How we view Civil Rights, the images, the meanings and the roles of photography

[ad_1]

Human Rights Human Wrongs 5.45pm 5 March 2014 at the National Museum Cardiff in the Reardon Smith lecture theatre

Bob Fitch, Martin L. King (Dr. Martin Luther King Jr.),

Birmingham, Alabama, United States of America,

December 1965.

Reproduction from the Black Star Collection,

Ryerson University. Courtesy of the Ryerson Image Centre.

Using the
1948 Universal Declaration of human rights as a point of departure, Mark Sealy,
MBE, RPS Hood Medal, Director Autograph ABP and Founding CEO of Rivington Place
London, examines whether images of political struggle, suffering, and of
victims of violence work for or against humanitarian objectives, especially
when considering questions of race, representation, ethical responsibility and
the cultural position of the photographer.

The talk will reflect on the imagery that has informed
perceptions of civil rights, ranging from historic events such as the Selma to
Montgomery March and Martin Luther King’s “I have a Dream” speech, to the
independence movements in many African countries as well as more recent
examples of injustice within wider global conflicts. Here the historical and
contemporary roles of photography to validate and question the case for civil
and human rights will be examined from different perspectives.

The event is FREE but booking is essential as places are
limited.

This lecture forms part of a series accompanying a project by  National Museum Wales to work on its rich and diverse historic photographic collections

To reserve your place,  email: Historic.Photography@museumwales.ac.uk

with your name and contact telephone number.

[ad_2]

Source link

Read More

2023 Modern Gift Ideas From Director of Branded Content Kelly Beall

[ad_1]

Choosing suggestions for my own gift guide feels a bit torn from “these are a few of my favorite things”! I own a few of these items already – like the sheets and perfume – and have others on my own wish list this holiday season. The mini backpack has already held up to traveling, and I hope to add those fingerless gloves to my winter wardrobe soon. Overall, I think the running theme is Creative Creature Comforts!

I’ve been using this AI-powered indoor garden since spring – it’s a fully-automated vertical growing system that can grow up to 30 plants year-round. You can harvest fresh produce just about every day with a setup that only takes up 2 sq. ft. of space. Full-spectrum LED lights help to accelerate growth, while a 5+ gallon tank ensures minimal care on your part. You can even monitor your burgeoning garden with multiple cameras and sensors 24/7! Aside from the device itself, the kit includes your choice of a 30 plant starter set, plant food for optimized growth, and a yPod Sleeve to easily harvest or switch out plants. All of this and it only takes around 30 minutes to set up, using zero tools. Sprouts will start popping up in a week or two and you’ll be on your way to a mountain of herbs and veggies.

light-skinned person with their back to the camera models a dark green modern backpack

It’s referred to as a “mini” backpack, but it’s the perfect full size for me. Ideally minimal in design, it features a roll-top closure with a hook and loop fastener as well as an interior zipper. The bag is constructed from PUrTEX∞, a custom-made, ultra-durable tech material that Ucon Acrobatics developed. Created with the circular economy in mind, it’s made from recycled fashion textile waste and finished with a rigid coating of solvent-free polyurethane that provides incredible scratch-resistance. You’ll also find pockets throughout (two on the exterior sides and one on the front that uses a water-repellent zipper), two mesh pockets, and an elastic bottle holder and keychain inside. Just the right size for your laptop, the reinforced back padding, bottom, and straps add safety and stability for your precious contents.

styled bedroom with chartreuse bedding

I can fully admit that I’m a bedding snob, and ettitude’s sustainable CleanBamboo® Signature Sateen Sheet Set checks all the boxes. Made from silky-soft bamboo lyocell fabric with zero harmful chemicals or plastics, the hypoallergenic set is breathable and really does adjust for temperature. And, importantly, the pockets are deep so that you won’t find yourself fighting the mattress every time you change the sheets. These sheets are so soft, and you’ll find they only get better with time and more trips through the wash. I’m a big fan of this Saffron hue for a pop of color in my otherwise neutral bedroom, but there are lots of good ones to choose from.

white and pink birthday cake with candles on a white background

Cake is one of my favorite things, so the idea of whipping up a fake one is very appealing. Though I love to bake, I’ve never decorated anything with fancy icing, making this faux cake kit a fun experiment to take advantage of before (hopefully) fooling some visitors with it on display. Inside the box you’ll find 4 x 4 x 2-inch foam cake base, 4 oz spackling, wooden knife, acrylic paint, star piping tip, two piping bags, five candles, a piping guide, and detailed instructions. If this particular cake design doesn’t catch your attention, there are several more to choose from – maybe collect them all? It should go without saying, but no part of this kit is made for consumption.

