The Importance of Art Critiques | 4 Tips for Receiving Feedback

The act of painting can be a solitary endeavor. The majority of an artist’s studio time is spent in contemplative interaction between subject matter and surface. Even when surrounded by fellow artists, either in a classroom or plein air event, it’s as if we are alone. England’s venerable statesman, Sir Winston Churchill, summed it up this way, “Painting is complete as a distraction. I know of nothing, which without exhausting the body, more entirely absorbs the mind.”

While a passion to communicate visually lies at the core of the desire to paint, and the diversity of individual vision ultimately leads to great artistic expression, artwork cannot be created in a vacuum. The feedback, both positive and negative, garnered from others plays its part in our creative development. Having perspective on what we are asking for and what we are receiving is the key to making critical feedback useful.

081114-mckinley-pastel-pointers

A candid shot during critique day, offered in my weekly masters class.

The intimacy involved in painting can make it hard to be subjective. Heartfelt emotions are involved and often cloud objectivity. This leads many painters to seek the viewpoints of peers whether from formal group critiques or individual one-on-one assessment. The definition of critique varies from a detailed analysis and assessment, to careful judgment in which opinion about what is good and bad are voiced. Having been both the agent and recipient of innumerable critiques, I have a few observations that may prove helpful when receiving feedback:
  • Spend time contemplating what you really hope to gain from the critique. This is where personal introspection will be useful. Most of us try very hard. We put the total sum of our abilities into every painting. What we often hope for is more of a validation of those efforts than a brutal, sometimes seemingly callous evaluation of what is technically wrong.
  • Know what you like about your painting before asking for criticism. The better you know what it is you like or dislike before receiving criticism, the better able you will be to put it into perspective. Listen to what is said, make sure it applies, and then ask yourself: Do I think it would be better changed or do I like it just the way it is? Remember; it doesn’t have to become an argument to win the critic over to your side. It is just their opinion.
  • Seek peers whenever possible. The more respect you have for the critic, the easier it is to accept. Evaluate the critic by studying his or her works. Attempt to understand his or her biases. We all have them. Some of us are technical absolutists and others celebrate the breaking of rules.
  • Don’t discredit positive feedback. It is often easier for us to accept negative criticism. When I praise a student, they frequently respond, “Well, I didn’t know what I was doing and I couldn’t do it again.” When a negative comment is given they respond with, “I knew I didn’t know what I was doing. I am so stupid.”
A little introspection and understanding of what you hope to gain from exposing yourself to criticism is the key to making is useful. A little introspection can go a long way in avoiding the dreaded critique question: Do I look fat in these jeans?
Photo courtesy of Janie Hutchinson.

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The Recital (pastel) by Alain Picard
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SOURCE: Artist's Network - Read entire story here.

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75 Years Ago, ‘The Wizard Of Oz’ Helped Cure ‘War Nerves’

This week in 1939, "The Wizard of Oz" premiered at Grauman's Chinese Theatre in Los Angeles before its nationwide bow on Aug. 25. The Victor Fleming film was one of Hollywood's first escapist blockbusters, and treated as such by the media. Courtesy of Ancestry.com comes this Mason City Globe-Gazette article from Sept. 2, 1939, about "The Wizard of Oz," which calls it a cure for "war nerves."

"If it's relaxation you're seeking from the headlines shrieking of war in Europe and in Asia, we recommend to appease your desire (in spit of avowed failure of other appeasement programs) "The Wizard of Oz," which opened at the Cecil Saturday and plays there through Thursday," the piece reads. Check out the full article below, then head down the yellow-brick road or something.

wizard of oz
SOURCE: Arts - The Huffington Post - Read entire story here.

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Her Life with a Little Bit of Fiction

Paintings, drawings, words. All of it. I'm in love with Herikita's art. It speaks truths in soft colors and is quite often made-up of angled homes and rooftops, pets and insects, women and men, all of whom are sharing their awkward feelings and I just want more and more of it.

Her bio alone was enough to make me smile. Here's a small bit of my favorite part, "I work at midnight like Cinderella�s mice, almost always, when everyone is sleeping and something pops up in my mind.."

It's such a great visual.


SOURCE: Doodlers Anonymous - Read entire story here.

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Win A Lifetime Skillshare Membership To Enhance Your Design Skills

The following post is brought to you by Skillshare. Our partners are hand-picked by the Design Milk team because they represent the best in design.

Win A Lifetime Skillshare Membership To Enhance Your Design Skills

You may have already heard of Skillshare, the online learning community to master real-world skills. Members have unlimited access to hundreds of online, project-based classes taught by experts in creativity, design, business and technology. From introductory courses to intermediate and advanced, whether you need to learn a new skill or just get a refresh, the Skillshare community offers something that can help you grow your business. With teachers like Jessica Hische, Paula Scher, James Victore, Seth Godin, Guy Kawasaki, Jon Contino, you know you’re learning from some of the best, too.

