials and techniques. In my working process, I am following the unconscious. The colors are used autonomously and give the drive for the creation. I am working with multilayers and with recycled paints and found objects, which are integrated into the canvas to create depth and texture.”

Ors’ goal is to create a personal work containing variations that never end, always trying to continue the process of creating and sharing. Art becomes a journey for the artist to seek meaning and self-fulfillment. Her paintings consist of layers and thickness, some with more transparent colors and spontaneous brush movements. Through her art, she hopes to spread her energy and joy of life with other people.

Influenced by Jackson Pollock, Mark Rothko, and Damian Hirst, she revels in their experimentation with various methods and mediums, and how they were able to create works that were unlike anything that had been seen before. Ors aspires to do the same with her use of color and layering techniques.

__________________________

To learn more about the artist, visit Red Dot Miami, ACT Contemporary, Booth 418.

About ACT Contemporary

ACT Contemporary, based in Miami, provides art consultancy services for artists with wonderful results on an international level. Nazan Aktan is the principal, managing and assisting emerging and mid-career contemporary artists, advising them on positioning, branding, developing, and monetizing their careers at all levels. 

Working with Turkish artists as well as international artists, Aktan eases the artist’s competitive journey with project strategies and branding opportunities, creating, communicating, and implementing the artist’s vision, mission, and direction.


[ad_2]

Source link

Read More

Featured Artist Allison Richter | Artsy Shark

[ad_1]

Painter Allison Richter shares a striking avian portfolio inspired by her fascination with these beautiful, ethereal animals. See more by visiting her website.

 

Private Chatter, oil on canvas, 36h”x 48″

 

I’m a wildlife artist, and my world revolves around capturing magical moments in the lives of these magnificent creatures. My passion lies in the beauty of birds. I’m here to take you on a journey into the world of avian wonders.

 

Dramatic painting of a bird perched in a landscape by artist Allison Richter

“Stormy Feather” oil on canvas, 36″ x 36″

 

My canvas is diverse, but it’s all about bringing out the beauty of birds. For oil on canvas, I use a technique called impasto, which adds texture to the paintings.

 

Painting of two ducks afloat by Allison Richter

“Happenstance” oil on canvas, 24″ x 24″

 

This not only makes the artwork visually captivating, but it also makes it dynamic. The interplay of light and shadows on the textured surface changes throughout the day, bringing out different aspects of the birds. I can choose to let the strokes flow freely to express their movement or tighten up the impasto to highlight specific details.

 

Close up painting of roseate spoonbill by artist Allison Richter

“Wingman” oil on canvas, 5″ x 7″

 

When it comes to color pencil originals, I work on boards with a fine grit. This surface helps absorb the pigments, creating a soft, non-reflective depth to the art. I love the feeling of these textured boards, and it allows me to create detailed, lifelike feathers and strokes that tell a story in each piece.

 

colored pencil bird portrait by Allison Richter

“Presumed Melancholy” color pencil on pastel board, 20″ x 16″

 

Layout is a vital element in my work. It’s what guides your eye into the heart of the scene. Whether it’s a tranquil, misty morning with the world in slumber or a vibrant, sunny day where birds are alive with activity, I want each piece to convey a mood and atmosphere that draws you in.

 

colored pencil drawing of bird on a branch by Allison Richter

“Broken Amethyst” color pencil on pastel board, 17″ x 8″

 

Color is my brush to paint the soul of my art. Each shade and hue contributes to the symphony of light in my work. I want you to feel the warmth of the sun, hear the rustling leaves, and share in the joy of the birds. My goal is to reveal the wonders of these fleeting moments and inspire you to appreciate the beauty in the world around us.

 

Dramatic bird portrait reflected in water by Allison Richter

“Pineapple Cake” oil on canvas, 36″ x 36″

 

My art is an invitation to see the world through my eyes, to get lost in the emotions and details of each piece. Whether it’s oil on canvas with impasto or color pencil on textured boards, I want to share the beauty, depth, and exuberance of the avian world. I hope you’ll join me in celebrating these remarkable moments that remind us of the wonders of life.