glass perfume bottle reading LAVANDE 31 on a grey background

Lavender can get a bad rap as a scent associated with old women, but it’s always been one I’m drawn to. If you’re in the former camp, Le Labo’s LAVANDE 31 scent holds the power to change your mind. Bergamot and neroli essential oils add an unexpected freshness, while “ambery, dirty, and musky notes” blended with tonka give this eau de parfum a classic, yet updated, signature. My bottle has firmly earned its place on the dresser.

neon yellow bananas on a background of multiple blue hues and the words GO BANANAS

Each holiday season I like to add a piece of art to my ever-growing collection, it’s become a tradition of sorts. Martha Rich’s ‘Go Bananas’ limited-edition print was originally a painted collage on wood, and it feels a bit like a calling to step out of my comfort zone in the new year. The neon yellow fruit against a cool blue background creates an exciting contrast that pops, while the red block lettering gives you your directive. Each print is museum quality, using archival inks and 100% cotton rag paper (unless noted), and comes signed and numbered with a certificate of authenticity. Make it even better by opting for the handcrafted custom-framing option!

light-skinned hand holding a deck of oracle cards up against a white background

Forever trying to dig deeper to understand yourself better? *Raises hand* The Vessels & Muses Oracle Deck and Guide Book is a tool you can tap into to help get you there. It was created to help support you through challenges, channel your potential, and move further into the elusive awakening you’re searching for. The deck includes 40 cards that feature original artwork by Zoë Pawlak, a booklet explaining the meaning of each card’s word, journal prompts for each, and the integration of astrological signs. With so many decks to choose from these days, this one is worth it for Zoë’s stunning work alone.

black platform clogs on a white background

Bryr is known for their clogs, and one of the latest pairs is an update to the Chonk design – the Tegan bootie. Right on-trend with a platform lug sole and monochrome black look (Hello, late ’90s and early ’00s!!), this pair can be worn with tights and/or thick socks when it’s cold outside and without when it warms up. If only I still owned my long black cargo skirt, my winter go-to outfit would be set in stone. The Tegan booties are made to order and run true to size – two things to keep in mind before you smash Add to Cart.

dark orange candle adorned by wax flowers

If you’ve never seen beeswax used to create a work of art, behold this hand-poured cinnamon scented floral candle. Made by hand using 100% beeswax from Chiapas, a woman named Viviana creates each one in her workshop located in a small Mexican town. Trained in candle-making since she was a child, Viviana hand-pours every layer for longer burning times. Her intricately detailed specialty candles are inspired by the absent-minded plucking of petals from a rose, and are available in five styles and an assortment of colors.

light-skinned woman wearing a olive colored coat and dark grey fingerless gloves

As someone with chronically cold hands who lives and works in a 123-year-old house, fingerless gloves are a hot commodity come winter. This 100% cashmere pair from Jenni Kayne are soft and cozy – perfect to wear while typing away on a post just like this one. I love how they look like sweater sleeves when poking out from your coat sleeves. Choose from three colors: Charcoal, Grey, and Stone.

Follow along so you don’t miss any of our 2023 Gift Guides this year!

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she's likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

[ad_2]

Source link

Read More

Sweet Spot | Artists Network

[ad_1]

We use cookies to optimize our website and our service.


Functional cookies





Always active





The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.


Preferences








The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.


Statistics








The technical storage or access that is used exclusively for statistical purposes.
The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.


Marketing








The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.

[ad_2]

Source link

Read More

The Skillful Drawings of Captartbook

[ad_1]

Captartbook is an artist of great talent and detail. Not much is Googleable about Captartbook. On their Instagram page they exclaim on their two passions, sailing and drawing. Captartbook’s social media sticks strictly to the drawing (unless you dive deep, discover a few pictures of a boat) and so we are left only with their art.

Other than the mystery, it’s the art which draws one to Captartbook’s output. Their approach to art eschews the current popularity of minimalism, favoring a deeply labored level of detail that punches you in the gut upon first glance. Many of their pieces are uncolored works of ink or pencil. Captartbook’s choices of subject and stylistic quirks evoke an evolution of drawings you sometimes find in paperback copies of classic novels. Their most recent post at the time of this writing features a pirate-looking, grizzled man with a big gray beard and a monkey hanging off the side of his head. It’s a portrait done in ink, using classic technique on a subject of days gone by. Presenting this in 2019, Captartbook updates the classic idea in a more sinister way. The eyes of the monkey are black almond shaped holes, unlike the man’s who has whites and intent drawn in, accusing/threatening, it’s a choice. There’s a void in the eyes of the simian friend and the artist has captioned the piece with, “Who is the real owner?” It feels of another time and provocative at the same time by way of the artist. They compel you to reconsider things in a new way. Take the next post even. An ink drawing of Atrani, Italy. It’s another display of technical mastery on the part of Captartbook, rendering an old European Coastal town. A place we typically think of as being sunny and gorgeous now takes on an underlying darkness in its beauty. It’s still gorgeous but now also feels like it could stand in for the setting of Dracula. All of Captartbook’s work takes on this sort of feel; classic, beautiful and dark. It’s part of their mystery, one I intend to watch unfold through the only path available to us. Their art!