We are super excited that they’re giving away THREE lifetime Skillshare memberships to Design Milk readers. That’s a $2,000 value! AND it means you can take any Skillshare classes you want, any time, anywhere. If you win, you’re gonna be the smartest, most creative person on your block. Go to the contest page to find out how to enter.

Not sure yet? Here are some teasers of classes I’m interested in taking:

Lettering for Designers, One Drop Cap Letterform at a Time with Jessica Hische

Brand Identity: Design Adaptable Brand Systems with Paula Scher

Design Your Own Creative Brush Packs in Photoshop & Illustrator with Gerren Lamson

Fundamentals of Design: How to Think Like a Designer with Jack Zerby

Rules: To enter, visit the contest page and enter your information. Upon entering, you agree that your email address can be added to the Skillshare newsletter mailing list and the Design Milk Daily Digest. You may opt out at any time. Open to residents of the US and those over 18 years old. One entry per person. Contest runs from August 11, 2014 through August 17, 2014 at midnight Pacific Time. Winners will be chosen at random and we will contact the winners directly.

Full rules and terms can be found on the contest page.

ENTER HERE


SOURCE: Design Milk » Art - Read entire story here.

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Tranquilty Nodes Made of Sand by Talin Hazber

Tranquilty Nodes Made of Sand by Talin Hazber

Architect Talin Hazber used an unusual material when designing Tranquility Nodes. After becoming obsessed with sand and the possibility of creating something out of it, she found herself doing research on its micro and macro qualities by sculpting lamps out of it. The fully functioning lamps create a warm glow, inviting viewers to inspect them closer.

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

The lamps create a cozy ambience, therefore meeting Hazber’s goal of wanting to design something that would influence the space. Everything changes when the lighting and mood shift and the cascading, organic fixtures do just that.

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category

Tranquilty Nodes Made of Sand by Talin Hazber in main home furnishings art  Category


SOURCE: Design Milk » Art - Read entire story here.

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Cool Art on The Fish Indie Network

(above by Nicole Ray)

I wanted to take a second today to talk about one of DA's favorite sponsors. Fish Indie is a really great ad network we're a part of that helps artists and crafters stand out when trying to sell their work online. All you need to do is paste a link from your Etsy shop, and Fish Indie takes it from there. In seconds your banner is automatically generated for you with your product's image, description, and price. Your ad instantly goes live across Doodlers Anonymous and other fellow sites, like Illustration Friday, Brown Paper Bag, and Pikaland. It's a totally stress-free way to have your Etsy shop seen by an audience relevant to you.

Here are some talented artists that we wouldn't have discovered if they weren't on Fish Indie:

To the Moon and Back by Sarah Trumbauer

Soul Biology by Ursula Hart

Lola by Nicole Canovas

Ice Cream Print by The Midnight Rabbit

Lush by Nati

Day of the Dead Skull by Emily Wegener


Sleepy Hedgehog Illustration by Ucuspucus
SOURCE: Doodlers Anonymous - Read entire story here.

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Artist Project: Jack + Leigh Ruby’s Car Wash Incident

Today from our friends at Art Practical, we bring you an essay by Simon Lee and Eve Sussman about “the intersection of and differences between entertainment and art.” This article was originally published on July 9, 2014.

Jack + Leigh Ruby. Matt's Convenience Store Robbery, evidentiary photo 21; 1975. Courtesy of the Artists. Photo: Leigh Ruby.

Jack + Leigh Ruby. Matt’s Convenience Store Robbery, evidentiary photo 21; 1975. Courtesy of the Artists. Photo: Leigh Ruby.

I’ve been a fan of Eve Sussman’s work from the first moment I watched her film Rape of the Sabine Women (2007) during a screening at the San Francisco Museum of Modern Art. I loved its cinematic texture—the way in which plot was secondary to the visual elements—and how Jonathan Bepler’s original score kept insisting on being present as a diegetic element. Since then, I’ve had the pleasure of viewing several of her collaborations with the Rufus Corporation and with Simon Lee. The thing that I love about her work, and the work of her collaborators, is how they use the vernacular of classic Hollywood and foreign film to propose poetic responses to the central and deceptively simple question, “What makes a movie?”

I think almost immediately of her 2011 video installation whiteonwhite:algorithmicnoir, which offers a full reveal of the structure of entertainment. Shot primarily in Central Asia, the video feels like the fevered dream collaboration of Jean-Luc Godard and Franz Kafka. An algorithm generates the sequence of shots on a moment-by-moment basis, with the upcoming selections queued on a monitor at the side of the room. Each viewing presents an entirely new film. While the editing structure is an essential element of whiteonwhite, the settings, production design, camera work, and acting are all clearly in dialogue with the conventions of American film noir, which makes the piece feel only more like an endless labyrinth to get lost in.

Read the full article here.

SOURCE: DAILY SERVING - Read entire story here.

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