 

Oil painting of an owl by Allison Richter

“Reflected Intensity” oil on canvas, 8″ x 8″

 

In essence, my art is a window into the world of birds, a way to appreciate the beauty in the everyday moments that often go unnoticed. Each stroke of the brush, each pencil mark, is an invitation to celebrate the extraordinary in the ordinary.

 

Painting of a peacock in a walled garden by Allison Richter

“Door to the Garden of Repose” oil on canvas, 20″ x 16″

 

I’m here to remind you that the world is full of wonders, and they are all around us, waiting to be cherished.

 

Allison Richter invites you to follow on Instagram, Facebook, Blue Sky and X.

 

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!



[ad_2]

Source link

Read More

7 Essential Verbs for Artists to Embrace

[ad_1]

Those are my 7 verbs for you to consider: Devote, Begin, Understand, Connect, Avoid, Investigate, and Finish.

They’re actions you’re already taking to some extent, but perhaps you’ll think about them a little more as you go throughout your days.

When you are feeling insecure, remember that you have devoted yourself to the life of an artist.

When you are procrastinating, begin with the smallest step.

When you are lost in the studio, understand and feel the presence of the legacies of artists who have come before you.

When you are lost in your business or feeling lonely, connect to other artists and people who get you.

When you aren’t feeling productive, consider what is getting in your way and take steps to avoid it.

When the work doesn’t feel right, investigate. Go deeper. 

When it’s time to move on to the next project, make sure you finish the current one.

[ad_2]

Source link

Read More

Display Tips for Your Next Art Show

[ad_1]

Planning to exhibit your work at an art festival or fair? Use these tips to showcase your art beautifully.

 

Ceramic artist Brenda McMahon’s display

 

Make your collection cohesive.

A well-presented body of work contains elements that all relate to each other. The collection should show a variety of pieces that all express one signature style. An effective booth display will present your art or handmade work in such a way that the group as a whole makes a big impact and a statement about what you do.

Give each piece some breathing space.

The photo above, of ceramic artist Brenda McMahon’s outdoor show booth, is a good example of this principle. An overcrowded display is confusing, and can make your work look like commodity items, cheapening them. McMahon has carefully placed each piece of her saggar-fired ware, with sufficient space between each one to allow it stand alone. Your work deserves to be treated as “special” and thoughtful use of space will achieve this.

Keep backgrounds neutral.

McMahon’s booth display uses this to great effect. A simple black backdrop doesn’t fight with the art in front of it. Instead, it allows the subtle patterns and colors of the ceramic surfaces to pop. Black is the perfect choice here – a bright color or busy pattern would clash with the earthy tones of the fired clay.

Great lighting sets the stage.

If you have access to electricity, use it to brighten your booth as much as possible. One of the biggest mistakes artists make is not understanding the power that light has to showcase your booth. Avoid shadows on your work by hanging lights to shine from three directions. There is nothing like a bright beautifully lit booth to draw a crowd and pull people in from the aisle!

Encourage touch if possible.

Textural items naturally appeal to one’s sense of touch. Handmade products that are displayed near the entrance to your booth can attract visitors who want to feel the softness of woven goods, natural stone or clay, or other pieces that aren’t too fragile.

Even if your work must be kept in a case for protection (such as expensive jewelry), be sure to place some items on the countertop which are within reach and use this to aid in the sales process. Place items into shopper’s hands whenever possible – this increases the potential of a purchase. Let your customer feel the weight, the finely finished surface, or the quality of materials you use to create your work.

Use handmade or natural displays.

Many times, your handmade work shows best on a natural background rather than hanging on fixtures that have a more commercial look. Artists often use stones, natural wood, beach glass, or other display materials to enhance their products.

Many artists create displays that are lightweight and portable, and also incorporate these essential elements. A well-designed booth will give a more professional presentation and draw attention from prospective customers.

 

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!