[ad_2]

Source link

Read More

The Best Museum Glass And Acrylics To Protect Old Photos

[ad_1]

All picture frame glass is not created alike, especially when it comes to showcasing heirloom, old or otherwise special photos or artwork. These precious pieces may require extra protection to help prevent fading and other damage.

“When we opened our first gallery, we thought glass was just glass,” Jon Davies, a professional framer for the Chester, U.K.-based Alison Bradley Gallery, wrote over email. “We couldn’t have been more wrong.”

The kind of display you should look for to protect sentimental pieces? Either acrylic or glass with at least 97% UV-filtering glazing. It’s the conservation standard and “the only known solution to protect your work of art from harmful UV light while it is on display,” Carissa Tonner of The Conservation Center in Chicago told us over email. “[If] you want the value and integrity of the work to be protected for future generations, then UV glazing is always a worthwhile investment.”

This includes artwork that isn’t even exposed to direct sunlight: Any amount of light, according to both experts, contains some amount of UV with the potential to harm your piece. “UV filtering glazing is not a cure-all, but it will significantly slow the fading process,” Tonner noted.

While professionals can help you choose exactly what kind of glass or acrylic to use for your photos and artwork, we rounded up some accessible options from Amazon and Etsy that you can invest in to help protect your items now. Read on for our recommendations.

HuffPost and its publishing partners may receive a share from purchases made via links on this page. Every item is independently selected by the HuffPost Shopping team. Prices and availability are subject to change. The experts consulted for this story do not necessarily endorse the products ahead unless otherwise noted.

Amazon

A two-sided photo frame with UV protection

This double-sided, UV-filtering acrylic picture frame makes protecting your photographs extra easy. Simply slip your two photographs inside, and its magnetic corners will lock together to hold your pieces firmly in place while the material helps block UV rays. It’s available in four sizes and in packs of three.

It can also hold items like cards, letters and other items under 5 mm thickness.

Amazon

A square wooden frame with UV-filtering acrylic

This versatile wooden frame sports UV-resistant acrylic to help safeguard precious photos, artwork, certificates and even puzzles. You can choose between 19 colors of finishes and 18 sizes.

Amazon

A UV-protective wooden frame for diplomas and other prints

These elegant wooden frames will display precious documents like diplomas, certificates and artwork while protecting against UV rays, dust and moisture. They’re available in cherry and black finishes with various trim options, in two sizes and in packs of two.

Amazon

Some Tru Vue museum-grade UV-filtering acrylic

Tru Vue is one of the manufacturers of choice for UV-protective glass and acrylic. This museum-grade acrylic filters up to 99% of UV rays in a multitude of sizes, comes with an anti-reflective coating and promises to be shatterproof. It's an attractive option if you already have a frame in mind; this way, you can use a frame you already own and simply switch out the glass.

Etsy

A 99% UV-protective picture framing acrylic sheet

I ordered this 99% UV-protective acrylic from The Paper Framer on Etsy to help protect a particularly special photo from the 1920s. It’s given me peace of mind knowing that I can display it without having to worry about it fading in the sun. There are numerous sizes available, or you can message the store owner to order a custom size.

Etsy

A 99% UV-filtering conservation-grade glass

Wall Decor Solutions Co. is another great Etsy option for UV-filtering conservation-grade glass. Their glazed glass features 99% UV protection and is available in nine sizes or a custom fit.



[ad_2]

Source link

Read More

Jenny’s Art, Design and Architecture blog: Reel to Real

[ad_1]

'Reel to Real' is a sound curating project, funded by the
Esmée Fairbairn Collections Fund, designed to catalogue, digitise and  make available online, in gallery spaces and
beyond, the Pitt Rivers Museum's unique archival field recordings. The content
of the recordings ranges from spirits singing in the rainforests of the Central
African Republic to children's songs and games in playgrounds throughout
Europe.

The project website includes
information about and playlists from all of the Museum's original ethnographic
recordings, video and interview resources, ethnomusicology seminars, their SoundCloud account and much more. 

Reel to Real Project Website here.

Visualiser combining Bayaka sound waves and images


The related  SoundCloud account can be found here, and customised playlists and sets can be found here.

[ad_2]

Source link

Read More

14 Mysterious + Macabre Home Furnishings in Defense of the Dark

[ad_1]

Bold, beautiful, and beguiling. When it comes to an interior’s visual narrative some may consider it brazen to lean into a darker language, but many contemporary designers are capitalizing on the macabre to create home furnishings for spaces imbued with a sense of mystery. “It’s more about thoughtful restraint and materiality. Dark and mysterious doesn’t have to be ugly or rough. For me, it’s more about tone and texture, the interplay of shadow and light, and slightly twisted forms,” says Nicole Ficano, Workshop/APD’s Director of Interiors. “There’s an element of chiaroscuro at play – what’s compelling is how it draws the eye and pulls you in for a closer look.”

