© All Images: The George Hoyningen-Huene Estate Archives
“Texture, line, simplicity–these were the things he liked–the classic truth.” Katharine Hepburn
As time goes past, and the history of photography becomes deeper, photographers such as George Hoyningen-Huene (b.1900-d.1968) remind us how rich that legacy grows. What is now more than 100 years ago, Huene (hoo-Nay), while standing on the shoulders of previous giants like Edward Steichen (who encouraged a young Huene in Paris in the early 1920’s to pursue fashion photography), created timeless work that has helped to shape later generations’ understanding of photography, fashion, film and Beauty.
A new book–the first publication in 40 years–on Huene is now out from Thames & Hudson. It is a timely reminder for us to rediscover Huene. In many ways the arc of his life as a Baron and Russian-born aristocrat in St. Petersburg in 1900, as well as being the son of an American mother, mirror the major events of the 20th Century. From WWI, to fleeing the Bolshevik Revolution, to life in bohemian Paris in the 1920’s, to Golden Age Hollywood in the 1940’s–Huene was a part of it all. His collaborations with the leading artistic and celebrity lights of the day and his relationship with the photographer Horst P. Horst only make his history richer.
This new publication from Thames & Hudson provides a generous overview of his life, including unpublished correspondence, and for me, a whole new appreciation of Huene’s travel photography. When we delve back into the history of photography, and see the work of Avedon, Penn, Ritts, DeMarchelier and others, we can appreciate the foundations that Huene laid earlier with elegance, simplicity and a reverence for Beauty: the classic truth. –Lane Nevares