[ad_2]

Source link

Read More

Featured Artist Counsel Langley | Artsy Shark

[ad_1]

Artist Counsel Langley shares a fascinating portfolio of highly detailed mixed media works inspired by life experiences. See more of her work on her website.

 

“Nixie, Moments Before Sleep” acrylic, ink, graphite, paper, my best shirt, 30″ x 30”

 

I come from a long line of people who built boats, sailed seas, and made do with what they had on hand. They used traditional skills to work wood and metal. They made beautiful things that had to function well, or would put lives in jeopardy.

 

Futuristic image of a woman on a bridge in a galaxy

Hold Fast, acrylic, graphite on board, 30 x 30”

 

I appreciate the high stakes they grappled with, their respect for materials, willingness to put in long hours of hard, physical work, and boundless notion of what is possible. I admire their adventurous spirit, and well-honed craft. When I work it is to fan that same spark within me. On that foundation rests my desire to make good work, and to continue to grow for as long as I live. Each day I aim to get a little better than the day before.

 

bold and vibrant artwork of dawn over mountains

“Morning” acrylic, graphite on custom shaped panel, 30″ x 19” at longest points, 30″ x 19”

 

Largely due to their influence, I studied metalsmithing back at art school. That training impacted the way I approach painting and the unique techniques I’ve developed in my studio. Attention to detail, love for surface treatment/texture, and a willingness to stick with a problem until it gets solved are some of the ways I still approach artmaking like a metalsmith.

 

Bold contemporary mixed media relief landscape

“Beyond the Pines” acrylic, ink, glitter, mica, lace, onion net, paper, foam core on canvas, 14.5″ x 12.5”

 

Certain imagery I’m drawn to appears in my work again and again. Science fiction and folktales, lost highways and streetlights, mountains and saltwater, outer space, and figures poised at the moment of crucial decision.

 

contemporary artwork about darkness

“After Dark” acrylic, graphite on panel, 11″ x 9.5”

 

I also adore low-tech special effects—shadow puppet shows of childhood, optical illusions, stop-motion animation, animatronic movie monsters. Tricks that work with basic physics and neurology, that take real, mostly mundane, materials and elevates them to delight.

 

Distressed wood artwork by Counsel Langley

“The Proposal” acrylic, graphite on found wood, 16″ x 16″

 

I played with this in my Distressed series. Using old boat boards worn by salt and sea, I “framed” them with a soft glow, like a halo. These were created by reflected fluorescent orange paint that coated the back side of the rough wood. I’ve returned to that love with my current work.

 

wall relief mixed media night scene

“[ominous music playing]” acrylic, photo, paper, lace, glitter, recycled, foam core on canvas, 15″ x 13”

 

In a series called [ominous music playing], I draw on the 1980s movie magic of a particular genre I like to call “kids saving the day on dirt bikes.” Think E.T., War Games, The Lost Boys … In these pieces I’ve finally allowed myself to break out of the edges of the canvas and to work in low relief. This new work has a vigor to it. There’s an intense physicality to making it. At the best moments, it has elements that are cinematic and reminiscent of pre-digital animation techniques.

 

mixed media abstract landscape

“Dusk” acrylic, graphite, paper on board, 30″ x 30″

 

In the end, I am driven by an insatiable curiosity. I learn best by doing. My studio practice is full of action, discovery, and working in the company of loud music. Like paths through woods, my work unfolds in series, down which I explore different stories and approaches.

 

mixed media collage by Counsel Langley

“Midnight City” acrylic, ink, graphite, paper, on board, 30″ x 30″

 

Underneath it all, my work is tied together by a desire to find a balance between order and chaos.

 

Counsel Langley invites you to follow on Instagram.

 

Want to stay current on cutting edge business articles from Artsy Shark, plus artist features, and an invitation to the next Call for Artists? Click below to sign up for our twice-monthly email. You’ll get all this plus opportunities and special offers that you can’t get anywhere else!



[ad_2]

Source link

Read More
TOP