Portal Rug Collection by John Pomp and Kyle Bunting in three inky hues

Take Kyle Bunting’s latest roundup of textiles embracing enigmatic color trends, for example, or the instantly chic Portal Rug Collection by John Pomp in collaboration with Bunting, whose inky hues and playful warp elicit wonder at what may be waiting in the dazzling central floor mirror.

Two shots of a large wingback chair.

The Hathi Lounge Chair by DeMuro Das

Equally overt in its bulbous expression is DeMuro Das’ Hathi Lounge Chair. A contemporary take on the traditional wingback, the silhouette is borrowed from that of an elephant and becomes an instant focal point due to its significant visual weight and physical gravity.

Contemporary floor lamp with a luminary that looks like a cocoon.

The Belle De Jour Floor Lamp by YMER&MALTA

Profile of black bench that is vaguely bird like in shape.

The Oiseau Bench by YMER&MALTA

Sharing an affection for nature is art-furniture creator YMER&MALTA who fashion furnishings “made to measure.” Some of their particularly curious pieces include the cocoon-like Belle De Jour Lamp and Oiseau Bench, a seemingly petrified avian relic. Adjacent to anthropomorphic forms are objects like the table and armchairs from Jean-Luc Le Mounier’s Empreinte Collection, which quite literally explores destruction and rebirth with patinated bronze elements cast from broken and burned wooden planks.

Contemporary dining room table and chairs with pointy features.

Jean Luc Le Mounier’s Empreinte dining table and chairs at Maison Gerard

Detail of table legs that look like tree bark.

Bronze detail of Jean Luc Le Mounier’s Empreinte dining table at Maison Gerard

From the Window to the Wall

Darker color palettes can be utilized as backdrops to better articulate saturated tones when paired with the right furnishings and mood lighting. But for the faint of heart, consider staging high contrast pieces within a brighter context. “Black grounds a space while also punching up a white wall more so than white-washed furnishings that become tone-on-tone,” says interior designer Michael Ellison. “It’s badass and bold.”

Black console table with three legs.

Loïc Bard’s Bone Console with drawers for Radnor

One such example is Loïc Bard’s altar-like Bone Console exclusive to Radnor. Vaguely skeletal in joint detail, this series explores such forms in maple that is given a blackened finish from his shou sugi ban process. ⁠Compelling art and mesmeric mirrors add additional impact when in dialogue with furniture like this while holding the power to create moments of quiet reflection if positioned on their own.

Two contemporary paper collages in high contrast.

Eventide and Moon Cave, fine art collages by Tara Hogan

Artist Tara Hogan’s fine art collages – an amalgam of printmaking paper, intuitive techniques, and minimal material application – range from the austere to the enchanting with Eventide and Moon Cave, respectively. Despite their esoteric design, the pair encourage viewers to inhabit a meditative space to explore their personal meaning.

Geometric mirror.

The Polaris Mirror by Reflections Copenhagen

The multifaceted silver, black, and white geometric fragments of Reflections Copenhagen’s crystalline Polaris Mirror deliver a literal aesthetic edge that is both extravagant yet striking in its simplicity. Its dynamism adds electricity to any space.

Gather ‘Round

Often a microcosm of broader programming in the room, tabletops are tasked with setting intentions for the space and equally responsible for displaying meaningful objects.

Collection of ceramic black and white bolts, plates, mugs.

Jialun Xiong’s Symmetry collection

Jialun Xiong’s Symmetry series – porcelain tableware comprising a cup, plate, and bowl – embody the material’s defiance in an effort to achieve perfect form. Simple dots, lines, or circles along the grooves mark the exact center of each piece like war paint – only 4 out of every 10 items survive the kiln due to their unique method of production exclusive to the artisans of Jingdezhen, China.

A bright room contrasted with dark table dressings.

Tortuga Forma’s Cosmos Placemats in Terrazzo Black

Objects like Tortuga Forma’s Cosmos Placemats, available in a black terrazzo pattern made from recycled rubber, take a lighthearted approach while bringing a contemporary, eco-friendly look to the table. The flecks of color add additional flair.

Table setting with black napkin rings.

Black leather napkin rings by Peter Speliopoulos

Peter Speliopoulos’ hand stained leather napkin rings employ a similar ellipse shape that gives the set otherworldly forms as well as their functionality. Once activated with a napkin, the protruding ends resemble the particle stream emitted from a black hole.

Do Look Up

Luminaries of all genres allow for the literal play with light – or the restraint required to master mood lighting. “The fabulous fixtures by John Procario, the Freeform Series in particular, at Todd Merrill Studio evoke a sense of danger and the macabre with all its contortions and bends,” adds Ellison. “It feels like you shouldn’t see light bend that way.”

Twisted black bar light.

John Procario’s Freeform Series Light Sculpture XI

For a lo-fi but equally artful alternative consider Guculiya’s black-smoked, handmade candelabras manufactured using a proprietary Ukrainian craft technique. The ceramics come in a variety of glyph-like forms ready for communing with guests of all kinds.

Glyphic-like ash ceramic candelabras.

A collection of smoked ceramic candelabras by Guculiya

If You Dare

And those interested in “quiet luxury” are not relegated to the same selection of blandness often plaguing contemporary goods. “We do see an overall counter movement in interiors moving away from the overly blond designs in favor of darker settings with deeper tonalities in both paints, fabrics, as well as in the selection of natural materials,” say Åsa Bollvik & Lotta Meynell, co-founders of Ateljé Nordöst design studio. “All together it serves to create that dramatic atmosphere equally warm and inviting while also hinting at something mysterious to encourage exploration with unique details ‘hiding in the dark.’”

Succumb to its gravity and get lost in the shadows.

With professional degrees in architecture and journalism, Joseph has a desire to make living beautifully accessible. His work seeks to enrich the lives of others with visual communication and storytelling through design. A regular contributor to titles under the SANDOW Design Group, including Luxe and Metropolis, Joseph serves the Design Milk team as their Managing Editor. When not practicing, he teaches visual communication, theory, and design. The New York-based writer has also contributed to exhibitions hosted by the AIA New York’s Center for Architecture and Architectural Digest, and recently published essays and collage illustrations with Proseterity, a literary publication.



[ad_2]

Source link

Read More

.ART: The Canvas of Modern Creativity and Recognition

[ad_1]

Showcase your talent and win big in Artists Network prestigious art competitions! Discover competitions in a variety of media and enter for your chance to win cash prizes, publication in leading art magazines, global exposure, and rewards for your hard work. Plus, gain valuable feedback from renowned jurors. Let your passion shine through – enter an art competition today!

[SPONSORED CONTENT]

In the realm of art, unlike the structured accreditation found in professions like law or medicine, an artist’s identity is a personal manifesto, a declaration of creative existence. There’s no universal registry, no definitive list—being an artist is a subjective truth, affirmed by the individual and recognized by the audience. It’s about positioning oneself within the cultural landscape, where the name you build becomes your badge of honor. It’s this unique identity that resonates with onlookers, peers, and critics, shaping an artist’s journey and legacy. As such, the .ART domain has become a beacon for artists, a digital space where they can claim their name and solidify their presence in the art world. 

Among the luminaries who have embraced .ART are those whose works are currently on show at major global institutions, affirming that their digital identity is as pivotal as their physical exhibitions.

Marina Abramović at the Royal Academy of Arts 

Marina Abramović’s retrospective at the Royal Academy of Arts (London), open till January 1st, 2024, is a historic event, marking the first time a female artist has been honored in such a manner by the institution. Documenting her performances since the 1970s, the exhibition showcases Abramović’s journey, where she has often risked her well-being to test the extremes of human endurance. Her work transcends the label of performance art, challenging both the artist and the audience with its raw confrontational power. The Marina Abramović Institute (MAI), with its digital presence at www.mai.art, mirrors this ethos by preserving the history of performance art and fostering new explorations in immaterial art forms.

Marina Abramović is a renowned performance artist whose Institute has found its digital home at www.mai.art

El Anatsui at Tate Modern 

El Anatsui’s “Behind the Red Moon” at Tate Modern in London (on display till April 14th, 2024) is a monumental testament to the transformative power of art. His sculptural installations, created from thousands of metal bottle tops, weave together narratives of history, trade, and encounter. The Ghanaian sculptor’s work, officially represented online at www.elanatsui.art, is a dance of color, shape, and texture that invites viewers to reflect on the complex interplay between Africa and Europe, between past and present. Anatsui’s installations are not just visually stunning; they are a dialogue with the material itself, revealing the spiritual and physical properties that challenge our perceptions of traditional sculpture.

El Anatsui (www.elanatsui.art) is a Ghanaian sculptor and one of the most highly acclaimed artists in Africa’s history.

Matt Collishaw at Kew Gardens

Matt Collishaw’s exhibition “Petrichor” at the Shirley Sherwood Gallery of Botanical Art in Kew Gardens is a fusion of art and nature, running till April 2024. Collishaw, a key figure among the Young British Artists, presents a series of works that explore the intricate dance between the natural world and its artistic depiction. The highlight of the exhibition is “Heterosis,” a dynamic NFT collection that allows for the creation of digital flowers, reflecting the speculative intrigue of the 17th-century tulip mania. This innovative project is featured on www.og.art, a platform that revolutionizes art collection by offering dynamic NFTs that evolve over time. Here, art is not static but a living entity that invites continuous interaction, symbolizing the ever-growing connection between art, technology, and community.

Matt Collishaw’s dynamic NFT collection Heterosis can be found at www.og.art

The 14th Shanghai Biennale

The Shanghai Biennale stands as a beacon of contemporary art, and this year’s edition is no exception. With the theme of humanity’s intricate connection to the cosmos, the biennale stretches beyond the physical confines of the Power Station of Art. Its digital counterpart, www.cosmoscinema.art, will offer a virtual space that complements and expands the reach of the exhibition from November 15th onwards. Curated by Anton Vidokle, the biennale delves into cosmology and social structures, inviting a global audience to partake in a conversation that bridges art, science, and the collective human experience.

Shanghai Biennale is the most established biennale in China and this year it will be hosting its digital presence at www.cosmoscinema.art

In today’s digital-first landscape, carving out an artistic identity is as crucial online as it is in the studio or gallery. A .ART domain serves as a hallmark of this identity, setting an artist apart from the crowd with a name that echoes their creative vision. But it doesn’t end there; a matching email address such as [email protected] becomes an extension of this professional persona, offering a level of credibility and seriousness that generic email services lack. This digital toolkit—domain and email alike—ensures that an artist’s digital footprint is as considered and curated as their exhibitions. When someone searches for your art, they find not just a body of work, but a crafted digital presence that reflects the uniqueness and professionalism of the artist behind it. 

With .ART, an artist’s name transcends being just a label; it evolves into an integral part of their artistic expression and legacy. Get your .ART today

[ad_2]

Source link

Read More

Paintings of Women Submerged in Water

[ad_1]

Isabel Emrich is a painter who has been working and studying in California. With a number of high-profile exhibitions and print features, she has shown herself as an artist to look out for. Nothing made this more apparent than her “Refracting Beauty,” show at Skidmore Contemporary Art.

The series, “Refracting Beauty,” showcased a large volume of works Emrich had done of woman submerged in water. Throughout the series the viewer is given a strong impression of the interaction between water, light and motion. This relationship manifests in a number of ways. In the piece, My Future Confidence, we get a sense of the beauty of the water. Emrich uses bold brush strokes, mingling yellows, oranges, greens and purples to create a surreal rainbow effect in front of a woman whose body is submerged beneath the colors. The viewer sees only the subjects head, up to her eyes, practically removing her from the chaotically beautiful swirl as she looks off the side, out of frame. In another piece, Learning from the Past, we see this from the other side. A woman is submerged just below the surface of the water wearing a crown of flowers. The colors once again swirl in the surface of the water, now above the subject. Meanwhile the contemplative woman we face, eyes closed, has a similar effect occurring across her face. Varying shades of blue and pink crisscross over her cheeks, lending her somber, ethereal beauty. This is the aesthetic that I find most moving in Emrich’s work. While some of her pieces are more straightforward, women trailing bubbles while they swim through rich, blue-green waters, I keep coming back to her for the bold colors, the impressionistic swirls and the perspective. Here’s hoping that her Future Confidence becomes her present confidence because she’s got the goods.

[ad_2]

Source link

Read More

Cancel Culture: The Art vs. The Artist

[ad_1]

The Art Versus The Artist Is A Personal Choice — And It’s Worth Reexamining

Once you learn something damning about a person attached to a movie, TV show or song you love, where does that love go?

By Candice Frederick | Published Nov. 7, 2023

This story is a part of our weeklong series on cancel culture.
Read the other stories here.

Maybe this has happened to you before. You’re enamored of some film you’ve seen and decide to post about it on social media. Something like: “OMG, [XYZ] is soooo good. It’s one of my all-time favorites.” And while you’re in mid-glow about it, someone sends you a full report on how shitty the director, actor or some other talent behind the project is as a person.

It’s usually something to this effect: “I used to love this movie too, but I found out that [XYZ] did [insert shitty behavior here] and now I can’t even stomach it.”

That is a totally fair stance for someone to have. It often has to do with whether the shitty person’s behavior is triggering to them, whether it conflicts with their own social or political beliefs, or how much empathy they have for whomever the shitty person directly affected. Whatever the reason, it’s a personal choice, and they have every right to feel that way.

But any expectation that anyone else should also feel that way is a bit concerning and very hive mind. Each of us has our own relationship with a piece of art that we admire that can have little to do with a talent’s personality or conduct. It really is just about the art sometimes.

That can be a hard truth, especially in a culture that too often conflates a flawed or despicable character with the actual actor who portrays them. Doing so already strips down the wall between reality and fiction to the point where they’re one and the same.

That’s further exacerbated when so much of a celebrity’s personhood has been made available to us — with and without their permission — and, in turn, we feel entitled to it.

That time they cheated on a spouse. The scrambled eggs they made for breakfast. Photos of their kids. The very problematic and politically incorrect post they decided to share with the world. Crimes they committed.

This is the same celebrity culture that oddly exalts celebrities. So when they fuck up, and they often do, many people can’t even deal with it. They feel betrayed, realizing only then that the celebrity was human (or maybe worse than most humans) this whole time.

Beyond that, we also demand some sort of justice or a proper dismantling of their celebrity once they commit the offense(s). It’s both our way of taking a stand and urging a sense of accountability, as increasingly elusive as that accountability seems to be.

Should that comeuppance also extend to the person’s art? Well, it depends, once again, on whom you ask. It might depend on whether you’ve already seen and loved the movie, TV show, song or other work of art. Because once you learn something damning about a person attached to the art, where does that love go?

We’re in an era when things and people are either black or white, right or wrong. ... We need to get more comfortable with expressing and engaging with thoughts and feelings around art that make us uncomfortable.

One could argue that your admiration immediately dissolves upon hearing the news. But that would then raise another question: Did you ever really love it to begin with if it was that easy to drop?

Maybe that kind of love is true for some people, but not for all of us. Divorcing ourselves from the art we consider great means also giving up something we enjoy engaging with, challenging and watching, sometimes on loop. It requires necessitating a break-up we may or may not actually want, but feel like it’s the right thing to do.

None of those things are easy. And, to be fair, they imply a willingness that just might not be there. That’s not to say that we are open to compromising our social or political values for a work of art that involves a miscreant. It only really means that we’re complicated humans who can occasionally seem contradictory.

It also means we lose the opportunity to have a thoughtful discussion about these complicated feelings we have around said art. But the social culture isn’t currently set up in a way that contemplative discourse can really thrive. We’re in an era when things and people are either black or white, right or wrong.

The reality that there can be, and often are, multiple truths isn’t even considered.

Let’s dismiss that here for a moment, though. Suppose you can have equally strong feelings about both a song and the shitty human behind it. You can even feel conflicted about that, even though both things remain true. But as uncomfortable as that might be to admit, especially in those precarious social media streets, there shouldn’t be shame attached to it.

It just means that we need to get more comfortable with expressing and engaging with thoughts and feelings around art that make us uncomfortable.

Like how enjoying a movie isn’t the same thing as enjoying the shitty person involved with it. For one thing, there are many talented, generally unproblematic workers involved in making a piece of art, far beyond the one problematic human associated with it (or even a few of them, if that’s the case).

Canceling the art would also mean canceling what all these other people put into it, too. And if disrupting the income that empowers said shitty person or people is a prominent goal, how that impacts the talent around them on a project is a worthy discussion.

There’s an ecosystem of shitty conduct throughout Hollywood — and across all industries — that has and should have given us plenty of reasons to reflect, speak out, and as we’ve seen repeatedly, rightfully demand accountability. But the kind of response one should have to the art, in relation to the malefactor involved, remains as debatable as ever.

[ad_2]

Source link

Read More

Data Visualisation: Beautiful Science

[ad_1]


Exhibition at The
British Library
20
February - 26 May 2014
The Folio Society Gallery; admission free
Turning numbers into pictures that tell
important stories and reveal the meaning held within is an essential part of
what it means to be a scientist. Beautiful Science explores how our
understanding of ourselves and our planet has evolved alongside our ability to
represent, graph and map the mass data of the time.
The associated events for the exhibition are listed here
Unfortunately  this event….
Andy Kirk, founder of Visualising
Data
will be holding his renowned Introduction to Data Visualisation
course at the British Library to coincide with Beautiful Science: Picturing
Data, Inspiring Insight.
…is sold out but fear not you can get
to see what Andy is about by looking at his website

Students who came to my Visual Literacy workshop
last term will already know about
the King of Data visualisation  Hans Rosling
Professor of Global Health, Karolinska Institutet. Edutainer
& co-founder of Gapminder Foundation, Stockholm,
Sweden
· gapminder.org

Meanwhile
as with everything and especially anything that is immensely visually attractive
-beware of being misled!! Here is a warning article about taking care to
question the veracity of infographics from
John Burn-Murdoch of the Guardian

[ad_2]

Source link

Read More

Desktop Wallpaper: November 2023 with Momentum

[ad_1]

Available today for your phones, tablets, and laptops, November’s Designer Desktop features an original design by Momentum Textiles & Wallcovering. What’s exciting about this design is it’s just one example of how you can use your own original artwork and turn it into wall murals and wallcoverings through Momentum Digital Creations. Whether you have a finished piece or just a sketch of an idea, Momentum makes it possible to actualize your design and prints on demand to complete your interior project. If you need a design instead, artwork by Momentum’s designers and world renowned artists, like the ones below, are also available to grace your space. Other original design ideas from Momentum:

geometric wallpaper design

abstract wallpaper design

For now, start with your tech devices and download this month’s desktop below!

DESKTOP: 1024×768  1280×1024  1680×1050  1900×1200  2560×1440

MOBILE: iPhone XS  iPhone XS Max  iPad Pro

Learn more about Momentum Textiles & Wallcovering here and follow along on IG here.

View and download past Designer Desktops here.

As the Senior Contributing Editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She's probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.



[ad_2]

Source link

Read More

Nature’s Bounty | Artists Network

[ad_1]

Join us for the art event you’ve been waiting for in Mesa, Arizona from October 25-28, 2023 and enjoy a terrific lineup of educational workshops, a marketplace to shop, and community building activities. Whether you’re looking to learn a new technique, gain knowledge from a top instructor, or meet other artists, you won’t want to miss Art Fest Mesa!

Jennifer Morrison’s colored pencil renderings go beyond traditional botanical drawings to become “portraits” that capture the unique beauty and character of her subjects.

[SPONSORED CONTENT]

Jennifer Morrison has been drawing botanicals for close to a decade—and rarely feels an urge to draw anything else. “Not only are there are endless possibilities for color and composition when rendering flowers,” she says, “but they evoke an array of feelings. Many people have a ‘favorite’ flower, often intertwined with special memories.”

Blue and Yellow Tulip (colored pencil on museum mount board)

The artist grew up in Southern Indiana, where she roamed through fields and woods and played in the garden. A significant influence was her grandfather, who appreciated the beauty of fruits, vegetables and flowers—and passed that aesthetic sensibility down to Morrison. “There’s a sense of magic in popping open a pea pod and seeing all the little peas neatly lined up inside,” she says. “I’m connected to all of it somewhere deep down, and I don’t think I’ll ever run out of ways to interpret nature through art.” This philosophy is certainly on full display in her body of work.

Q: What is it about colored pencil as a medium that you enjoy?

A: Many things, but mainly—colored pencils are so accessible. They’re relatively inexpensive and come in a variety of beautiful colors. They can be used for everything from coloring in a coloring book to creating an original masterpiece. You can transport them anywhere, and they’re virtually mess-free. I always loved to color as a kid, and I experience the same joy when I draw with colored pencils.

Q: Describe your technique for combining colored pencils with NOOD.

A: Colored pencils and Utrecht NOOD Odorless Paint Thinner are a magic combination. NOOD dissolves the binders in pencil pigment. It releases the pigment, creating something that looks more like paint than pencil. This process gets rid of any of the graininess that might be commonly associated with colored pencils. It transforms my drawings into “colored pencil paintings.” Prismacolor’s colored pencils are perfect for this technique because they’re so soft and blendable, and the pigment really blooms when they’re mixed with paint thinner. The process is relatively easy. I start by creating a base layer of colored pencil, then I apply the paint thinner with a firm-bristled brush. I use a very small amount of paint thinner to blend, and the paper never gets very wet. After letting the drawing set for a few minutes until it’s completely dry, I add my next few layers of pencil to refine the drawing. At this stage, I adjust the values, refine the details and clean up the edges.

Q: What other tools do you use?

A: Once you get past the basics, there are a lot of different tools and techniques you can use in colored pencil artwork. I especially like using an electric eraser to pull up bits of color in my drawings, which adds texture and depth. I also like using a stylus or embossing tool to indent lines and details into the paper. When I go over those areas with colored pencil, the pigment doesn’t stick. This is an easy way to add veins to leaves and create tiny details in the centers of flowers. I’ve drawn on almost every type of paper from Bristol smooth to Pastelmat. My current favorite drawing surface is 2-ply museum mount board. It comes in large sheets that I can cut to size. I’m drawing my “Tulip” series on Legion Rising museum mount board, cut to 20×20 inches. Strathmore makes a museum mount paper that I like, as well.

Q: Do you have any tips for artists who are new to colored pencils?

A: It’s important to understand that drawing is a learned skill. I didn’t have any natural talent for it (as evidenced by my first few drawings) but, I improved quickly because I practiced regularly. I watched video tutorials and applied what I was learning. I think the most important skill to have in order to draw in a realistic style is patience. If you take the time to learn a few simple techniques, and you have the patience to practice, you will improve. I no longer subscribe to the idea of “color-matching.” In most cases, I don’t think it’s important to find the perfect color to match a reference image. Value is where it’s at. Match your colors as close as you can without stressing out about it and focus on the values. You want some really dark shadows and some nice, bright highlights. As long as you create a beautiful palette of colors to work from, then the colors in your artwork will be beautiful.

Q: Anything else that you’d like to share about your creative process?

A: Learning how to create art has been one of the best decisions I ever made. I always have something to look forward to, whether it’s the drawing I’m currently working on or a future series that I’m dreaming about. I have enough ideas to last me the rest of my life, and I can’t wait to get started on all of them!

To find Prismacolor Colored Pencils, Utrecht NOOD Odorless Paint Thinner and other featured materials, visit DICKBLICK.COM.

[ad_2]

Source link

Read More
TOP